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@cremastercycleofficial

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Scene fracker Tech formalist death of art end of romance
@southsidehtx @sel_ect

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Crew going crazy! Best of luck today - Heat 8 @spottampa

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@levitation 2025 💚

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We enthusiastically invite you to join us this 𝗙𝗿𝗶𝗱𝗮𝘆, 𝗠𝗮𝘆 𝟯𝟬𝘁𝗵 𝗮𝘁 𝟳𝗽𝗺 for readings and performance to celebrate the release of 𝗙 𝗠𝗮𝗴𝗮𝘇𝗶𝗻𝗲 𝗜𝘀𝘀𝘂𝗲 𝟭𝟯: 𝗢𝗯𝗷𝗲𝗰𝘁𝗶𝘃𝗶𝘁𝘆. Readings will be offered by Seneca Garcia, Laura Hughes, Farah Islam, Max Tolleson and BJ Strew.

Issue 13: Objectivity features four guest editors: Sophie Appel (Los Angeles), Cynthia Daignault (Baltimore), Sara Hignite (Dallas), and Laura Hughes (Houston). The issue includes contributions from: Emil Amos, ÂSI Arts Foundation, Basket Books & Art, Harrison Blake, Bureau, Sophia Dahlin, Cynthia Daignault, Joseph del Pesco, Cali Dewitt, DiverseWorks, Kate Durbin, Aaron Fagan, Jen Fisher, FLATS, Sheila Forde, Fungus Books, larí garcía, Seneca Garcia, Nick Gottlund, Rachel Hecker, Laura Hughes, Miles Huston, Farah Islam, Elaine Kahn, Julia Klein, KPFT-FM 90.1, Jennie Jieun Lee, Lionel Maunz, Devin T. Mays, NOWORK, Open Journal , Picnic Curatorial Projects, Picnic Surf Shapes, JD Pluecker, Megan Plunkett, The Power Station, Renny Pritikin, Brontez Purnell, RATSTAR, Laurence Ross, Alan Ruiz, Dan Schmahl, Aliza Shvarts, Spit in the Ocean, BJ Strew, Ethan Swan, Max Tolleson, Keith J. Varadi, von ammon, White Columns, Matt Wycoff, Zêdan Xelef, Monsieur Zohore.

𝗙 𝗠𝗮𝗴𝗮𝘇𝗶𝗻𝗲 was founded in 2014 as a biannual thematic publication by artists Adam Marnie and Tuomas Korpijaakko, expanding to include artist books in print, PDFs, and artist editions. Since 2019, F has operated a gallery in Houston, presenting solo and group exhibitions by emerging and under-recognized artists. 𝙇𝙞𝙨𝙖 𝙇𝙖𝙥𝙞𝙣𝙨𝙠𝙞: 𝘽𝙤𝙣𝙟𝙤𝙪𝙧 𝙁𝙪𝙚𝙡 closes this Sunday, June 1.

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LA Tour 🚐💨

📸 @samanshoots @blumochi

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x @new.features boards TOMORROW 3.8.25

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Images from 𝙒𝙖𝙩𝙚𝙧𝙮, 𝘿𝙤𝙢𝙚𝙨𝙩𝙞𝙘 are now online-link in bio!

This is the last weekend to see the show in person, on view through tomorrow afternoon, Sunday at 3pm.

Join us at 2pm today (in person or via zoom) for a drawing session on and around artist Jamie Sterling Pitt’s water table. It’s free to participate and all are welcome! We’ll ask that if you are able to make a contribution in any amount to the Grief & Hope fund aiding Los Angeles based artists and artworkers affected by the recent fires.

📚 🐩 🎨 ✍️

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@basketbooksandart Presents: 'Watery, Domestic'

Featuring:
@the__isela_aguirre77
@larmagar
@cremastercycleofficial
@jadeemellor
@abinadi_meza
@jamessterlingpitt
@william_warden

#contemporaryart #Art #sculpture #GroupExhibition

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Basket Books & Art is pleased to present 𝑾𝒂𝒕𝒆𝒓𝒚, 𝑫𝒐𝒎𝒆𝒔𝒕𝒊𝒄, a group show featuring seven artists presently working in Central Texas and its Gulf Coast region. 𝑾𝒂𝒕𝒆𝒓𝒚, 𝑫𝒐𝒎𝒆𝒔𝒕𝒊𝒄 is on view December 14, 2024 to February 2, 2025 and we invite you to join us on 𝐒𝐚𝐭𝐮𝐫𝐝𝐚𝐲, 𝐃𝐞𝐜𝐞𝐦𝐛𝐞𝐫 𝟏𝟒𝐭𝐡 𝐟𝐫𝐨𝐦 𝟒-𝟔𝐩𝐦 for an opening reception. At 5pm Seneca Garcia will perform a short set of songs.

The show’s title, borrowed from a 90’s era indie rock album whose first track is called “Texas Never Whispers,” is re-deployed to describe the all-pervasive atmospheric condition of Houston: ever humid, damp even when dry, sprawling mass amidst permanent gurgling din. Presenting differing individual concerns within the various practices of the artists here gathered, the shared and inescapable environmental state serves as a rivulet trickling through the work.

The exhibition brings together seven artists: Isela Aguirre collages material that masquerades as painting into forms that defy strictures of support; larí garcía’s sculptures evoke records of breath and the body as a present absence; Seneca Garcia uses language and gesture to rescue the poetic from the banal; Jade Mellor employs photography to document space and light and then enlists painting’s luminescent capabilities to present her findings; Abinadi Meza’s brilliantly colored paintings serve as support for the film-in-production and as a direct record of time and touch; Jamie Sterling Pitt’s water table made out of reclaimed materials celebrates the multiplicity of language and serves as an interactive way-station for making drawings and watercolors on site; William Warden uses a form of bricolage to construct his self-cannibalizing paintings.

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Thanks to everyone who made it out for “Pitchers, Containers, Vessels : @lanehagood & @codyledvina collaborative paintings” on Saturday at The Car Wash

It was a wild ride

There are 3 paintings still available

The show is up by appointment thru March 9th

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