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Dipesh Verma

@dipeshverma_8

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with @rambertdance
london 📍

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One of the greatest joys of dance education is watching our students continue to grow and thrive long after they leave our studios.

During her recent visit to London, Pia had the opportunity to reconnect with a few of our alumni and hear about the exciting paths they’ve each gone on to pursue. They continue to keep in touch, some returning to teach and perform with us in India.

Today, they are continuing their professional careers and training at world renowned institutions like:

✨ Dipesh Verma – Rambert Dance Company, UK @rambertdance
✨ Vidushi Dsouza – MA, London Contemporary Dance School @theplacelondon
✨ Angha Mishra – BA, Rambert School of Ballet and Contemporary Dance @rambertschool
✨ Ishika Nagi – BA, Rambert School of Ballet and Contemporary Dance @rambertschool
✨ Mahika Singh – BA, Urdang, City St George’s, University of London @theurdang

Watching their journeys unfold is a reminder that while our students may go on to train, perform, and study across the world, they will always remain an important part of the ICMD family🤍

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grateful for the people I spent my two months with

@rambertdance grateful I got to spend those two months performing with those people

thank you all!

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▪️ 𝗙𝗢𝗖𝗨𝗦 𝗢𝗡: 𝗥𝗔𝗠𝗕𝗘𝗥𝗧 𝟭𝟬𝟬
Founded by Marie Rambert in 1926, @rambertdance turns 100.
The first ballet company in the UK, it has crossed a century of dance history: from the early works of Frederick Ashton and Antony Tudor to the contemporary turn of 1966, up to the future-oriented direction of @benoitswanpouffer
For its centenary, Rambert is not looking back.
📖 Read more in Danza&Danza International No. 56, now available on our app.

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Costume design has become a new medium of expression in my creative practice — a space where I keep pushing my boundaries, testing my creativity in unfamiliar territory, and throwing myself into the unknown.

Working with @rambertdance #ThisIsRambert as Director of Costume Design creating costumes for ‘Gallery of Consequence’ over the past year and half was a transformative experience. It sharpened my eye and helped me develop a new visual language. Working with dancers pushed me to communicate through clothing on a different level — like actors, they portray character through movement, and that brought a new dynamic to how I selected and designed each costume.

The ultimate achievement is seeing costumes I designed featured in a show premiering @sadlers_wells — one of the true pinnacles of my career, a genuine pinch-me moment, something my 10-year-old self could never have imagined.

A big thank you to @benoitswanpouffer for taking the chance and believing in my vision. To @emmaevelein , for your exceptional talent, choreography, and visual direction. To @kpricecostumes Head of Costume, for your constant support in making this come to fruition. And to the whole Rambert team — one of the most visionary companies I’ve had the pleasure to work with.

#costumedesign #rambert100 #rambert #contemporarydance

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TWENTY ATE, literally, purrrrrrrrrr 😏
🌪️⚡️Cheers to another year I’m celebrating all month 💜🎉

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Had the absolute pleasure of covering for my colleague @carlyoskar who did an amazing job producing @rambertdance centenary triple bill This Is Rambert at @festivaldispoleto in a beautiful amphitheater!!

Big love to the company and the whole team!

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Edinburgh, it’s your move.

This Is Rambert
2-4 July @captheatres

#ItsYourMove #ThisIsRambert #Rambert100

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Choreo by me and @dipeshverma_8 💙

#contemporarydance #dance

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“THIS IS RAMBERT” is an electrifying triple bill celebrating a century of innovation and artistic excellence by Rambert at Sadler’s Wells. The evening opened with In Crimson, the European premiere by Bobbi Jene Smith and Or Schraiber, an intense, intimate study of passion, shifting between the seen and unseen, onstage and off. Rambert’s dancers were exceptional, propelled by Yonatan Daskal’s haunting live score. #Rambert100 #InCrimson #ContemporaryDance #SadlersWells #Dance @RambertDance @Sadlers_Wells @BobbiJeneSmith @OrSchraiber @YonatanDaskal @AlessioCorallo @AngeliqueBlasco @CaliHollister @ConorKerrigan @DipeshVerma @HannahHernandez @NayaLovell @benx_min

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What an incredible week sharing This Is Rambert with you @sadlers_wells.

Thank you to everyone who made our centenary premiere such a joyous celebration. Let the tour commence 🎉

@newcastletheatreroyal, we hope you’re ready for us next week ❤️‍🔥

#ItsYourMove #Rambert100 #ThisIsRambert

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This is Rambert at @sadlers_wells
★★★½

Created for Rambert’s 100th anniversary, This is Rambert brought together three contemporary works exploring intimacy, community and human connection. One thing became increasingly clear across the evening: Rambert’s dancers are phenomenal. I just wish the choreography had met them there.

The clear five-star standout of the evening was Hop(e)storm. It felt like pure, uninterrupted dance. Twelve dancers moved through constantly shifting formations with impressive synchronicity, combining intricate footwork with ever-evolving group patterns. Drawing on lindy hop, rave culture and contemporary movement, the piece felt closer to a high-octane mini rave than a traditional dance work.

What impressed me most was that the evening’s simplest movement vocabulary produced its most exciting choreography. The brilliance wasn’t in the steps themselves. It was in how everything fitted together. Different styles collided, patterns formed and dissolved, and the entire stage seemed to move as a single organism. It felt joyful, communal and alive.

The other two pieces didn’t generate the same excitement for me. In Crimson explored desire and intimacy. Gallery of Consequence followed lives intersecting in an airport, using departure gates and chance encounters to explore loneliness, possibility and the countless directions a life can take (an idea I absolutely loved on paper). Both contained strong performances, but neither surprised or excited me nor connected with me emotionally. I understood what both pieces were aiming for, but I never found myself particularly drawn into either world.

The dancers attacked every piece with commitment, precision and physicality. For a company celebrating 100 years, I left wanting choreography that felt bolder, more distinctive and more memorable and that did justice to the quality of the dancers bringing it to life.

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What a gorgeous show This Is Rambert such an incredible company of dancers 👏👏👏👏👏👏 and the talented choreographer @emmaevelein @sadlers_wells

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