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@doonnovan

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Me when Donnie is in town🦀🥂

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Too many moments of awe from this work to capture in one post. Forever Changed. Endlessly Inspired. Reverentially Remembered. 🪨🪽

The Strikebreakers. 2026. Site-specific, durational performance commissioned for the 59th Carnegie International. Carnegie Museum of Art, Pittsburgh. August 14-18, 2026.

Artist/Choreographer: Jonathan González

Performers: Anya Clarke-Verdery, Jasmine Hearn, Donovan Reed, Cory Seals, & Anya Susan

Curator: Danielle A. Jackson

Producers: Greta Hartenstein and Nora Chellew

Costume Designer: Liz Prince

Costume Assistant: Genevieve Chiappetta

Photo: Zachary Riggleman / ® Carnegie
Museum of Art, Pittsburgh

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state, showing this season at the Joyce Theater, November 11 - 15. state captures five states of a woman and the deep connections women build to hold each other up and the urgency and beauty of individual expression. Set to the mesmerizing original score of pop artist RIVKA

In addition to experiencing the work, dancers, choreographers, creators, and lighting designers have the opportunity to dive deeper into lighting with our lighting the stage workshop. Attend the matinee and then stay for a conversation with assistant lighting designer David Goodman-Edberg. Then on November 18th attend a zoom session hosted by GALLIM founder and choreographer, Andrea Miller, and GALLIM resident lighting designer, Vinny Vigilante, to talk about their creative process. Understand lighting choices and cultivate the skill of communicating your vision for a stage.

Sign up through the link in our bio

Video by: Ben Stamper

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I’d choose them in any lifetime #KyleAbrahamDanceVanguard

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CIAO BELLA

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SECOND STOP! Milano, Italy ✨

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My non bon, non bon, non bon 🫀

@doonnovan

Posting because they rarely post 😒

📸: @alexanderdiaz.ata

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⚡️Fresh off YEAR at The Joyce Theater, GALLIM invites you into the work. Registration for our 2027 Winter Intensive is now open. ⚡️

From January 4th to the 9th of next year, you won’t just learn choreography. You’ll step inside it. Train the way the company trains, rehearse the way the company rehearses, and take the stage as part of Andrea Miller’s world.

Over the six days, you can expect to start every morning with GALLIM Methods. You will dive into YEAR alongside dancers from around the world. Together, we will move beyond technique pushing our artistry and have honest conversations about creating. Finally, the program will close with a professionally documented public performance at the Jack Crystal Theater at NYU.✨

Start your year off with new perspectives and training. Sign up today to secure your spot.

🌀You can find more information by following the link in our bio🌀

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blessed🪽

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In the studio/theater at @mancc_fsu with our dramaturge @irenehultmanmonti who is brilliantly supporting our understanding of our intense new work, blood anchor…

Iréne Hultman (born in Sweden) is a New York–based choreographer, performer, dramaturg and educator whose work moves fluidly between concert dance, opera, installation, research-led performance and writing. She was a member of the Trisha Brown Dance Company, 1983–1988, and later served as that company’s rehearsal director, 2006–2009. She also led her own company, Iréne Hultman Dance (IHD), 1988-2001, that toured nationally and internationally. Hutman’s creative curiosity centers on how movement intersects with different environments, including the
internal landscape. She frequently designs situations that combine choreography with visual art contexts, site-specific installation, and scenic environments. Her practice embraces collaboration with composers, video artists, dramaturgs and institutions, and moves easily between theatrical, gallery, and civic settings. Hultman teaches at the intersection of practice and theory: she has held teaching and visiting positions at institutions including Yale (where she is currently faculty in Theater, Dance and Performance Studies), The New School, Sarah Lawrence, Ohio State University, Rutgers University, where she is a guest lecturer this Fall 2026, as well as other universities and art academies internationally. Her university work combines studio
practice, and project-based research mentoring.
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#kimberlybartosikdaela

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We had the amazing privilege of having Roderick Murray with us at @mancc_fsu through the weekend-my incredible designer (and husband)! Our love of old technology is manifesting itself in beautifully unique ways in our work on blood anchor and his design vision is absolutely stunning. @roderickmurraylighting

Roderick Murray has designed lights for dance for 35 years and has been collaborating and learning with Kimberly for the past 20 years. He is thrilled to be helping bring Kimberly’s newest work into the light. He is also the Director of Production for Beth Morrison Projects where he helps develop new music theater and opera works towards their premieres and tours.
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#kimberlybartosikdaela

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In week one of her residency, Kimberly Bartosik developed new movement vocabulary for “blood anchor” alongside collaborators Rachel Gill, Jacoby Pruitt, and Donovan Reed. Moving forward, Bartosik plans to explore design elements with artist Roderick Murray and deepen her understanding of themes driving the work with dramaturg Irene Hultman.

@kimberlybartosik_daela

Photo 1: Kimberly Bartosik
Photo 2: Rachel Gill Photo 3: Kimberly Bartosik, Donovan Reed
Photo 4: Jacoby Pruitt, Rachel Gill

#MANCC #KimberlyBartosikDaela #KimberlyBartosik #ManccResidency #ArtistResidency Woman moving fast with arms held outstretched and hair flowing back

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