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In this episode, we are welcomed into the New York home of Carole Server and her husband, Oliver. Carole is a retired Wall Street executive. She’s a Trustee at Fountainhead, serves as Chair of the Board of Rema Hort Mann Fund and recently researched and launched The Artist Living With Cancer Grant.

Carole and Oliver have been building their current art collection for the past 15-16 years. While the collection includes video and photography, its true focus is on painting and sculpture, with a particular passion for painting. Over the past five years, they have concentrated primarily on acquiring works by mid-career artists.
Today, their collection comprises more than 800 works. They buy art they genuinely love and want to live with, which is why they reinstall and rehang their home approximately once a year, allowing the collection to evolve alongside them.

More than 50% of the artists in their collection are women, and around 35% are artists of color. This was never a deliberate collecting strategy - it simply reflects the artists and works they were naturally drawn to.

For Carole and Oliver, building personal relationships with artists is an essential part of collecting. They regularly visit artists' studios, and around 95% of the artists in their collection are people they have met through studio visits.

They also believe that collecting comes with a responsibility to support artists beyond acquiring their work. They frequently open their home for collection visits and generously lend works to museum exhibitions around the world, seeing it as an important way to share the artists they believe in with a broader audience.
Join us for a heartfelt and fascinating conversation.

You can find Kunst Speak with Brask on Spotify and wherever you normally listen to podcasts. Or simply follow the link in our bio to listen. Tune in.
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Wells Group was honored to host a brunch celebrating our friend and client, @mickalenethomas, and her exciting new partnership with @jackshainman.

Mickalene is one of the pioneering artists reshaping the canon, expanding how beauty, identity, power, and womanhood are represented in contemporary art. 

Jack has long been at the forefront of championing diverse narratives, among the first major gallerists to build a program around voices and perspectives too often excluded from the traditional art world.

It was a privilege to gather in community and toast a partnership between two forces who have each changed the cultural landscape in profound ways. We cannot wait to see what comes next.

#art #culture #influence #future #history
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This weekend was a reminder that the Hamptons, at its best, is not just a place of escape. It is a place of gathering.

At Guild Hall in East Hampton, Arcmanoro Niles’s Forgotten Words I Never Got To Say gives emotional interiority real scale: color, glitter, memory, and the charged silence of things left unsaid. Manni and I were grateful to host a celebration of the show with Carla Camacho and Lehmann Maupin, an evening that felt, appropriately, like family around an artist whose work is so deeply rooted in intimacy.

At the Parrish Art Museum in Water Mill, Sanford Biggers’s Drift moves with a different force: clouds, quilts, history, spirit, and the unseen currents that shape culture over time. As collectors, Manni and I believe it is important not only to collect the work we love, but to patronize the institutions and exhibitions that give that work room to breathe. We were proud to support Sanford’s show as major sponsors and celebrate it with him, his beautiful family, and the broader Parrish community.

Two artists. Two institutions. One weekend full of art, friendship, family, and the kind of cultural energy that makes the East End feel larger than itself.
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