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Process bts for NYFW installation. Mycelium grown on textile waste 🍄 #sustainablefashion #mycelium #nyfw
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Nyfw 😸
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the most unexpected outcomes begin when you accept that failure is a part of the process. many mistakes were made along the way, though you have to start somewhere! keep learning, keep experimenting, and allow contaminations to teach you without letting it define where you stop. mycelium is specifically featured here. it’s the root-like network of fungi that grows by spreading fine threads called hyphae. when introduced to fabric, those threads can grow across and into the fibers, gradually binding with the textile and creating a living, evolving material surface. 🍄 thank you to @lifefabs for the lab space and community!
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party girl rebrand xxxx
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Just spent four days in LDN 🇬🇧
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NATURAL DYES Using pigments derived from plants, flowers, and wood, this work explored natural dyeing through a series of material experiments. Through over-dyeing and testing different fibers, mordants, and modifiers, each pigment produced its own range of tones and surface qualities. Metals were used to alter and deepen colors, often revealing unexpected shifts across the same dye bath. The project later expanded through a collaboration with furniture designer Giselle Grant, where we experimented with pigments made from crushed Victorian brick. By turning fragments of England’s architectural landscape into dye, the work considered how color can carry traces of the environments from which it is sourced. #naturaldyes #collaboration #csm #ual
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THE IRIS SUTURES ITSELF Created for Fashion Bio-Materials at Central Saint Martins, Spring ‘26. This project explored the iris as a living system of repair, where fracture, healing, and regeneration become a process of self-reconstruction. Through bacterial cellulose, plant roots, bio-plastics, bio-yarns, and natural dyes, I investigated how materials can learn from nature’s own methods of growth and recovery. Working with biomaterials taught me that failure is not something to avoid, but something to embrace. Materials grow unpredictably, react in unexpected ways, and rarely follow the original plan. Rather than forcing control, I learned to work alongside the process, allowing experimentation, adaptation, and uncertainty to shape the final outcome. In bio-design, some of the most meaningful discoveries emerge from outcomes you never intended. The iris no longer simply sees. It heals. #biodesign #fashiondesign #csm
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M3EK by D7\LIA M1CH4L
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🇬🇧 To whom it’s about to concern
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grounded in the same exploration of the body and self-growth, Iris of the Skeletal Soul became a turning point, an experiment in letting go of control and allowing full creative freedom. it was less about outcome, and more about digging deeper, into process, repetition, and what felt instinctive. before anything can be stitched back together, it must be seen clearly. this piece was showcased at Syracuse University’s FADS x Phi Delta Epsilon anatomy fashion show (Fall ‘25), where over $2k was raised for Children’s Miracle Network Hospitals. Model: @allykwaters Publication: @dailyorange #su #anatomy #textiledesign
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sometimes losing control is the only way to move forward. grounded in the body and its constant state of physical and emotional change, Living Through Decay reflects on self-growth through decomposition. it’s important to understand that not everything evolves cleanly, sometimes it has to come undone completely, to feel everything you’ve been trying to hold back before anything can take shape once again. designed at Central Saint Martins (Summer ’25), and later showcased at Syracuse University’s FADS x Phi Delta Epsilon anatomy fashion show (Fall ‘25), where over $2k was raised for Children’s Miracle Network Hospitals. in the end, this garment sits in that moment, right before you decide whether to hold on or finally let go. Model: @only.kadi101 Publication: @fetchcollectivemag #textiledesign #csm #su
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