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Daou Pottery

@daoupottery

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Lebanese pottery workshop since 1948
By Khaled Daou
Delivery all over Lebanon ๐Ÿ‡ฑ๐Ÿ‡ง
Order from our website โฌ‡๏ธ
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ุญูŠู† ูŠู„ุชู‚ูŠ ุงู„ุดุบู ุจุงู„ุงู•ุฑุซ .. ูŠูˆู„ุฏ ุงู„ูู† ๐Ÿค๐Ÿบ #lebanonproducts #madeinlebanon๐Ÿ‡ฑ๐Ÿ‡ง
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ู…ู† ุงู„ุญูุฑู ุงู„ูŠุฏูˆูŠุฉ ุงู•ู„ู‰ ุงู„ู…ุงู”ูƒูˆู„ุงุชุŒ ูˆู…ู† ุงู„ู…ู†ุชุฌุงุช ุงู„ู…ุชู†ูˆุนุฉ ุงู•ู„ู‰ ุงู„ุงู”ููƒุงุฑ ุงู„ุงู•ุจุฏุงุนูŠุฉโ€ฆ โœจ ููŠ Street Festival ุงู•ู‡ุฏู†ุŒ ุงู„ู…ุดุงุฑูƒูˆู† ู‡ู… ุฑูˆุญ ุงู„ู…ู‡ุฑุฌุงู†ุŒ ุญูŠุซ ูŠุฌุชู…ุน ุงู”ุตุญุงุจ ุงู„ู…ุดุงุฑูŠุน ูˆุงู„ุญุฑููŠูˆู† ูˆุงู„ู…ู†ุชุฌูˆู† ู„ูŠุนุฑุถูˆุง ุงู•ุจุฏุงุนุงุชู‡ู… ูˆูŠุดุงุฑูƒูˆุง ุดุบูู‡ู… ู…ุน ุงู„ุฒูˆุงุฑ.
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๐๐ž๐Œ๐€ ๐š๐ง๐ ๐ญ๐ก๐ž ๐…๐ซ๐ข๐ž๐ง๐๐ฌ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐€๐”๐ ๐€๐ซ๐œ๐ก๐š๐ž๐จ๐ฅ๐จ๐ ๐ข๐œ๐š๐ฅ ๐Œ๐ฎ๐ฌ๐ž๐ฎ๐ฆ ๐š๐ซ๐ž ๐ฉ๐ซ๐จ๐ฎ๐ ๐ญ๐จ ๐ฉ๐ซ๐ž๐ฌ๐ž๐ง๐ญ ๐‘พ๐’Š๐’๐’… ๐‘ช๐’๐’‚๐’š: ๐‘ฌ๐’„๐’๐’๐’๐’ˆ๐’Š๐’†๐’” ๐’๐’‡ ๐‘ป๐’“๐’‚๐’๐’”๐’Ž๐’Š๐’”๐’”๐’Š๐’๐’. Join us for the exhibition opening on ๐Ÿ๐Ÿ’ ๐‰๐ฎ๐ง๐ž ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ” ๐š๐ญ ๐Ÿ“:๐Ÿ‘๐ŸŽ ๐๐Œ at the AUB Archaeological Museum. Material knowledge of clayโ€”the ability to identify, harvest, filter, shape, and fire clayโ€”is historically passed through embodied practice rather than written records, leaving it vulnerable to erasure. This is particularly true in contexts like Lebanon, where modern-day land privatization and speculative development disrupt access to clay sites. ๐‘Š๐‘–๐‘™๐‘‘ ๐ถ๐‘™๐‘Ž๐‘ฆ: ๐ธ๐‘๐‘œ๐‘™๐‘œ๐‘”๐‘–๐‘’๐‘  ๐‘œ๐‘“ ๐‘‡๐‘Ÿ๐‘Ž๐‘›๐‘ ๐‘š๐‘–๐‘ ๐‘ ๐‘–๐‘œ๐‘› embraces material knowledge transmission as an evolving and unstable processโ€”one that acknowledges loss, allows for transformation, and resists closure. In doing so, it positions contemporary artistic practice as a critical site where archaeological heritage is not only preserved, but actively regenerated and carried forward. The contemporary works presented here are not reconstructions of historical forms, but responses to Lebanonโ€™s long history of material transmission. We invite visitors to carefully attend to ๐’•๐’‰๐’† ๐’„๐’๐’‚๐’š ๐’Š๐’•๐’”๐’†๐’๐’‡ and consider what degree of agency, if any, it may possess. ๐Ÿ“ AUB Archaeological Museum @aubarchaeologicalmuseum ๐Ÿ“… Opening Reception: 24 June 2026, 5:30 PM ๐Ÿ—“ Exhibition Dates: 24 June โ€“ 30 July 2026 โฐ Opening Hours: Monday to Friday, 8:00 AM โ€“ 3:00 PM ๐Ÿšซ Closed on weekends Principal Researcher: Haloren Mellendorf @hallie.mellendorf @spud.ceramics Participating Artists: Ali Karout, Caro Loutfi, Christopher Ghoussoub, Khaled Daou, Rabih Daou, Maha Nasrallah, May Nabhan, Michele Assef Kamel, Mohammad Atallah, Mustafa Atallah, Thea Dagher, Yasmina Khalife and Samir Muller.
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Ceramics Handbuilding Workshop July 22 | 6:00โ€“9:00 PM Mold, shape, and create โ€” all with your own hands. A grounding evening of clay, creativity, and connection. ๐ŸŒฟ๐Ÿ–ค Led by Hallie from Spud Ceramics, this workshop invites you to work with beautiful local clay sourced by Khaled Daou. Your piece will be taken by the artist, fired, and returned to you in 3 weeks โ€” ready to keep or gift. โœจ Firing generously sponsored by BEMA. Limited spots available โ€” book yours now!
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