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Design // Photography // Analog Process
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‘sitting circle’ feat. @mooserob graphic score🪉🎻⚪️⬜️◻️

writing ‘sitting circle’, I kept returning to the image of people gathering after a long time apart 〰️ both strangers and friends〰️ placing their stories in the middle like objects and finding connection.  the piece became a reflection on reunion, listening, and the shared space that forms when different voices come together. 

the repeating harp motif that moves throughout the piece began to feel like a musical perimeter in a way, continuously holding in pattern.  I’ve always thought of Rob’s incredible writing as these limitless sonic highways, where he crafts beautiful harmonies and melodic worlds of wonder.  a huge thank you to Rob for bringing such extraordinary warmth, spaciousness and a completely new life into this music. 

in the score here, they cross through the harp, expand beyond it, reconnect and find new paths through the music.

as the piece grew, the subtle glitches, delays, arpeggios and sonic ornaments became part of that shared space too 〰️ little gestures appearing, connecting and flowing around one another, almost like the stories, memories and objects accumulating in the middle of the circle • △ [] <>

the graphic score became a way to visualize all of those gestures and am so incredibly grateful for visionary @utesch @obelus_era for so beautifully helping me realizing the graphic score in such an amazing way, to @nolanmarkey for a wonderful transcription, to @davyevans for bringing it so beautifully into motion ➿❕

‘sitting circle’ is from ‘a [time] patterned’ — my new album out NEXT WEEK, aug 28th 🪉❕ @mercurykx @deccarecordsus 

so much love & appreciation to everyone who helped bring this piece and its visual world to life & to everyone listening 🩶 can’t wait until the whole record is in your hands! 

#graphicscore #modernclassical #newmusic #harp #robmoose
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my new single ‘mirabel’ is out now ꩜ 🪉〰️

writing mirabel was a joy for me. it began as a series of intuitive harp arpeggios that gradually unfolded into shifting shapes beneath my fingers. as i kept writing, the patterns started to feel geometric — triangular and tessellated across the harp on the strings and electronics, constantly refracting into new rhythmic forms. in contrast, the strings seemed to move more circularly — expansive, emotive and fluid — creating a feeling of orbit around the harp’s geometric kaleidoscopic motion.▫️⚪️

as the piece grew, i found myself following these shapes wherever they wanted to go. patterns folded into one another, rhythms cascaded outward, and the music seemed to move through its own cycles. even the harp score became a reflection of that experience — a way to visualize the patterns on my strings and inside my fingers. 

mirabel is the second single from a [time] patterned — my new album out aug 28th 🪉❕ @mercurykx

so much love & appreciation to everyone who helped bring this music into the world & to everyone listening today 🩶

writing with @cyrus_reynolds is always a complete dream and having his luminous orchestral lens and voice on this piece was magic❕

thank you @utesch @obelus_era for so beautifully realizing the circular score, @brett.cox_ & all the absolutely beautiful orchestra at @theempirestudiolondon, @davyevans score animation, @mercurykx @cezza90 @_hannahbeatrice @sj.letts  @anais.jx @deccarecordsus @faberalt @zinomikoreymastering @richard_whittaker_official  @rowanbakermusic
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