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Kristin Oppeheim

@chill_ko

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Tomorrow! on @nts_radio 8pm CET

Playing some of my favorite records and archives by contemporary artists involved in music, from records and exhibition soundtracks to other side projects.

That was a fun project to work on. Thank you NTS team for hosting it. Get locked tomorrow: nts.live

Love to all

Archived here:
https://www.nts.live/shows/guests/episodes/exploring-contemporary-art-and-music-w-coni-10th-september-2026
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Walter De Maria - Cricket Music
Max Ernst - Interview (1960s)
Pauline Oliveros - Bye Bye Butterfly
Lawrence Weiner & Peter Gordon – Deutsche Angst
Gray - So Far So Real
Kristin Oppenheim - Sally Go Round
Sol Lewitt & Roland Dahinden - PENTAS for 5 loudspeakers
Sonic Youth - Scream (Recorded live, Rolle Switzerland 6/83)
Dan Graham - My Religion: Extract From A Work Tape: Ann Lee
IXNA (Marina La Palma & Jay Cloidt) - Fun Fun Fun
Mike Kelley & Scott Benzel - Party Train
Henry Flynt - Jumping (1976)
Die Hornissen (Walter Dahn & Detlev Kühne) - Des Nachts/At Night
Laurie Anderson - The Puppet Motel
Jack Goldstein - Planets (6b)
Marnie Weber - Songs Hurts Me

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Silhouette pour l'exposition CATALOGUE d'@inner__lightt au @centreeditioncontemporaine avec @yaabilar_ et la participation de @naimabrentini

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Happy Mother’s Day from 303 Gallery! 💐💗
—
@kimletgordon Picture Window, 2022
Single-channel video (color, sound)

Sue Williams, Mother and Daughter Dresses, 1997
Oil and acrylic on canvas

Nina Canell, Mother of Dust (detail) 2023 Pearls, broom, modified conveyor belt

@evarothschild Shepherds (Day), 2025. Painted bronze

@talamadani Shitmom Ascends, 2025.
Single-channel video animation (color)

@chill_ko Untitled Erin, “Summer with Alesandra” (The Eyes)

@tanya_merrill If I Were Lotte, Pregnant, 2022
Oil and graphite on linen

@okigonster euqinimod & costumes, 2014. Installation view, 303 Gallery, New York, 2014

@cas_amandaa Brutal consciousness, 2025
Oil on linen

@alicjakwade with her The Roof Garden Commission: ParaPivot. The Metropolitan Museum of Art, 2019. Photo: Eileen Travell

@janeandlouisewilson Unfolding the Aryan Papers, 2009. 16mm film transfer. Installation view Skulpturenhalle Neuss / Thomas Schütte Stiftung Photo: Hanne Brandt

@pinsky_leisure_time Installation view: Circuit, Europalia Arts Festival, Brussels North Station, 2021

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Kristin Oppenheim did this wonderful portrait of me as I was going through divorce / thank you KO for being there and capturing some incredible transitional moments in my life !!! This hat is my mothers from the 70s that I confiscated!!

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Happy Birthday to Kristin Oppenheim! @chill_ko 🥳🎊Kristin Oppenheim’s immersive installations explore the coalescence of sound and vision and the relationship between time and memory. Designed with choreography and movement in mind, and based in sound, film, and performance, her work mimics the rhythmic, evocative nature of the metaphysical realm. Hypnotic melodies and haunting vocals, often narrative phrases, are layered and twisted into repeating patterns that saturate the exhibition space, at times recreating a phenomena of the senses.
–
Tap Your Shoes, Installation view: “Rouge Baiser,” at FRAC Pays de la Loire, 2007
Black Sabbath. Installation view: 303 Gallery, New York, 2002
Installation view: Echo, Secession, Vienna. April 24 - June 21, 2015

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Happy International Women’s Day from 303 Gallery! 💐🙌
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Pictured here:
1) @okigonster Helen & Gordon, 2015
2) @collierschorrstudio Picture for Women, 2010
3) @tanya_merrill Birds overhead, 2023
4) @talamadani Cloud Mommy, 2023
5) @maryheilmannstudio Dreamy Waves, 2022
6) Sue Williams, Anniversary, Waiting on Spirit, 2024
7) Katinka Bock, Some and any fleeting, 6 2022
8) @janeandlouisewilson Untitled #16 ‘I’d Walk With You But Not With Her’ 2018
9) @alicjakwade Waiting Pavilions, Tai Kwun Contemporary, Hong Kong, China, Dec 20, 2024 - Dec 26, 2026 Courtesy of the artist and Tai Kwun Contemporary, Installation view by Jimmy Ho.
10) Nina Canell, Tailings 2023
11) Ceal Floyer, Overgrowth, 2004
12) @cas_amandaa A Gentle rain is dying, 2023
13) @chill_ko Headstand 2002
14) Installation view: @pinsky_leisure_time 303 Gallery, New York, 2018
15) @evarothschild Rag Time, 2023
16) @kimletgordon Object Of Projection, Curated by Lawrence English, The Substation, Melbourne, Australia. Photo: Machiko Abe
17) @lottyfox Bedroom Theater (Spectators), 2024
18) @lisa303 in front of work by Rodney Graham (Ezek. 40-42). Photo by @shannonoksanen

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Introducing ‘Kristin’ by @may_zarhy
Premiering at @theaterforum_kreuzberg

‘Kristin’ is a choreographic sketch made of a series of physical positions, through which the dancer moves. In constant transformation, the dancer passes through various situations by changing her bodily position and its relation to the space around her. The solo is a continuation of May Zarhy’s research into the relation between memory and movement. Together with the dancer Amit Zaretsky, they explore how movement is driven by invisible forces, which are rendered visible for the audience and herself through her dancing. The solo is an accumulation of experiences condensed into a movement monologue called ‘Kristin’.

Inspired by a format devised by visual artists Ruth Anderwald and Leonhard Grond titled HASENHERZ this evening will consist of the performance of the solo ‘Kristin’, followed by a conversation with May Zarhy, and then watching ‘Kristin’ for a second time. HASENHERZ is a format appropriated from the method developed in 1918 by musician Arnold Schönberg for his Verein für Musikalische Privataufführung (Society for Private Musical Performance), where works of contemporary music were introduced to the audience of musicians and music lovers. Schönberg laid down specific rules for his society, amongst them: the piece shall be played, then discussed with the artist and the audience, followed by another performance of the same piece. This ensures that by listening (or watching) the artwork a second time, it reveals itself in different ways. This year marks the 150th anniversary of Arnold Schönberg’s birth.

📅 Premiere date:
December 17, 2024 at 20:00

🎟️ Get your tickets here:
https://tfk-berlin.de/?page_id=5923

🌟 Artistic team:
Choreography: May Zarhy
In collaboration with the dancer: Amit Zaretsky @amitzar_
Original music by Daniella Ljungsberg, including a short excerpt by Kristin Oppenheim @ima_danni @chill_ko

📸© Dor Pazuelo @dorpazuelo
📹© Tomer Haruvi @tomer_haruvi

#MayZarhy #TheaterForumKreuzberg #Kristin #Berlin #Premiere #Dance #Performance
#Choreography #FauvesAgentur

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Introducing ‘Kristin’ by @may_zarhy
Premiering at @theaterforum_kreuzberg

‘Kristin’ is a choreographic sketch made of a series of physical positions, through which the dancer moves. In constant transformation, the dancer passes through various situations by changing her bodily position and its relation to the space around her. The solo is a continuation of May Zarhy’s research into the relation between memory and movement. Together with the dancer Amit Zaretsky, they explore how movement is driven by invisible forces, which are rendered visible for the audience and herself through her dancing. The solo is an accumulation of experiences condensed into a movement monologue called ‘Kristin’.

Inspired by a format devised by visual artists Ruth Anderwald and Leonhard Grond titled HASENHERZ this evening will consist of the performance of the solo ‘Kristin’, followed by a conversation with May Zarhy, and then watching ‘Kristin’ for a second time. HASENHERZ is a format appropriated from the method developed in 1918 by musician Arnold Schönberg for his Verein für Musikalische Privataufführung (Society for Private Musical Performance), where works of contemporary music were introduced to the audience of musicians and music lovers. Schönberg laid down specific rules for his society, amongst them: the piece shall be played, then discussed with the artist and the audience, followed by another performance of the same piece. This ensures that by listening (or watching) the artwork a second time, it reveals itself in different ways. This year marks the 150th anniversary of Arnold Schönberg’s birth.

📅 Premiere date:
December 17, 2024 at 20:00

🎟️ Get your tickets here:
https://tfk-berlin.de/?page_id=5923

🌟 Artistic team:
Choreography: May Zarhy
In collaboration with the dancer: Amit Zaretsky @amitzar_
Original music by Daniella Ljungsberg, including a short excerpt by Kristin Oppenheim @ima_danni @chill_ko

📸© Dor Pazuelo @dorpazuelo
📹© Tomer Haruvi @tomer_haruvi

#MayZarhy #TheaterForumKreuzberg #Kristin #Berlin #Premiere #Dance #Performance
#Choreography #FauvesAgentur

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Introducing ‘Kristin’ by @may_zarhy
Premiering at @theaterforum_kreuzberg

‘Kristin’ is a choreographic sketch made of a series of physical positions, through which the dancer moves. In constant transformation, the dancer passes through various situations by changing her bodily position and its relation to the space around her. The solo is a continuation of May Zarhy’s research into the relation between memory and movement. Together with the dancer Amit Zaretsky, they explore how movement is driven by invisible forces, which are rendered visible for the audience and herself through her dancing. The solo is an accumulation of experiences condensed into a movement monologue called ‘Kristin’.

Inspired by a format devised by visual artists Ruth Anderwald and Leonhard Grond titled HASENHERZ this evening will consist of the performance of the solo ‘Kristin’, followed by a conversation with May Zarhy, and then watching ‘Kristin’ for a second time. HASENHERZ is a format appropriated from the method developed in 1918 by musician Arnold Schönberg for his Verein für Musikalische Privataufführung (Society for Private Musical Performance), where works of contemporary music were introduced to the audience of musicians and music lovers. Schönberg laid down specific rules for his society, amongst them: the piece shall be played, then discussed with the artist and the audience, followed by another performance of the same piece. This ensures that by listening (or watching) the artwork a second time, it reveals itself in different ways. This year marks the 150th anniversary of Arnold Schönberg’s birth.

📅 Premiere date:
December 17, 2024 at 20:00

🎟️ Get your tickets here:
https://tfk-berlin.de/?page_id=5923

🌟 Artistic team:
Choreography: May Zarhy
In collaboration with the dancer: Amit Zaretsky @amitzar_
Original music by Daniella Ljungsberg, including a short excerpt by Kristin Oppenheim @ima_danni @chill_ko

📸© Dor Pazuelo @dorpazuelo
📹© Tomer Haruvi @tomer_haruvi

#MayZarhy #TheaterForumKreuzberg #Kristin #Berlin #Premiere #Dance #Performance
#Choreography #FauvesAgentur

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Happy Birthday to Kristin Oppenheim! @chill_ko 💫 👑
Kristin Oppenheim’s immersive installations explore the coalescence of sound and vision and the relationship between time and memory.
Pictured here from the archives is her 2000 show 𝙏𝙝𝙚 𝙀𝙮𝙚𝙨 𝙄 𝙍𝙚𝙢𝙚𝙢𝙗𝙚𝙧

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Thanks to everyone who came out for our opening celebration last week, and to @anth.onyod for taking these lovely photos. Irwin Rubin: '60s Polychrome is open every day from 9am to 6pm through October 24 (and Ben DuValls HTML/CSS Painting can be seen, in near-infinite color permutations, 24/7 on the street-facing monitor through the run of the show). SVA Flatiron Project Space is located at 133 W 21 St in NYC, is free and open to the public

#irwinrubin #irwinrubinarchive

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#Repost @carola_dertnig with @use.repost
・・・
#True #Stories (Out of the Loop)1999video, color, sound 2 min, 44sec #newyork #soho #1999 #video #performance 1 st #performancefestival in #Soho #carrielambertbeatty @carriejlb @ursulaendlicher @millie_mie @silentgoneaway @anthroponaut #performanceart #barbara_clausen @lastein_ laura stein @performativekunstklasse @chill_ko

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