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Dan Redrup

@danredrup

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Head of Scanning at Digital Orchard. Occasional photographer.
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🎞️ Antrópico - 16mm 🎞️ Antrópico, dirigido por Matheo Fernandes @______matheo, ganhou seu espaço no mundo e está disponível no @directorslibrary e no @vimeo Quando o Matheo entrou em contato para contar sobre o projeto, desde a primeira conversa tivemos a certeza de que faríamos esse filme juntos. Produzido em filme 16mm, o curta contou com fotografia de Nicholas Bluff e foi filmado com câmera Arri 416 e lentes Cooke SK4 e Cooke S4, da Barcelona Filmes @barcelonafilmes Temos muito orgulho de ter coproduzido este curta ao lado da Capuri @capuri.tv e de fazer parte de uma obra construída com tempo, sensibilidade e confiança. Um filme que carrega memória, afeto e a força de uma trajetória profundamente brasileira. À Dona Maria e sua família, nossa mais sincera consideração. Obrigado por permitirem que essa história fosse registrada de perto, com o respeito e a sensibilidade que ela merece. Também deixamos nosso agradecimento ao Matheo, à equipe e a todas as pessoas envolvidas nesse processo. Viva Dona Maria. Viva as histórias que encontram no filme um lugar para permanecer. 🎞 💛 ---- Crédits A film by @clima.film coproduced by @runnerfilmes @capuri.tv producers @ronder1909 @_____matheo @sthefanoduque @luquinhafilmes @edurezen associated prod. @aurmendes @tido_felipecavassin gabriela dinhani shot by @nicholasbluff 1st AC/loader @valese AD @isabellaliporoni prod. assistant @lelocunha sound @macedosomdireto edit @nathaliakamura @luquinhafilmes @___matheo color @sm.erick original score @jimmyduchowny sound supervisor and mix @thaciopalanca visuals @awlgusto lettering @gabrielalencionj Films Supply & Lab Support @runnerfilmes Develop: Andy @the_filmlab_guy Scan 4K: @digital_orchard #ShotOnFilm #16mm
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Open Skies Forever - Mike D 🩵🌎 This one is special to me, a personal project I shot in California in 2023 with a local pilot named Mike, sharing his emotions about flying and and what it means to him. Full story in the comments :) Cinematography, Edit, Grade: @lugo.cairns Score, Sounddesign, Mix & Master: @lukashasiba Addidtional editing: @p_kaar BTS: @alisafessl @lugo.cairns Dev & Scan: Kodak London @digital_orchard @the_filmlab_guy @danredrup Shot with my Bolex Rex4 on Kodak Vision3 - 250D :) @kodak_shootfilm @bolexfilm @bolfixx #kodakshootfilm #cinematography #film #16mm #bolexh16
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This fun job was shot for @lifeofluxjury @hoooooow and @missluciasaavedra. You can start dancing now. ❣️ This is the beautifuL, hard working team, who made it alL possible : DiR: @missluciasaavedra Co-diR: @benhasgonebananas Dop: @clairepiedop (@ko_collective) 1st AC: @james_malamatinas 2nd AC: @kasiaserefin Gaffer: @louise_bsle Spark: @da_nielbt Art: @ella.north HMU: @rubysartistry___ Editor: @lebellot Colour grade: @sarabuxtoncolourist ArtiSt and Cast @lifeofluxjury @hoooooow @missluciasaavedra @manonhilhorst @hannoush.sender Suvi luleeaberra Produced by @lifeofluxjury & @missluciasaavedra Exec Producer @bella_union Big Thanks to MCX @mcx_films 🎥 and XO @xo.rental 💡for their massive support Thank you Kodak Lab And @danredrup at @digital_orchard #dop #16mm #aaton #kodak #directeurphoto
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The teaser trailer for Pressure has landed 👀 Our Orchard Onset Video Operator Pacu Trautvetter @pacu_trautvetter was on the ground, supporting production from behind the monitors, as the tension built scene by scene Video Op (Dailies Cover) - Ria Brown @riabrownxx Video Trainee (2nd Unit Dailies) - Madison Marshall @wonki_blue_eye DIT Trainee (Main Unit Dailies) - Monika Sak @monciahaha Orchard Dailies delivered a full Digital Dailies Lab - handling transcodes, RAID backups & LTO archival to keep everything secure and moving seamlessly, whilst our Orchard Film team scanned 16mm sequences in stunning 4K on our Scanity HDR, preserving every grain of detail for the big screen Pressure stars Brendan Fraser, Kerry Condon, Andrew Scott and Damian Lewis. In the tense 72 hours before D-Day, General Dwight D. Eisenhower and Captain James Stagg face an impossible decision: launch the most dangerous invasion in history.. or risk losing the war altogether Directed by Anthony Maras Production Manager - Monique Mussell DOP - Jamie Ramsay BSC SASC @jamiedramsaycinematography
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Little clip of the 16mm footage I shot for the „Poacha‘s Journal“ Project together with the @thelegsofsteel :) Client: @ghostbikes_mtb Riders: @korbinian_engstler @christian_schriebl Location: @bikeparkschladming Dev & Scan: Kodak London @digital_orchard @the_filmlab_guy @danredrup Shot with my Bolex S16 EBM on Kodak Vision3 - 250D & 500T :) @kodak_shootfilm @bolexfilm @bol.fix Credits Main Clip: Client: @ghostbikes_mtb Production: @thelegsofsteel Producer: @tobireindl @olv_r Director: @davidgrahampeacock @andrenutini DoP: @andrenutini Additional Cinematography: @mattymccormick @maxmccullochvideo 16mm Cinematography: @lugo.cairns @davidgrahampeacock Drone: @cherry_fpv VFX: @zachrampen Grading: @ryanurzi @ethos_studio Sound: @keithwhiteaudio Riders: @tomasslavik63 @korbinian_engstler @christian_schriebl @justus.rudolph #kodakshootfilm #cinematography #film #16mm #bolexh16
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First day at BSC EXPO 2026, k65k is out there! Come and meet us at stand 205! #65mm #film #kodak #expo #bscexpo
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Looking for BIG news? Digital Orchard’s got some.. 🎬 We’re thrilled to share some huge news - we’ve expanded at Pinewood Studios, taking on a new office in the Ken Adam Building. This move strengthens our partnership with Kodak Film Lab London and embeds us even deeper in the heart of UK film production! 🎞️ This expansion means we can support productions on the lot even better, while continuing to provide our full suite of Film and Digital Dailies, Scanning, and Colour services - all delivered with the same precision and care we’re known for At Orchard Film, we offer end-to-end services for all celluloid needs. Our Scanity 4K HDR and ScanStation 65 scanners cover everything from 8mm at 4K to 65mm at 6.5K, handled safely and meticulously. Services include: Film dailies, QC, and colour grading, Synced editorial & archival to drive or LTO, ‘Mastering on Film’ and archive reel scanning, Ultrasonic cleaning and post-scan clean-up, 8mm stock & scanning packages via our Film Shop 👉 With our new Dailies hub at Pinewood, we can now offer faster on-lot support, helping productions capture, process, and deliver both Digital and Film Dailies seamlessly - with exceptional quality at every step ‘Being close to our long-time partners at Kodak allows us to support productions faster and more efficiently than ever,’ says our CEO Callum Just. ‘We’re proud to keep growing our presence at world-famous studios and to keep pushing what’s possible in the realm of film and digital’ 📍 Now open in the Ken Adam Building at Pinewood Studios Get in touch to see how we can support your next production
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Awards season is in full swing 🏆 Our Orchard Film team loved celebrating at both the @theyoungarrows and @ukmva UK Music Video Awards, alongside our partner Kodak Film Lab London @kodak_shootfilm This year’s UKMVAs saw an incredible 68 nominations shot on film - a true testament to the industry’s ongoing love of analogue 🎞️ We’re proud to have played a part in scanning many of these projects through our Orchard Film dep at Pinewood, helping filmmakers bring their vision to screen in all its celluloid glory Pop by our Pinewood scanning department today - where film truly meets mastery
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Tricky & The Cereal Killers | 35mm 🥣 Our Orchard Film were thrilled to have recently worked with @ulimeyeranim8 - scanning this wonderful 35mm short at 4k on our Lasergraphics ScanStation 🌟 Proof of concept. Set in 1990s London, the story follows a husband-and-wife animation team whose careers collapse overnight when new laws ban sugary ads targeting kids. Their mostbeloved creation, Tricky the Leprechaun, is left behind, along with their broken family. Decades later, their teenage granddaughter Charli finds Tricky’s old animation art in the attic. When she posts it on a popular short form video platform using AI tools, her viral meme accidentally opens a portal, unleashing the once-cute cereal mascots, now corrupted by AI, into the real world Credits: Animation - Ryan Fairbanks, Michael Schlingmann, Dean Roberts, Uli Meyer, Gary Dunn, Boris Hiestand, Ole Christian Loken, Panagiotis Rappas, Sandro Cleuzo Character Design - Uli Meyer, Gary Dunn, Craig Kellman Tricky cel painted by Lucie Julliat Live Action - Maya: Margaret Clunie Ben: Tom Ashley Charli: Jessica Prentice Tricky Rob Rackstraw Kids - Julius Meyer, Charlotte Isabell Parker, Kai Roberts Cinematographer - Markus Ilschner Composer - Lindsay Whright Casting - Tom Medcalf Sound designer - Giorgos Mikrogiannakis BagPipes - Lorne MacDougall Focus Puller - Alexandra Voikou 2nd AC - Esther Mitchell Gaffer - Henry Young, Nicolas Hambleton Sparks - Edmund Bishop, Oliver Young, Jordan White On-Set Art Direction - Daniela Topham Sound Recordist - Charlie Hinde, Olly Kent Sound Recordist Assistant - Ariya Beecham Special FX Supervisor & Props - Mark Bailey VFX clean-up - Olpamish Bazarbaev Hair & Make-Up -  Lisa Meyer, Emma Leon Runner - Anya Chung, Korede Alaran Stills Photographer - Niki Bruckner BTS - Seun Pinheiro Colourist - Garry Maddison Grade producer - Steve Faulmann Filmed on Kodak Vision 3 Film Stock & Processing - Kodak Lab London Film Scans by Orchard Film (part of the Digital Orchard Group) Special thanks to Paul Chung & Daniela Topham for the use of their home
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After The Hunt is out in cinemas 🎬 The feature was scanned in its entirety by our Orchard Film team on our very own Scanity HDR at 4K resolution. We’re thrilled to have brought every frame of Luca Guadagnino’s latest masterpiece to life ‘Huge credit to our team for digitising all the rushes on this show.. it’s great to now see it’s full beauty on the big screen’ - Dan Redrup, Head of Scanning 🎥 Shot by Malik Sayeed, produced by Daniela Venturelli, and starring Julia Roberts, Ayo Edebiri, Andrew Garfield, Michael Stuhlbarg, and Chloë Sevigny, this psychological thriller will keep you on the edge of your seat Go see it and let us know what you think!
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Orchard Film: Where Film Meets Mastery (quite literally) 🎞️ From 8mm to 65mm, your negatives are in expert hands. We process, digitise, and colour with precision - thanks to decades of experience and world-class equipment ✨ Highlights: - Processing for 8mm, 16mm, 35mm & 65mm - Vistavision colour & B&W negative ❗️Purchase 8mm stock, scan packages, delivery & archive drives from our Film Shop - 4K Scanity HDR workflows for 16mm & 35mm - 65mm 5-perf, Vistavision & IMAX scanning with Lasergraphics ScanStation 65 - Viewing dailies, QC, bespoke colour grading & synced editorial - Drive & LTO archival, final grade via Digital Orchard 🎬 Plus: Record digital footage back to celluloid with ‘Mastering on Film’ Make every frame count - visit our Orchard Film page to book in your film!
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The Original & Authentic Barbour Tartans 🏔️🧵 Orchard Film, part of the Digital Orchard Group, provided film scanning, with partner Kodak Film Lab London @kodak_shootfilm processing the footage 🎞️ With exceptional precision @orchardcrew’s Loader @ciaran_tunmer ensured every roll of film was perfectly loaded, supporting the magic behind the camera 🐏 This beautifully crafted piece was created in-house, with every detail, from direction to sound design - brought to life by the talented team at @brother___film Director & DOP @lukeellingham Production Company @brother___film Creative Director @marcusellingham Producer @georgianaslc
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