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@cose.journal

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various ways of questioning things
ISSUE ( III ) SINK
[email protected]

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@cose.journal Photographed by @matthieulavanchy

Styling: @lunekuipers
Set design: @camilletricoire

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q&a0000 is the podcast format of archivio-uno. During each opening, we will produce an audio feature aimed at shedding light, through the guest’s experience, on the publishing industry and the dynamics that lead an individual to start working in this sector.

q&a0002 is the second episode: Publishing is not in crisis with @nardi_giulia founder of @cose.journal . There is a great paradox in publishing: while the outside world labels it a sector in decline, the inside is driven by an incredible density of enthusiasm, innovation, and forward-thinking design. In q&a0002, we will unpack why this collective energy isn’t just a romantic illusion, but the sign of a thriving industry. Supported by numbers and market trends, we will look at how the positivity fueling those who work in and around publishing is a tangible asset. Because an ecosystem capable of generating this kind of drive and human connection cannot, by definition, be an industry in crisis.

You can find the episode on Spotify, link in bio. Follow us and let us know what you think.

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For COSE Journal, CRISTINA’s Programma Tricolore, launching in November, takes on a sculptural presence, suspended between water, fabric and the intimate world of the bed, where function gives way to imagination.

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Selection of spreads for @almondrocks_ , have a read at AR Seaside House, B5, Juanzong Apartments, Friendship Bay, Aranya, Qinhuangdao.

可前往AR海边布屋阅读📍秦皇岛阿那亚一期（9期）友谊湾卷宗公寓B5

- Nicolas Trembley, Craft, @after.8.books
- Laurence Mauderli, Alexandre Quoi, Joris Thomas, Design in Hand / From Language to Object, @empire.b.o.o.k.s
- Martin Szekely, Début, @les_commissaires_anonymes
- David Dubois, En mouvement, @citedudesign
- Ray Ibarra, Balay, @cose.journal @__balay
- Max Lamb, Exercises in Seating / Volumes 1-3, @dent_de_leone

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Flamands on film, at my favourite time of day (2026).

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I am truly rubbish at posting regularly, but spending last night going through the final proofs of @cose.journal’s forthcoming issue (IV, can you believe it?) reminded me of how lucky I am to get to commission and read the work of so many talented writers, writers without whom the magazine wouldn’t even exist. There is such a range to the pieces we publish every year – poetry, short stories, interviews, essays, reported features, flash fiction, narrative non-fiction – and it’s a joy to immerse yourself in it the old way, glasses on the nose, paper crinkling between your fingers. Sometimes I catch myself thinking of 6-year-old Gilda dreaming of becoming a writer. She must be somewhere, still, smiling back at 28-year-old me. Cheesy, I know, sorry.

Part II. Excerpts from COSE Journal’s Issue ( III ), Sink. With Emma Aars, Yasmin Alrabiei, Jonathan Bazzi, Gilda Bruno, Olga Campofreda, Lea Colombo, Tamara Davison, Ella Eckersley, Livia Franchini, Francesca Gavin, Anna Jewsbury, Sam Nathan John, Sam Kemp, Ana Kraš, Giulia Nardi, Hans Ulrich Obrist, Wanda Orme, Rafael Prieto, Sharmadean Reid, Dan Thawley, Ann-Marie Voina, Joe Williams, Pirrie Wright

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I am truly rubbish at posting regularly, but spending last night going through the final proofs of @cose.journal’s forthcoming issue (IV, can you believe it?) reminded me of how lucky I am to get to commission and read the work of so many talented writers, writers without whom the magazine wouldn’t even exist. There is such a range to the pieces we publish every year – poetry, short stories, interviews, essays, reported features, flash fiction, narrative non-fiction – and it’s a joy to immerse yourself in it the old way, glasses on the nose, paper crinkling between your fingers. Sometimes I catch myself thinking of 6-year-old Gilda dreaming of becoming a writer. She must be somewhere, still, smiling back at 28-year-old me. Cheesy, I know, sorry.

Part I. Excerpts from COSE Journal’s Issue ( III ), Sink. With Emma Aars, Yasmin Alrabiei, Jonathan Bazzi, Gilda Bruno, Olga Campofreda, Lea Colombo, Tamara Davison, Ella Eckersley, Livia Franchini, Francesca Gavin, Anna Jewsbury, Sam Nathan John, Sam Kemp, Ana Kraš, Giulia Nardi, Hans Ulrich Obrist, Wanda Orme, Rafael Prieto, Sharmadean Reid, Dan Thawley, Ann-Marie Voina, Joe Williams, Pirrie Wright

Portrait by @marcoprevidi

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Art direction and Editorial Design of
“BALAY - Atlas of Objects from Ray Ibarra’s Collection”

17 × 21 cm
144 pages

Balay is a sentimental almanac of objects collected by Ray Ibarra over years of travel. Gathered through chance and shaped by attention, each object becomes part of a personal archive.

The texts by @fe__________m emerged from an extended conversation with @_eathaaat .

Photography by @alecio.untitled
Set design by @adrianapintoazevedo
Art direction by @1plus1plus1plus1plus1plus1plus , @plentyofema , @nardi_giulia
Edited by @cose.journal
––––––
For submissions follow @digital_archive and use #digitalarchive

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From Italy

ひさびさに立ち読みでみつけたマガジン
とても良いです🫧

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149 photographs shot in one day, for the newest book “BALAY - Atlas of Objects from Ray Ibarra’s Collection”

Balay is a sentimental almanac of objects collected by Ray Ibarra over years of travel. Gathered through chance and shaped by attention, each object becomes part of a personal archive.

Photography by @alecio.untitled
Set design by @adrianapintoazevedo
Assisted on set by @riccardo_ruffolo and @_denise.3

Art direction by @1plus1plus1plus1plus1plus1plus , @plentyofema, @nardi_giulia
Text by @fe__________m in conversation with @_eathaaat.

17 × 21 cm
144 pages

Edited by @cose.journal

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tipico

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Spotted alcune delle nostre cose preferite: @cose.journal e il nostro mascara Big3.

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