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BDes Emily Carr University.
MFA Simon Fraser University School of Contemporary Arts ୭˚. ᵎᵎ。🧷𖦹°‧ other account @jellidude
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Fingerprint Gallery is thrilled to announce “Borrowed Intimacy - a retrospective of heartbreak and injuries” by Chelsea MacKay. Join us for the opening reception on May 16th from 6 - 9pm!



About the Exhibition:

Borrowed Intimacy: A Retrospective of Love and Other Injuries is a solo exhibition that traces through past relationships, part autobiographical, part confessional. The work is a form of catharsis, moving through love, heartbreak, and damaged friendship. Across a series of paintings, a large sculptural installation, etched mirror, video, and smaller sculptures, the exhibition becomes an emotional archive.



Drawing on strategies reminiscent of Tracey Emin’s candid language and Martin Margiela’s deconstructive approach, the works treat process as both archive and excavation. Frames are scorched or painted white, simultaneously revealing, obscuring, and preserving what lies beneath, from a landscape to a 17th-century needlepoint. Acts of repair recur through materials like cloth, enamel, and metal straps, suggesting both damage and healing, while sewn hair extensions mark the end of a friendship. Hand beading and photo transfers add intimate, tactile layers to a large-scale installation cataloguing past relationships. 


These varied materials, objects, and techniques come together to retell a personal history. Creating a tension between concealment and exposure, damage and preservation, intimacy and distance, proposing love itself as something continually borrowed. 

About the artist:

Chelsea MacKay (b. 1980, Hornby Island; lives and works in Vancouver) is an artist of Anishinaabe and Scottish descent. She holds a Bachelor of Design in Industrial Design from Emily Carr University, studied joinery at BCIT, and recently completed an MFA at Simon Fraser University. Her work is in sculptural installation, painting, and video. 

Often drawing on the aesthetics of the late 1990s and early 2000s alongside surrealism, Classical, Renaissance, Baroque, and religious iconography, her work functions as a vessel for memory and nostalgia, connecting intimate experience to broader cultural narratives through strategies of pastiche and satire.
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𝔟𝔲𝔶 𝔶𝔬𝔲𝔯𝔰𝔢𝔩𝔣 𝔞 𝔯𝔦𝔫𝔤
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