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#Review Mumbai/Bengaluru -based DJ and music producer DJazz (Aditya Malve) brings a distinctly intricate vision to India’s electronic music scene. With over a decade in the creative industry, his sets are known for tearing down genre walls, seamlessly fusing House, Disco, drum and bass, Hip-Hop, Jazz, and Blues. On the other side of the rhythmic equation is Unmesh Banerjee, one of the most promising tabla players of his generation. Hailing from a family deeply rooted in North Indian Classical Music, Banerjee received intense, rigorous taalim in the Farukkabad baaj directly from his father and guru, Pandit Sunil Banerjee, while his mother, Smt. Bharati Nanavati Banerjee, is a versatile Patiala Gharana vocalist.

Together, they are pushing the boundaries of fusion with Shaastriya Sangeet Vol. II: Religion of Eternity. Building on the foundation of their acclaimed first volume, this four-track EP dives even deeper into the high-contrast intersection of traditional Indian Classical Music and avant-garde electronic soundscapes. Let’s break down how this cross-cultural experiment unfolds, track by track. 

Read the full article on our website(link in the bio) 

By Rohit Jadhav(@just.rohit10)
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@vegnonveg @antarikshradio @antarikshrecords kudos to you for creating a space where artists can freely be themselves :) 

felt like a kid with a blank canvas for this one 🎨 

can not wait to dig deeper 🫂🫂🫂 if you wish to catch the set 

https://www.youtube.com/live/nwuZtkPMEwc?si=uUKV8kh76FI4j8Z2 

thank you for this @antarikshdaddy @iamnakulboora🤍 

also can live in your clothes @braveerave 👽
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