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Federal & Sydney. Things I see. Things I hear. All photos mine. No AI. (I don’t get how to do that…)
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Australia! It’s been such a happy visit! So many beautiful people who we love, a reminder that Aussie winter is nothing short of magic, some very happy music making, time in Sydney, Melbourne and the Farm, an epic Bush Doof to celebrate @nogunosa and @deirdreplummer 55 years of marriage, salt air in our lungs and sausage rolls and chicken parmigiana in our bellies! After 7 weeks away, Wien (and Jellyfish), we are coming for you!
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55 years ago, Deirdre and I got married in the Courthouse of Central City, Colorado. Judge D D Diamond officiated and he deputised two of his clerks as witnesses. 

It was a secret wedding. We told no one…neither our families or friends knew. 

Yikes.

After all these years and many shared adventures, Deirdre and I remain loving and devoted partners.

It was meant to be.
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My mama and me. Her mama, her mama with her mama, my papa’s mama and her mama. The line of mamas stretching further than we can see. HMD to those who celebrate.
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The myth of the Eerie Wife exists on every continent.

A magical maiden is able to transform, at will, from human to animal, with her own enchanted animal skin. In every version of the story, a man becomes obsessed with her and steals her pelt, trapping her in human form, and pressing her into marriage and motherhood. She lives the life of a human wife: bearing children, performing chores, until finally, one day, her pelt is returned and she flies away.

My mother was a ballerina when she fell unexpectedly pregnant. Like so many young women, her creativity became something necessarily poured into whatever small domestic containers were available. She didn’t express discontent, exactly, but I could always see that her containers were too small, too easily packed away, too often derailed by circumstance. When I had my own child I was viscerally shocked by the world’s interpretation of my biological capacity, and I too quit making art, for years.

In this work, my nieces prepare a special witchy intergenerational performance of Swan Lake for my mother, and my kid goes on a quest to restore her pelt.

THE UBIQUITOUS MYTH OF THE EERIE WIFE is a response to Ron Muek’s Pregnant Woman and her self-contained occupation of @maitlandregionalartgallery . It’s also an artist-mother’s Spell For Flying, and a Lineage Spell to retroactively restore my mother’s autonomy (and her mother’s, and her mother’s…women whose relationship with creativity was hijacked by a cultural idea of motherhood). It’s also a Protective Spell: by reframing and transmitting the Eerie Wife myth through the young artists in my family, they can perhaps find new pathways through the cultural tangle of gender, agency, biology, love, parenthood and art.

It was my deepest pleasure to work again with @kubadora , @tamaraelkinsartist (as choreographer and performer) and @thereal_sallywhitwellmusic , as well as my brilliant nieces, my mama and my own lovely kid. It’ll open at the end of March at Maitland along with MARGARET AND THE GREY MARE. I’d love to see you there.
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I am the luckiest to have my whole family (minus of course my sweet hubby and kids and one nephew) to come and see me perform in Cinderella at @sydneyoperahouse . Thanks to my mum @deirdreplummer for organising the whole mess of humans! I love you all
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