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Marcus Werner

@dt64

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Video & Content Creator from Berlin worldwide booking
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Home, gallery and restaurant, all under one roof. Gallerist Michael Fuchs @michaelfuchsgalerie and art advisor @constancebreton live and work inside the former Jüdische Mädchenschule in Berlin-Mitte, a historic building Michael renovated. Their home is made for a social life: openings for 150 people happen in the living room, and most of the art and furniture around them is for sale. Life here is in constant change. Regarding interior design and art, Michael loves patina, old things which have a history. “I don’t find many new things that I’m interested in“, says Michael. “But it’s a very personal idea.” Check our Link in Bio for the full portrait. Videography by @dt64 Interview by @stellarooss Photography by @shannon.kone
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200 Nachbar*innen, Friends and Family, alle an einem Tisch für Nudeln gegen Nazis, auf 150 Metern Gehweg zwischen der neuen Schaufenster-Galerie von @fhp.berlin und dem Büro von @kein_bock_auf_nazis, vorbei an der temporären Spaghetti-Station von @vexerberlin: Die Pastasciuta Antifascista war unser erstes Event, zu zweit geplant und organisiert, wie der ganze Verein. Umgesetzt mit der Hilfe und Liebe unserer Liebsten, der neuen Mitglieder, den unfassbar hilfsbereiten Läden im Kiez und natürlich sowas von euch! Von Herzen danke an jede und jeden einzelnen, jedes Kind, jeden Hund, alle die geplant gekommen und die die spontan geblieben sind. Unser Kiez bleibt bunt! Collage Kreuzberg. Fotos: @michischunck
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AUGUST. Remember me.❤️‍🔥 Dieser Monat war eine Erinnerung. Eine Erinnerung daran, wer ich eigentlich bin. Im August habe ich mir den Dancefloor endlich zurückerobert. Ich war wieder tanzen, wieder unterwegs, habe Mode endlich wieder gefühlt, mich auf Social Media zum ersten Mal wirklich ausgetobt und mich kreativ einfach treiben lassen. Trotz allem, was körperlich noch spürbar da war. Family Rave hat diesen Monat in besonderem Maße bestimmt. Etwas auf die Beine stellen. Menschen zusammenbringen. Gutes tun. Gestalten statt nur aushalten. Und irgendwo dazwischen ist etwas in meinem Kopf passiert. Ich habe verstanden, dass ich nur dieses eine Leben habe. Dass ich nur jetzt hier bin. Dass nichts selbstverständlich ist und dass irgendwann ganz schnell einfach Schluss sein kann. Und seltsamerweise hat mir genau dieser Gedanke plötzlich keine Angst mehr gemacht, sondern er hat mir Energie gegeben. Plötzlich wollte ich wieder alles: tanzen, lachen, laut sein, mich anziehen, wie ich will; Ideen haben, Dinge erschaffen, Menschen bewegen, feiern, lieben, unterrichten, leben. Auch als Lehrerin habe ich mich im August endlich gefunden. Ich weiß jetzt viel klarer, welche Lehrerin ich zukünftig sein möchte, wofür ich stehen will und was ich jungen Menschen mitgeben möchte. Und dann endete dieser verrückte August mit meiner dritten Operation. Mit der Hoffnung, dass mein Körper jetzt endlich hinterherkommt bei all dem, was mein Kopf längst wieder verstanden hat. Remember me. Vielleicht musste ich mich einfach nur wieder an mich erinnern. #RememberMe #AugustDump #BackToMyself #LifeIsNow
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Milan-based studio @olderstudio shares five favorite objects, presented by co-founder @mortenthuesen_ Video by @dt64 for @friendsoffriends
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What happens when you strip away the frantic cycles of high fashion to focus entirely on the memory, weight, and quiet utility of what we wear? For Letizia Caramia and Morten Thuesen, the two creatives behind the design brand @olderstudio, the answer lies in the radical simplicity of the uniform. Bridging Milanese heritage with Danish functionalism, the duo has spent over a decade turning utilitarian garments into avant-garde statements of intent. Words @caroline.meets Photos @luisapagani Video @dt64 Morten Thuesen and Letizia Caramia are the founders of OLDER, a Danish-Italian design studio based in Milan specializing in uniforms for hospitality, architecture, and design institutions worldwide. Their work is built on a responsible and sustainable production and supply chain. The two met while working at Alexander McQueen in London before founding OLDER together in 2013, and all OLDER pieces are made by Italian artisans, with materials sourced and woven in Italy and every uniform manufactured in Europe. Beyond uniforms, the studio has expanded into what they call “Furniform,” furniture and design objects born from a continuity between apparel and design. Morten: “We have a very close relationship to the countryside where Letizia is from. So when a big project has landed, I very often find myself longing for a non-aesthetic place. It relaxes the brain… … You can totally OD on design. Where Letizia is from, a beautiful part of Tuscany, there’s a kind of wonderful absence of design; everything is very simple. It takes me to a mindset that massively helps me wind down.” Letizia: “With two young kids and us working together, everything is a bit blurred. When you have small kids, life after work is high intensity. The oldest is four, the younger only 11 months. My real job really starts at 5:30pm when the ‘official’ job is over. So in a way, decompression isn’t what it used to be. Milan is a city built for people to work and then leave–it’s always been like that. So the decompression happens once we leave the city. Luckily, everything is close by.” M: “We started really early, we were 23 and 24. OLDER has been a slow burn, a step-by-step development. So when t
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What would you save if your house was on fire? We asked @carolina_albertini, co-founder of @vespermilano, to show us the five objects she’d save. Here’s what she picked. Full portrait on our website, link in bio. Video by Marcus Werner @dt64
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Creative Director and @vespermilano co-founder @carolina_albertini opens the doors to her world. She takes us through her Italian apartment, the Vesper Milano studio space, and a handful of spots around the city she returns to again and again — the cafés, the corners, the places that shape her everyday. A reels with more from Carolina’s Milan is coming soon, too. Photos @luisapagani Video @dt64 Interview @caroline.meets
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Monochrome floors, monochrome walls — and just enough warmth woven in through texture and color to keep it from feeling cold. Inside Carolina Albertini's Milan apartment, every surface is quiet on purpose, a backdrop built for focus, not distraction. Then come the objects that break the rule completely, the ones she simply couldn't leave out.⁠ ⁠ "My home would reveal how much solitude I actually really need." — @carolina_albertini⁠ ⁠ For Carolina, home isn't a showroom — it's a sanctuary, built so she can actually get work done without the noise. ⁠ ⁠ Full portrait on website, link in bio.⁠ ⁠ Photography @luisapagani⁠ Video @dt64⁠ Words @caroline.meets⁠ ⁠ #FreundevonFreunden #CarolinaAlbertini #VesperMilano ⁠ #Milan #Portrait
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@Studio.2046 sits inside a room with a painted Roman loggia — trompe-l’oeil columns and cypress trees on a wall that was never actually there. @daniele_daminelli works among it: fabric swatches, stacked design books and magazines, bronze monkeys climbing a shelf beside bolts of patterned textile.⁠ ⁠ There’s always music on while he works — mostly classical, piano concertos, Chopin. “It sets the mood, in a very particular way,” he says. One of his favourites is Shigeru Umebayashi, who scored Wong Kar-wai’s In the Mood for Love — a fitting soundtrack for a studio built on illusion, research, and invention sharing the same table.⁠ ⁠ Full portrait on website, link in bio.⁠ ⁠ Words @caroline.meets⁠ Photography @luisapagani⁠ Video @dt64
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@daniele_daminelli treats darkness as a working material. “I feel much safer in darker places,” he says, pointing to Caravaggio and Michelangelo’s use of chiaroscuro — light made legible through shadow, not despite it.⁠ ⁠ It shows up in his own homes too: an all-white corridor turned dark red in the first apartment he shared with his wife Giulia, a dark green living room in his current 1930s building, matched to the vegetation outside the window.⁠ ⁠ Raw industrial metal, lacquered surfaces, low light used on purpose — the same instinct behind @studio.2046 , his practice named after Wong Kar-wai’s film.⁠ ⁠ Full portrait on website, link in bio.⁠ ⁠ Words ⁠@caroline.meets⁠ Photos @luisapagani⁠ Video @dt64
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