Instagram story viewer> @deborahuhde> Tagged

deborahuhde

@deborahuhde

undefined

POSTS STORIES REELS TAGGED

International SALOON Meeting during the preview days of Manifesta 16 Ruhr✨

Despite the extreme heat—and with several pre-openings already behind us—we gathered on Sunday for a guided tour with Manifesta curator Leonie Herweg, who co-curated the two Essen churches, St. Gertrud and St. Marien, together with René Block.

Leonie gave us wonderful insights into the exhibition and the featured works, including pieces by Ayşe Erkmen and Donya Nasseri. Thank you, dear Leonie, for taking so much time with us and for the inspiring and in-depth conversation about Manifesta and its vision.

After the tour, we cooled down and recharged at Capobianco, the lovely Italian restaurant just around the corner, before spontaneously heading to St. Marien to experience Mira Mann's sound performance.

It was a truly wonderful day, and we were delighted to meet and connect with inspiring colleagues from other SALOON chapters. Thank you all for making it so special!

@manifestabiennial @leonieherweg @donja_nasseri @mira.mann
@saloon.network @saloon.berlin @saloon.dusseldorf
@ristorantecapobianco

#womeninart #womenstrengtheningwomen #internationalmeeting

46

6

Warm welcome to our group exhibition in crclr House, Rollbergstraße 28, Berlin.

Ways of Worldmaking, Opening Friday, March 27, 7 PM, Exhibition March 28–29, 13-20 PM

Every world has a beginning somewhere. In a symbol, a story, a Big Bang. In a game mechanic, a protest, a map on which what does not yet exist is drawn or which erases what does exist.

“Ways of Worldmaking” unfolds across three levels of world-making: Nelson Goodman’s philosophical argument that reality is always constructed through systems of symbols, never given but always first created. In which countless worlds exist in parallel. Then the speculative tradition of worldbuilding, from science fiction to game design, in which fiction becomes a laboratory for alternative lifeworlds. And “worlding” as a political and ecological practice. The insistence, from decolonial and human perspectives, that worlds are not only created but also destroyed, contested, and challenged.

#WaysOfWorldmaking #Worldbuilding #Worlding #SpeculativeFutures #ContemporaryArt

@erik.esso @pnuernberger @igor___shuklin @deborahuhde @postbotenschreck @conrad_veit @jooooooki

114

0

/DE/ – Ein Rückblick, der nachwirkt
Die Kunstwerke der Ausstellung "Konstellationen" im CRCLR House waren nicht nur visuell beeindruckend, sie haben auch tiefgründige Geschichten erzählt.
Jens Isensee hat uns mit seiner Mixed-Reality-Installation in die Welt des Anthropozäns gezogen – eine Erfahrung, die uns nicht so schnell loslässt. Tom Meier schuf mit "RIP" eine kinetische Klanginstallation, die die reine Kraft des Materials in den Vordergrund stellte. Und Deborah Uhdes „Phantom-Teich" war ein bewegendes Cross-Media-Ensemble, das uns zum Nachdenken anregte.
Diese Künstler haben mit ihren Werken gezeigt, dass Kunst mehr als nur Ästhetik ist. Sie ist ein Spiegel unserer Zeit und ein starkes Statement.

Welche Fragen haben die Werke bei euch aufgeworfen? Lasst uns darüber sprechen! 💬

/EN/ – A retrospective that leaves a lasting impression.
The artworks in the 'constellations' exhibition at CRCLR House were visually impressive and told profound stories.
Jens Isensee drew us into the world of the Anthropocene with his mixed reality installation, providing an unforgettable experience. Tom Meier's kinetic sound installation, “RIP”, highlighted the pure power of the material. Deborah Uhde's “Phantom Pond” was an evocative cross-media piece that made us think.
Through their work, these artists demonstrated that art transcends mere aesthetics. It reflects our time and makes powerful statements.

What questions did these pieces raise for you? Let's talk about it! 💬

📸 @marcel.wittstadt

@jooooooki
@tommeierberlin
@deborahuhde
@zrsberlin

#48stundenneukölln #48hNK #artfestival #Kunstfestival #berlinart #art #Kunst #Berlin #neukölln #communitylove #exhibition #Ausstellung #Novocene #Installation #Künstler #Medienkunst #ArtTalk

160

1

📅 Última semana da exposição “As Espantosas e Curiosas Viagens” no CCCM! É uma “rara constelação de autoetnografias” que liga Macau a Portugal, Alemanha e Polónia, segundo a Agenda Cultural de Lisboa.

🌍 @amancheong & @marta_sala_artist apresentam uma instalação de têxtil e bambu sobre histórias familiares transcontinentais.

📮 @deborahuhde exibe uma série de postais gerados por IA que evocam o colonialismo alemão na China.

📍 Até 17 de agosto. Visita imperdível!

📸 Deborah Uhde

96

3

🎥🧭 Exposição prolongada até 17 de agosto de 2025!
📍 CCCM, Lisboa
🖼️ Sala de exposições temporárias do Museu de Macau

"As Espantosas e Curiosas Viagens" continua a surpreender e inspirar visitantes! Esta exposição, apresentada pelo CCCM, reúne obras do antropólogo visual de Macau Cheong Kin Man, da artista polaca Marta Stanisława Sala e da cineasta alemã Deborah Uhde, com curadoria da investigadora colombiana Lorena Tabares Salamanca.

Explorando o diálogo intercultural, a identidade, a linguagem e a memória, a mostra combina diversos meios artísticos para traçar percursos íntimos e coletivos por geografias e tempos diversos.

✨ Destaques da exposição:
🔸 Instalação vídeo experimental com testemunhos da diáspora macaense no Brasil — uma poderosa reflexão sobre migração e herança linguística.
🔸 "A Bússola da Utopia" – instalação em tecido e bambu que entrelaça Macau e Polónia através da poesia, da filosofia e da sonoridade do cantonense.
🔸 Versão expandida de "Apocalipses", obra têxtil e livro de artista inicialmente comissionada para a Bienal "Arte Macau" 2023.

Cinco das sete obras colaborativas de Cheong e Sala são aqui exibidas pela primeira vez. Um convite à descoberta.

🧳 Uma viagem imperdível pelos caminhos da hibridez cultural, com o apoio das Embaixadas da Polónia e da Colômbia em Portugal, do Ministério da Cultura e Património Nacional da Polónia, da Fundação Oriente, da Câmara Municipal de Cracóvia, do Goethe-Institut Portugal, do Instituto Boym e da Babel – Associação Cultural de Macau.

🎟️ Entrada livre

64

1

✨ No mês passado, tivemos o prazer de receber a comitiva do Macau Experimental Theatre (Grupo de Teatro Experimental “Pequena Cidade”) e as jovens e promissoras poetisas macaenses Li I e Si Tou Chi Ü.

A dupla polaco-macaense Cheong Kin Man e Marta Sala proporcionou-lhes uma visita especial à exposição “As Espantosas e Curiosas Viagens”, patente até 18 de agosto no CCCM

Foto: Tam Chi Chün/Macau Experimental Theatre

117

2

🔊Glad to show my new work "RIP" at "Konstellationen" with Jens Isensee and Deborah Uhde after 7 months of developing and building time.
RIP is a kinetic and sound installation, containing of an autonomous apparatus which rips a piece of fabric in slow and ever new movements. The resulting sound can be heard as a melody.

67

1

Exposição: “As Espantosas e Curious Viagens”

From June 6th to July 6th, 2025
📍Centro Científico e Cultural de Macau

Tuesday to Sunday 10:00 am - 6:00pm (last entry at 5:30pm)

#centrocientificoeculturaldemacau #cccm #lisboa #lisbon #exhibition #exposição

17

0

Muito bonita a exposição de @amancheong @marta_sala_artist e @deborahuhde no @centrocientificoculturalmacau , curada por @del_baul_el_betun_ . Além de ressoar muito a coleção do espaço, é lindo ver como uma cultura em diáspora pode resultar num encontro onde diferentes elaborações parecem conformar uma geografia comum 🌏

130

2

O CCCM apresenta “As Espantosas e Curiosas Viagens”, uma exposição que aborda as ligações entre a Europa e Macau, através da arte e antropologia visual. A exposição está patente até 6 de julho.

A exposição, com curadoria de @del_baul_el_betun_ - Lorena Tabares Salamanca - (Colômbia), destaca as perspetivas portuguesa, alemã, colombiana e polaca, tendo Macau como ponto de partida, em que os artistas residentes em Berlim, @amancheong (Macau), @marta_sala_artist (Polónia) e @deborahuhde (Alemanha), recriam arquivos pessoais e históricos, perspetivas linguísticas e sociais.

A exposição integra trabalhos artísticos e antropológicos, autoetnografia artística e escritas intermédias, inspirados na aprendizagem de línguas, crónicas de viagem e narrativas documentais.

📸 @jorge_veiga_alves_fotos

63

0

30

1

Warm welcome to our group exhibition this weekend at CRCLR House in Neukölln @ 48hNk Art Festival!

Fr 7 pm - 0 am
Sa 11 am - 0 am
So 11 am - 7 pm

Rollbergstraße 28b

"Novocene"

Mixed Reality Installation | Quest 3, cardboard sculpture, 5x5m
Jens Isensee, 2025

Novocene is a mixed reality experience unfolding an interactive narrative about the Anthropocene, the current geological era, entirely dominated and shaped by humans. Accordingly, the polar ice masses in this interactive video installation will melt at some point and the climate crisis will cause the analog exhibition environment to sink under a virtually rising sea level.

"RIP"

Installation | u.a. Schritt-Motoren, Stoff
Tom Meier, 2025

RIP ist eine kinetische Klanginstallation, ein Automat, einzig erdacht, um zu zerreissen. Ein Riss, der sich durch eine Rolle Textil frisst, die von zwei kleineren Walzen in einiger Entfernung angezogen wird. Durch die räumliche Divergenz der kleineren Rollen zerreißt die Stoffbahn. Dieser Riss ist Vektor und fortlaufende Skulptur. Durch die variierende Spannung entsteht eine Melodie des Reissens.

"Phantom-Teich"

Video | div. Materialien
Deborah Uhde, 2025

Deborah Uhdes Arbeit „Phantom-Teich“ folgt den Spuren eines kontrollierten Eingriffs in ein unkontrollierbares Erbe. Die Installation widmet sich einem Kampfmittelbeseitigungsprojekt in Deutschland, dem Dethlinger Teich in der Heide. In einem Cross-Media-Ensemble entsteht ein Kippbild zwischen ingenieurmäßiger Höchstleistung und brüchiger Bewältigungsstrategie.

#48stundenneukölln #48hNK #artfestival #berlinart

73

0