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Daniel Terna

@danielterna

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Photographer | Artist
Contributor @nytimes @tmagazine @nytopinion

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Maija Peeples-Bright’s “beasties” – wide-eyed animals, familiar and fantastical – rarely have a place to themselves. They crowd her paintings, curl around ceramics, and turn up on furniture, found objects, and even the clothes she wears.

One of the few women associated with Northern California’s Funk and Nut art movements, Peeples-Bright has built her artistic life in and around Sacramento – from UC Davis to Folsom’s Candy Store Gallery to her studio in Rocklin. But her beasties have traveled far beyond the region, landing at museums and galleries across the country. She’s still bringing new ones to life in her Rocklin studio.

For the Further Triennial, the beasties have a shorter trip ahead. Peeples-Bright returns to @bluelinearts in nearby Roseville for “Fur Real: The Beasties Are Back,” her upcoming exhibition at Blue Line Arts, following her 2012 retrospective there, “World of Woof.” Expect even more creatures this time around. “Fur Real: The Beasties Are Back” will be on view at Blue Line Arts during Further, from March 6th – May 1st, 2027.

#FurtherTriennial #MaijaPeeplesBright #BlueLineArts #FunkArt #NorthernCaliforniaArt

Image credits:
1: Photo by Kurt Fishback. Courtesy of Parker Gallery, Los Angeles.
2: Courtesy of Parker Gallery, Los Angeles.
3: Courtesy of Blue Line Arts.
4: Courtesy of Parker Gallery, Los Angeles.
5: Photo by @danielterna. Courtesy of Parker Gallery, Los Angeles.

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10 years of you and me. I couldn’t have wished for better. I’ll leave the sap for our future vows; no more gushing until then.

Photography: @danielterna

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can take the girl out of Florida..... 🐚 or as my mom says, "you have a shell thing going on."

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So grateful I was able to see the Outwin @smithsoniannpg again before it closes on August 30. Organized every three years by the Smithsonian’s National Portrait Gallery, the Outwin Boochever Portrait Competition brings together about fifty works selected from thousands of submissions to reflect the evolving possibilities and continued relevance of contemporary portraiture in the United States. 👏👏👏

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Delaney Hall: A Flashpoint in US Immigration Policy

On May 22, 2026, immigrants detained at Delaney Hall detention center in Newark, NJ, began a hunger and labor strike to protest deplorable living conditions. The strike quickly galvanized demonstrators, who gathered outside the facility in solidarity with those detained. Their presence was met by a sweeping show of force from federal agents, state, and local police, escalating tensions and making Delaney Hall a prominent visible flashpoint of Trump’s immigration crackdown.

What began as a detainee-led protest evolved into a months-long standoff, drawing sustained demonstrations, heightened law enforcement activity, national attention, and an extraordinary concentration of visual journalists. They document the complexity of Delaney Hall– both the escalating confrontation and acts of humanity that persisted alongside it.

Drawn from a call for submissions, SDN curated this collective exhibit, presenting a multifaceted account of the events surrounding Delaney Hall, from displays of state power and public protest to moments of community solidarity and compassion.

Bringing together the perspectives of six photographers, the exhibit explores Delaney Hall as a focal point in the country’s debate over immigration, detention, and divides shaping the United States.

Photos by:

Thomas Hengge @thomashengge

Ike Wood @ikewoood

Matthew Hatcher @mhatacher

Graham Macindoe @grahammacindoe

Daniel Terna @danielterna

Klaus Galiano @klausgaliano

View the full gallery on the SDN website.

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This is the last weekend to see Pamela Sneed and Carlos Martiel’s exhibition Sacred & Profane presented by BOFFO in partnership with the Leslie Lohman Museum of Art.

Sacred and Profane brings together the powerful practices of Pamela Sneed and Carlos Martiel to explore Black presence, erasure, memory, and endurance on Fire Island.

Photo Credits: Daniel Terna

@martielcarlos
@pamela_sneed
@leslielohmanmuseum

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Purim is next week—an upside-down holiday of masks, reversals, and hidden truths! Ahead of the holiday, explore some texts and conversations to deepen the story.

Check out our newly published Megillat Esther: The Graphic Tale by JT Waldman. For over two decades, Megillat Esther has stood as the gold standard for what an illustrated book of the Bible can be. Long out of print, this newly expanded full-color edition deepens and amplifies Waldman’s original black-and-white vision, restoring it to circulation for a new generation of readers. Read about Megillat Esther: https://loom.ly/rG0YUFY

Discover how the story of Purim is encoded in the Tarot through Stav Appel’s (@stavtapuch) writing in Ayin Press’s Otiyot column—and continue the exploration with The Torah in the Tarot. Read about Purim in the Tarot deck: https://loom.ly/xqgTo5Q

Dive into this engaging conversation with multimedia artists Jenny Romaine (@romainejnyc) and Yevgeniy Fiks (@yevgeniyfiks) in “Truth in Gay Clothes, or Gagarin’s Space Suit: Part I.” Their inspiring dialogue connects Purim, carnival, Soviet and Jewish history, archives, and collage-based art practices as tools for cultural critique and creative transformation. Read more here: https://loom.ly/YibuUq4

Photography of Jenny Romaine and Yevgeniy Fiks by Daniel Terna (@danielterna)

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2016 - Was Wild, we had the epic closing of the first spectrum NYE 2016 and then did XPRMNTAL at @momaps1 w @norauls, then I went to Zurich to perform in a festival 6 durational pieces… then I looked at 100 commercial spaces and 9 months later opened The Dreamhouse, thats just the short story ::: more to come this year. If you really want to see the ultimate 2016 let us know if you know a publisher who wants to help us put out the Photo book of The Spectrum with @oscarouk ( photos in this post by @santiagraphy @danielterna & @wolfgang_tillmans ) 🎆🩵💓👠😈🎀☎️❣️💸

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Blue Studies 🔹

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In New York, @alimentariflaneur has reimagined what a grocer and catering service can be. Founded by @danielemiliosoares, the New York–based concept blurs the lines between gourmet purveyor, culinary studio, and event stylist, and hospitality—treating food as a medium for beauty, culture, and connection.

Known for its painterly produce displays, Mediterranean sensibility, and modern approach to event design and tablescape styling, Alimentari Flâneur brings that same artistry to private dinners, gatherings, and weddings, composing spreads that feel abundant, alive, and personal.

At its core is a belief that how we gather matters as much as what we serve—and that food, thoughtfully sourced, composed, and served, can not only shape experience but inspire us to and influence how we connect with those around us.

Check out the full feature, coming soon to the link in bio.

🍽️: @alimentariflaneur
📸: @danielterna, @abigaillewisphoto

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We’re thrilled to share that China Institute Gallery has been covered in The New York Times! 📰 This wonderful feature article by @shivanivora78 with beautiful photos by @danielterna spotlights our current exhibition—“Metamorphosis” in all its many forms, a profound exploration of the idea of change from identity and culture to the environment and history.

Join us in this celebration of art's power of transformation and imagination. Read the full story (link in our Linktree) and come see it for yourself in person. We can’t wait to welcome you! ✨

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MUNCH is delighted to announce that Samia Halaby is the second recipient of the MUNCH Award, which is given annually by MUNCH in Oslo to honour artistic freedom of expression, which is under increasing political and social pressure.

Samia Halaby (b. 1936 in Jerusalem) is a Palestinian artist, educator, scholar and activist based in New York. Predominantly known as a painter, Halaby’s multifaceted practice has also been central to the development of digital art. Her involvement in art education is decades-long and, throughout the course of her career, she has demonstrated a long-term commitment to protesting injustices related to class, gender and race. The plight of Palestine has remained central to her activism and her scholarship. In 2024 Halaby participated in Tate Modern’s Electric Dreams exhibition, which celebrated early pioneers of digital, kinetic, and optical art; and in October 2025 her work will be shown as part of Into the Time Machine: ‘Studio’ at Frieze Masters 2025, a section of the Fair exploring the studio practices of acclaimed living artists.

Halaby’s receipt of the MUNCH Award 2025 will be celebrated at a ceremony on 22 October in Paris during Art Basel and on 24 October at MUNCH in Oslo.

Established in 2024, the MUNCH Award is a recognition of an artist’s long-standing courage and integrity and consists of a monetary prize of NOK 300,000 / £20,000. The first recipient was acclaimed Brazilian artist Rosana Paulino (b. 1967), whose artistic practice is committed to unpacking the violent histories and continuities of gender and race.

Samia Halaby was selected for the MUNCH Award by a jury of visual artists, art critics, curators, institutional leaders and academics appointed for three iterations of the MUNCH Award. The jury is comprised of members Wanda Nanibush, Dr. Yvette Mutumba and Cosmin Costinas alongside director of MUNCH Tone Hansen and Tominga O’Donnell, MUNCH’s Senior Curator of Contemporary Art.

Photograph: Samia Halaby, 2025, by Daniel Terna

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