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being made like god/ sloughed split cassette out on @doubtlessguilt nov. 6th.
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SMR.TNI / Power electronics as immanent self-empowerment. The music of smr.tni draws the line where pain becomes an end in itself and aesthetics degenerate into pathos. A permanent, multidisciplinary examination of biography, insight, humanity, and inhumanity. No sound without a task, no line of text without a purpose, and no frills: smr.tni’s performances are direct, intense, raw, and loud.

@smr.tni

Part of PERMANENTLY SHADOWED on December 4, 2026 on board of the MS Stubnitz.

Please support the artists and the MS Stubnitz by buying your ticket in advance, thank you! Ticket link in bio.

This event is supported by the Verband für aktuelle Musik Hamburg e.V.

#PermanentlyShadowed #MSStubnitz #VAMH #SmrTni

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TINTIN PATRONE / Tintin Patrone (she/her) is a German-Filipino sound and performance artist whose musical practice is rooted in experimental trombone performance. Working with sustained tones, drone, microtonality, voice, and modular electronics, she develops long-form improvisations that unfold through subtle shifts in tuning, harmonic beating, and physical endurance. Her concerts treat breath, repetition, and instability as compositional material, allowing tension and escalation to emerge gradually rather than through dramatic gesture. Despite the formal rigor of her sonic language, her performances remain physical, playful, and unexpectedly humorous, embracing awkwardness, failure, and unpredictable encounters as essential musical qualities. She has performed internationally at festivals including Skaņu Mežs (LV), Intonal (SE), Meakusma (BE), Unsafe&Sound (AT), Lacking Sound Fest (TW), and Les Digitales (CH).

@tintin_patrone

Part of PERMANENTLY SHADOWED on December 4, 2026 on board of the MS Stubnitz.

Please support the artists and the MS Stubnitz by buying your ticket in advance, thank you! Ticket link in bio.

This event is supported by the Verband für aktuelle Musik Hamburg e.V.

#PermanentlyShadowed #MSStubnitz #VAMH #TintinPatrone

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DG RELEASE — split by BEING MADE LIKE GOD and SLOUGHED

November 6. Cassette DG011. More details soon.

@_bmlg_
@slo_ughed

#DGverlag #DGdistro #TheFutureIsAnalog

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The steel hull of an industrial monument has once again become the place to gather and praise unorthodox frequencies. Dive into the shadows and witness the performances of BIRTHED (Berlin), JUGENDWERKHOF (Berlin), .PK. (Berlin), SMR.TNI (Essen) and TINTIN PATRONE (Hamburg). Once again curated by Cooperfrau Melissengeist and Doubtless Guilt, hosted by the MS Stubnitz and supported by the Verband für aktuelle Musik Hamburg. Steel. Frequencies. Shadows.

@birthed__
@low_life_high_volume
@fanalstatt
@ipekodabasi__
@smr.tni
@tintin_patrone
@ms.stubnitz
@cooperfrau.melissengeist
@stomachfullofhunger

Please support the artists and the MS Stubnitz by buying your ticket in advance, thank you! Ticket link via stubnitz.com or in bio.

#PermanentlyShadowed #MSStubnitz #VAMH #CooperfrauMelissengeist #DoubtlessGuilt

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The steel hull of an industrial monument has once again become the place for wanderers off the path to gather and praise unorthodox frequencies. Dive into the shadows and witness the performances of JHK (US), SCATHING (US), KIRAN ARORA (US), FAR TOO FRAIL (HH) and SOUNDS OF FADING (HH). Once again curated by Cooperfrau Melissengeist and Doubtless Guilt, and hosted by the MS Stubnitz. Steel. Frequencies. Shadows.

@kihclavok
@scathing____
@fantasyknife
@annanin_cvsy
@undinyx
@sounds_of_fading
@cooperfrau.melissengeist
@stomachfullofhunger
@ms.stubnitz

Please support the artists and the MS Stubnitz by buying your ticket in advance, thank you! Ticket link in bio.

This event is supported by the Verband für aktuelle Musik Hamburg e.V.

#PermanentlyShadowed #MSStubnitz #VAMH

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As if through an opening into the inner self, leading deeper into those layers that are rarely reached in everyday life. Where thoughts slow down and emotions grow more intense. Where melancholy is no longer a distraction, but a language. The tools for this descent tear open fissures in the surface of consciousness. Frequencies rumble like distant tectonic shifts; drones draw long, dark lines through the space; noise gnaws its way through the familiar until something raw becomes visible beneath. You don’t just hear—you begin to vibrate, becoming part of an inner geology of memories, fears, and longings.

With every passing minute, it feels as though we are descending a layer deeper. Past the smooth facades of everyday life, toward the rougher sediments of feeling. There, where beauty is not clear and bright, but fragile, shimmering, and heavy. In this vibrant underworld, we ourselves emerge like forces from deeper layers. Each performance feels like a new vein laid bare in the dark rock of the night—sometimes fragile and tentative, sometimes explosive and raw. Sounds slowly push their way to the surface, thicken, burst forth, and then disintegrate again. Between these outbursts, moments of fragile tension arise—brief breaths in the very depths—before the sound works its way through the earth of silence once more.

A descent into the dark, the turbulent, the unspoken—where, under pressure, friction, and heat, something delicate takes shape.

@nintendogertie
@svartvitnoise
@juliavvitas
@resonantpines
@kopeliana
@jonatura
@cooperfrau.melissengeist
@ms.stubnitz

Mark your calendars. Details and ticket link coming soon.

This event is supported by the Verband für aktuelle Musik Hamburg e.V.

#PermanentlyShadowed #MSStubnitz

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PERMANENTLY SHADOWED — CHANGED LINEUP

Unfortunately @smr.tni of Order of the Heel can‘t make it due to illness, get well soon! But we are glad that the other half of OotH, @rhizome_weaver, will still be part of the show!

This event is supported by the Verband für aktuelle Musik Hamburg e.V.

Design by @cooperfrau.melissengeist

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OUT NOW — “EACH MOMENT TAKES A PIECE AWAY” by DENIZ TAFAGHODI

We’re delighted to release “Each Moment Takes A Piece Away”—a conceptual, performative art project by sound artist and multidisciplinary composer Deniz Tafaghodi from Canada.

“This release documents an ongoing electroacoustic work developed from the material remnants of a broken clay pot. Fractured during a moment of rupture, the object was subsequently recontextualized as a performative instrument. Since then, its fragments have undergone repeated cycles of performance, recording, and documentation. Through this sustained use, the material has gradually eroded, positioning wear not as deterioration but as an integral component of the work’s ongoing concept.” —Deniz Tafaghodi

Cassette production by Doubtless Guilt in 2026.
All rights reserved.

@deniz.tafaghodi

The dubbed-in-real-time cassette comes with a folded zine printed on 130g semi-glossy paper in a heavy plastic bag and a download code.

2026 DG010
SEPTEMBER 25
C-33
26 COPIES

#DenizTafaghodi #DGverlag #DGdistro #TheFutureIsAnalog

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OUT NOW — ཨེ་པཱལ་ཟི་༩༡ སུ་ཡང་མེད།

We are very excited to release this collaboration between applez91 and no one as a physical release.

“Sound sculptor applez91 and visual artist no one join forces to create ཨེ་པཱལ་ཟི་༩༡ སུ་ཡང་མེད། a new audiovisual project where no input mixing and manipulation of obscure tapes collides with overexposed pictures of infinite fields of unexplored realities.” —applez91 and no one

Sound by applez91.
Cover art by no one.
Cassette production by Doubtless Guilt in 2026.
All rights reserved.

@applez91
@cult.of.spiritual.water
@no.one.is.here.to.see.you

The dubbed-in-real-time cassette comes with a four-page JCard printed on thick 250g semi-coated cardboard and a download code.

2026 DG009
SEPTEMBER 11
C-28
26 COPIES

#DGverlag #DGdistro #TheFutureIsAnalog

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OUT NOW — “BLACK SPRING” by JANNA LEE

We’re proud to bring to you the new phenomenal album by Janna Lee from Chicago, IL.

“Spring 2026: the parasitic regime continues to profit from human suffering and still aren’t held accountable for what they do to children. There’s always enough money to start another war, but not for anything that actually helps people. And the Earth never stops rotating. On the Equinox, Persephone returns to the land of the free to witness mass surveillance, masked federal agents, concentration camps. Self-righteous soothsayers claim we chose to be here so we can learn and grow stronger from our pain, and I see blood smeared everywhere.
I found out my rapist finally died, and I didn’t have to lift a finger. But chemicals accidentally killed my lover from 1997. I can barely hold it together in public. Sometimes I don’t even bother. I still dream of returning home by walking into the sea. There’s no way in hell I chose to be here but since I am, I sing and scream as the world falls apart. The cherry blossoms and lilacs are reminders of how almost everything is ephemeral. And those fragments of joy and pleasure keep me tethered to the land of the living.” —Janna Lee

“Janna Lee uses her voice to explore different facets of herself, and exorcise uncomfortable emotions that can’t be put into words. Her solo work combines harsh noise drowning in reverb with haunting processed vocals that probe the dark recesses of a woman’s psyche.” —Women of Noise

Electronics and voices by Janna Lee.
Recorded March—May 2026 in Chicago.
Mixed and mastered by Guillermo Pizarro at Vitória Régia Studios.

Cover art by Yossip.
Photography by Janna Lee.
Cassette production by Doubtless Guilt in 2026.
All rights reserved.

@dancejannadance
@yossip
@guillermopizarr
@vitoriaregiastudios

The dubbed-in-real-time cassette comes with two two-sided A6 postcards with either artwork printed on thick 400g semi-coated cardboard in a heavy plastic bag and a download code.

2026 DG008
SEPTEMBER 4
C-36
32 COPIES

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DOUBTLESS GUILT is a Physical Media Verlag and Worldwide Distro dedicated to the DIY basic principle and its resistance against capitalism and (creative) oppression. Every Euro made goes back into new publishings of like-minded artists and authors. DG is clearly anti-fascist and stands against any form of oppression. Leave us alone if you’re not.

DG is also opposed to any use of AI in creative processes and to its destructive impact on people’s minds and the planet Earth in general. GenAI is no saviour, but merely another means for mega-capitalist and evil actors to amass wealth at the expense of the general public and the environment. Leave us alone with your AI art.

At DG the rights stay with the artists and authors. Our releases are physical in nature and the transfer of rights always refers only to the current edition. We will never pass on the music that musicians make available to us for physical release to streaming platforms.

Thank you for your interest in our operations.

DOUBTLESS GUILT
August 2026

#DoubtlessGuilt #DGverlag #DGdistro #TheFutureIsAnalog

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