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dani chang

@d.anichang

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HAN : RADICAL AWAKENING I. DISCONNECTION, 2026 We spend so much of our lives looking forward, imagining who we might become, that we rarely stop to consider all the lives that made our own possible. — A work by THE KULTURE Concept, Creative Direction & Production : Min Ju Kim @iaminjukim Photography & Production : Sam Su @theokphotos Brand Strategy & Design : Danielle Chang @d.anichang Featuring Heidi Kim (김옥랑) : Halmoni Min Ju Kim (김민주) : Granddaughter Lighting & Assistant Art Director : Massimo Greco @moss.pic Digitech : Jordin De La Rosa @isojordin Hair : Tim Daly @timshairart Wardrobe & Styling : Boyu Yan @whereisboyu Makeup : Min Ju Kim @iaminjukim Production Assistance : Grace Jung @graccejung Production Assistance : Kayla Kwak @kayla_kwak Production Assistance : Caleb So @seassoh Behind-the-Scenes Photography : Samuel Lee @sahjinsam With gratitude to the hands and hearts that made the work possible. II. HAN / 한, 2026 Some feelings exist beyond language. In Korean, 한 (han) holds sorrow, longing, and what remains unresolved. Yet it also carries endurance, tenderness, and love. What passes through generations is not always spoken. Sometimes, it settles quietly within us, waiting to be felt. III. THE LULLABY, 2026 섬집 아기 (Island Baby). A mother leaves her sleeping child to gather oysters by the sea. The child sleeps to the sound of the ocean, while the mother, longing for her baby, returns before her work is done. A song of separation, longing, and a love that remains even in absence. IV. THE EXCHANGE, 2026 Through my halmoni, I began to see the passage of time differently. Once, we were the ones being held. And one day, we find ourselves holding those who held us. V. AWAKENING, 2026 To remember is not to remain in the past. It is to recognize what brought us here, to honor it with love, and to understand that not everything is ours to carry. There is grace in surrender.
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feeling lucky ♥️👠🎰
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and you are witnessing becoming.
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last 6 months in review 🫣😇 thankful for great friends and great times
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new skill unlocked: heel side warrior 🏂
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BU Graphic Design is hosting an alum panel! Join us on Tuesday, March 4 at 9:45–10:45 am and/or 2:15–3:15 pm ET to hear from our BUGD BFA ’24, ’23, ‘22, and ’21 alum about what’s next after graduating. They will answer and discuss any burning questions you may have about jobs, internships, and freelancing. How did you find your first job? What did you wish you knew when you were a graphic design student? What does work-life balance look like? Alum participating hold current roles from startups, studios to design agencies, in-house working within fashion, art galleries, tech, food, architecture as graphic designers, product designers, program coordinators, art gallery managers, graduate students at BAGGU, Madewell, Shake Shack, MKG, The New York Times, Starface, VS PINK, Nike, NoBull, Praise Shadows Art Gallery, Hasbro, Herzog & Schindler, Northeastern University and more! Zoom link: https://bostonu.zoom.us/j/96305405442?pwd=mlQ2xHP9BqsZnSlJD2xuAtJPbOyavG.1 Passcode: 753855 Graphic by Annika Pyo @by.anpyo (BU BFA Graphic Design 2025) ID: On a neon green background, long butter yellow rectangular strips burst out from a central point on the right side of the composition. The burgundy geometric monospaced text loosely follows the arrangement of the rectangular strips creating the illusion of moving type in a static image. The composition is filled with lavender purple typographic elements that have been skewed and randomly scattered to resemble tossed confetti. The second slide shows a variation of the same system, with a dark brown background and neon pink confetti to allude to the panelists and attendees entering the design party.
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“Imperfect index is a reference document, a non-linear, imperfect guide to a more expansive understanding of graphic design. By looking back at the disciplines discriminatory past, and directly at its discriminatory present, this collection of voices, ideas and projects look forward to more diverse and inclusive futures.” Thank you Abbie Vickress @abbievickress and Laura Park @laura.parke for bringing this amazing resource to life and for including Radical Characters @radicalcharacters among other contributors from all around the world. I was also pleased to find this “Bilingual Designer Manifesto” by Lihao Zhu @iamlihaozhu! Features excellent essays by @paimnina (@futuress_org and @bikini.books) Kaleena Sales (Extra Bold and Centered) and Alison Place (@feministdesigner). Contributors: Alexandria Canchola, Alison Place, Amandine Forest-Aguié, Arjun Harrison-Mann, Beatrice Sangster, Conor Foran, Dellana Arievta, Dimitri Reist, Dina Benbrahim, Dohee Kwak, Elaine Lopez, Es-pranza Humphrey, Joshua Dutweiler, Kaiya Waerea, Kaleena Sales, Kelly Walters, Kinda Savarino, Lara Dautun, Lihao Zhu, Lynne Elvins, Michele Y. Washington, Mister Samo, Nina Paim, Poppy Thaxter, Radical Characters, Stephan Rosger, Tony Stiles, and Zed Gregory Available at @soldout_publishing
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Chen told me that this book is me proclaiming my love for design, so I’d also like to proclaim my love for these people that were a part of it 💌
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For You and Me catalogs the relationships that have shaped me as a designer. Each section is a conversation between a version of “you” and “me,” taking place within the bounds of the page and between the book and the reader. Featuring interviews with Penelope Pyo, Camille Pyo, Danielle Chang, Mary Yang, and Romik Bose Mitra Thank you Nick Rock and Claire Bula for your unwavering guidance and support 🍞🎀 y’all rock 🪨
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🙂‍↕️✨
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may moments
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