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ArtNoble Gallery
@artnoble_gallery

All Together: “Goodbye Master!”,
Andreea Anghel, Oliviero Fiorenzi, Anita Muçolli, Liselor Perez, Barbara Prenka and Dardan Zhegrova, curated by Arnold Braho

@arnbrh

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Andreea Anghel, Oliviero Fiorenzi, Anita Muçolli, Liselor Perez, Barbara Prenka, Dardan Zhegrova
All together: “Goodbye Master!”
A cura di Arnold Braho
Art Noble Gallery, via Ponte di Legno, 9, Milano
30 settembre - 15 dicembre, 2026

Installation View, courtesy ArtNoble Gallery, Milan , ph credit M. Pedranti

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I’m very happy to share a few shots of the works featured in All Together: “Goodbye Master!” at @artnoble_gallery , open until December 15.

The curatorial research explores the different, and at times seemingly contradictory, functions the puppet has served throughout its history. On the one hand, it embodies one of the most immediate forms of animism: an object endowed with a soul, a voice, an intention, to the point of producing the illusion of a subjectivity of its own. On the other, precisely through its artificial, caricatural and disproportionate nature, the puppet has been an instrument for the carnivalisation of the world.

«Addio, mascherine! Mi avete ingannato una volta, e ora non mi ripigliate più.»

Artists: @__cigaroh @oliviero.fiorenzi @laanitamucolli @iszor @barbara_prenka @dardanzhegrova

Curated by @arnbrh

Installation views, All Together: “Goodbye Master!”, curated by Arnold Braho, courtesy of ArtNoble Gallery, Milano. Photo credit: Michela Pedranti @michelapedranti

Thanks @matt_nbl @__maud__greppi for the amazing collaboration 🤍

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Thank you all for coming last week to the opening of “All together: “Goodbye Master!”” group show with Andreea Anghel, Oliviero Fiorenzi, Anita Muçolli, Liselor Perez, Barbara Prenka, Dardan Zhegrova, curated by Arnold Braho ❤️

The exhibition is open until 15.12.2026

Full documentation of the show is available on our website. For info, inquiries, or to book an appointment, please DM or send email to info@artnoble.co.uk

@__cigaroh @oliviero.fiorenzi @laanitamucolli @iszor @barbara_prenka @dardanzhegrova
Curated by @arnbrh

📸
Installation views, “All together: “Goodbye Master!”, curated by Arnold Braho, courtesy ArtNoble Gallery, Milano, ph credit Michela Pedranti @michelapedranti

#artnoblegallery #group #exhibition #arnoldbraho #andeeaanghel olivierofiorenzi anitamuçolli liselorperez barbaraprenka dardanzhegrova

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Throwback – In the Making II
Ekspozitë në kuadër të temës Ekologjia Queer

Në In the Making II, në kuadër të Queer Ecology, Dardan Zhegrova solli projektin I keep catching glimpses of myself, carved as a totem of you, duke eksploruar marrëdhënien mes krijuesit, veprës dhe publikut përmes praktikës DIY dhe krijimit kolektiv.
Përmes një serie punëtorish me fëmijë të moshave 6–13 vjeç, Galeria 17 u shndërrua në një hapësirë të përbashkët krijimi, ku mbetjet personale të tekstilit u ripërdorën për të krijuar kukulla që pasqyronin identitetin, imagjinatën dhe dëshirat e pjesëmarrësve.
Projekti e lidhi artizanatin me reflektimin ekologjik, duke rikujtuar rëndësinë e ripërdorimit dhe të krijimit me atë që tashmë kemi. Kukullat, të krijuara kolektivisht, u bënë toteme të vogla të vetvetes dhe një mënyrë për të folur për bashkëjetesën, dallimet dhe lidhjen tonë me botën natyrore.
Përmes lojës, punës dhe imagjinatës, fëmijët jo vetëm krijuan një vepër të përbashkët, por na ftuan edhe ne të rriturit të mendojmë ndryshe për mënyrën se si bashkëjetojmë me njëri-tjetrin dhe me ekosistemin që na rrethon.

Ekspozita mund të përjetohet virtualisht përmes linkut më poshtë
https://galeria17.org/ekspozitat/pamje-360/

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Public Program ♡ Programi Publik

Friday, 9 October 2026
E premte, 9 tetor 2026

14.00
A Poem Is an Intersection with @emilyjacobi_hq

15.00
Inès Heddar reads still life @labelli9

15.15
Independent Publishing as Infrastructure for Discourse with Other Forms @other.forms @alan.adams.smart

16.00
Vila 31 x Art Explora: Books and Prints by Artists in Residence @vila31artexplora

17.00
scarabocchio presents Masafer Yatta – Zine Talk @studio.scarabocchio

18.00
Existing, Connecting, and Drinking, a talk with Ebi Spahiu, Amarildo Fecanji, and Safira Boeder @ebispah @safiraboeder

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“A Sanctuary of Infinite Patience”
curated by Vesa Sahatçiu

Drawing its title from a verse in Etel Adnan's book of poetry "Night," the exhibition "A Sanctuary of Infinite Patience" explores memory not as a component of the past, resting in the confines of what is perceived as linear time, but as an active aspect of the present. Memory and time are immaterial, as Adnan puts it, they merge with us in the present.

This year's edition of Tirana Art Weekend addresses the theme of "Getting Closer." What occurs when we get close to one another? When we exchange, when we merge? In particular, what takes place when this merging happens within the context of a people who have historically struggled to "get close"? A people subjected to geopolitical struggles, and dare I say, deprivations?

"A Sanctuary of Infinite Patience" proposes not merely an exchange between current contemporary artists from Albania and Kosovo, but an unraveling of the complexities that arise once we fully face each other. Once the myths - the stories, and anecdotes inherited from generation to generation, mingle with us in the present.

Poster Design by: Urtina Hoxha @_urtinahoxha & Elvira Thaçi @elvira.thacii

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“ CALL ON THE GLORY FOOTPRINTS “

Një falënderim për secilin që bëri të mundur këtë ekspozitë shitëse! 🎨✨

Misioni i kësaj ngjarje ishte që t’i japim artit frymë në hapsinë publike dhe private, që punimet artistike të kanë qasje dhe prezencë të plotë.

Synimi kryesor i kësaj ekspozite ka qenë çlirimi i veprës së artit nga kufizimi statik—për të krijuar impuls, qasje dhe një dialog dinamik hapësinor që ti japim Artit jetë përmes pjesëmarrjes dhe lëvizjes.

Shpresojmë se këto punime do të migrojnë e të qarkullojnë dhe të ndërtojnë biseda të reja si në hapësirat publike, ashtu edhe në ato private.

Faleminderit për energjinë e jashtëzakonshme

Soma

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We are back and pleased to invite you on Wednesday, September 30, to the opening of “All together: Goodbye Master!”, a group show with works by Andreea Anghel, Oliviero Fiorenzi, Anita Muçolli, Liselor Perez, Barbara Prenka and Dardan Zhegrova, curated by Arnold Braho.

The exhibition takes as its starting point the historical, political, and symbolic role of puppets and marionettes, developing a reflection on animism and on the possibility that objects, materials, and images possess their own agency and memory. All Together: “Goodbye Master!” considers puppetry not only as a popular form of entertainment or a pedagogical tool, but as an imaginative technology capable of destabilizing power, carnivalizing the world, and staging alternative social relations.

It is within this tension that the title “All together: Goodbye Master!” takes shape: a farewell to the puppeteer, and to any single principle of control, in order to imagine other forms of agency and coexistence.

See you all at the opening on 30.09 ❤️

@__cigaroh @oliviero.fiorenzi @laanitamucolli @iszor @barbara_prenka @dardanzhegrova
Curated by @arnbrh
Graphic Design @giordanocruciani

#art #contemporaryart #artnoblegallery #exhibition #milan

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CALL ON THE GLORY FOOTPRINTS - Sales Exhibition

Dardan Zhegrova (b. 1991, Prishtina, Kosova)

Dardan Zhegrova’s works are object- and performance-oriented, and are more frequently inspired by poems that serve as the standing point for the conception of a new work. His texts relate to partially fictional and actually experienced events, which are mostly recounted in a first-person perspective. Oftentimes the narrator addresses an (imaginary) counterpart, sought after by the artist. There are no pronouns like she and he – the narrative unfolds between the I and the You. Here the border between the artist as a subject and the person addressed often seems to blur. This dissolution of the conventions of a classical narrative form can also be seen in relation to structures of temporality in poetry, where the future, present, and past seem to merge. This collapse of the different boundaries in Zhegrova’s work also reflects his queer identity, which oscillates between female and male attributes, and deliberately rejects and transcends a normative understanding of gender.

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Amalia Vekri and Dardan Zhegrova at Haus N Athen, Athens
“We Kept On Dressing”
June 12 – July 17 2026
Photos: ©Nikos Katsaros, courtesy of the artists and Haus N Athen, Athens
@hausnathen @amalia_vekri @dardanzhegrova

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We Kept On Dressing
Amalia Vekri and Dardan Zhegrova
@amalia_vekri @dardanzhegrova

Extract from the text by Arnisa Zeqo @arnisa_zeqo

“My first visual exposure to pornographic imagery came from antiquity. More specifically from visits to the sites of Pompei where I spent some time as a young person. There were the ‘forbidden spaces’ the Thermea and also the more accessible Casa dei Misteri. The thermae or public baths in Pompei are not too far from the gay saunas Michel Foucault writes about. For reasons often debated by archeologists and scholars, this building includes a room with depiction of sex work, one of the earliest example of pornography, or the writing about sex workers as the etymology of the word implies. The characters alternate between nudity and clothed moments. There’s a naked woman receiving cunnilingus by a dressed man, or a party of three in action. They are funny and crude and depicting quick moments of exchange. Visiting these frescos was an exiting experience, even without knowing what each vignette fully depicted at the time. The acts are immediate, there to be seen and captured quickly. They remain in my mind as blurs of forbidden excitement and curiosity.”

📸 @_nikoskatsaros

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