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The online campus for writers 👇🏼
Learn from acclaimed authors. Write alongside peers.
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Everyone loves giving writing advice. “Just write,” they say. “Read more,” they say. But what if it doesn’t work? And what does?

@mayacpopa, poet and founder of @consciouswriters, shares 3 things over a decade of teaching has taught her about how writers actually improve →

When I first started teaching creative writing, I ended the semester with the usual placid advice: if you want to write, read.

Today, after working with hundreds of writers as a teacher, editor, and founder of Conscious Writers Collective (CWC), I concede that I no longer think that advice is sufficient.

For writers pursuing MFAs and seeking publication, advising them to “read” feels lazy when I know a student’s “what now?” is collapsing two questions: How do I get better at this? How do I get published? Reading passively won’t bring about the transformation most are after.

You need to figure out what makes development possible for you. How will you keep writing and refining your writing after the one-off workshop, five years after the degree, or 30 years into your practice?

It matters how you read if the goal is to develop your craft. Trying something once is not the same as making that knowledge available to you as a kind of muscle memory when you need it. It takes slowing down to metabolize, then put into practice, what you are learning. We’ve talked about this at length in @consciouswriters Office Hours.

Our strength can become our limitation. A beginning writer’s weaknesses are easy to see and address. Growth often happens by default at first, and less so as time goes on. 

It gets harder to improve. I often describe it as turning a screw: the more tightly it’s already wedged in, the greater the resistance. So writers cultivate a kind of shorthand of rhythms, gestures, and ways of making meaning that become their signature. But there’s little growth in repetition.

This is one reason @consciouswriters exposes writers to multiple instructor perspectives. The best literary community isn’t a room where everyone shares the same taste—that would risk becoming an aesthetic echo chamber. The goal is to learn to trust your own compass.

I was adamant about wanting to build a space where wr
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Some excerpts from my latest post on holding rejection lightly and remembering why we write in the first place. Even when your inbox is an existentially searing compilation of "no's."

Let me know what helps you, especially if it's a sugar and flour-based solution.
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