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dylan__hahn

@dylan__hahn

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Filmmaker - occasionally many other things.
Head of Community @frame.set
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Is Shooting on 16mm Film Considered “Low Budget”? Director @isaac.schultz talks about that and much more in this week's episode of the Reframed Podcast. The link in the bio. Commercial Credits: Instax "Life, Captured" Prod Cod: @gorillagrla Writer, Director: @isaac.schultz Producer: @jordanhaagen Camera: DP: @brenden_mascherino 1st AC/Loader: @mimstermama 2nd AC: @jskooter Camera PA: @izaak.rosales Art: Prod Design/Wardrobe: @isabelline G&E: Package from: @ascensionlight.co Gaffer: @spencerhaydo G&E team: @joshua.wylie @_alejandrocid_ @diehlwithlife Additional: Location Sound: @adrest.io PA: @nezzy.r BTS: @sam.patton Post: Editor: @mason_coburn Color: @brenden_mascherino Music: @musicbed Cast: Photographer: Seung Han Hospital Patient: Hoang Hiep Nguyen Flower shop Clerk: @shaylincota Cab Driver: @therealmogod Kid Bikers: Amelia and Jonah Tech Specs: Shot on Arri SR2 with Kodak Verita 200D 7206 16mm film stock - Minus 1 stop. Optex 12-120mm T3.5 lens. Zeiss Super Speed 9.5mm T1.3. 1:37:1 aspect ratio. Budget: $5k-$15k
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How DP @philipp___hafner used cheap in-camera tricks to make this music video look expensive. Full breakdown of "Bésala Mucho" for Tamara Flores, directed by Rupert Höller, is live now on The Reframed Podcast. Link in bio. Music Video Credits: Directed and Edited by @ruperthoeller Produced by @zazastyle @juned_khan & @gernsabine Unit Manager @kathi.steigel Production & Composition: @tourist Mix: Tom Skyrme (Skyrmish) Master: @jurij_gold Singer: @tamarafloresssss DOP @philipp___hafner Drone Operator @lukasandrejgrossl 1.AC @derfocusnick 1.AC @theresa.eschbacher 2.AC @lebolzki 2.AC @flochkilian Gaffer @michael_jv Best Boy @luishofmeister Electrician @kleinaberflo.ra Electrician @seni_lina Styling @byhanny____ Hair & Make Up @sarah.smrzek.mua BTS-Foto @_lindaa_t & @flochkilian Color Grading @manuportschy Catering Sponsor Martha Salas Flores de Mayr Dancers @zmkyan9 Special thanks to @podersdorfamsee, Rene Lentsch, @ax.sprenger and my parents Norbert Mayr & Martha Salas Flores de Mayr! In Collaboration with @digirentalwien Singer: @tamarafloresssss Production & Composition: @tourist Mix: Tom Skyrme (Skyrmish) Master: Jurij Gold
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Director @roydr_ breaks down the in-camera tricks and personal roots behind his football film “City of Gold,” for Adidas. Watch the full breakdown and conversation with the link in our bio.
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Director @chris.vergara and his crew turned a white void into a gritty, high contrast spec commercial for Theragun. See how they did it with this week's episode of the Reframed Podcast. Link in the bio. Therabody "Slow Down To Speed Up" Commercial Credits: Director & CD // @chris.vergara Production Co // @_caymanite Producer // @Armincreates 1st AD // @matt.browne Director of Photography // @joesailer Stills Photographer // @alinatsvor Co-DP // @mspear33 1st AC // @camerapreppapa DIT // @whycloudnine Gaffer + Key Grip // @dominicespinoza_ Gaffer // @ryanwinnicki Key Grip Jonathan Munguia Dolly Grip // @dominicespinoza_ Video assistant // @waveway_photo PA 1 // @akshaj.turtlebayou PA 2 // @domscarter PA 3 // @skypathproductions PA 4 // @sandinad PA 5 // @harrison_crain_ Production Designer // @alyssa_tumlos / @alyssamae.xyz HMUA // @albitairahola Wardrobe Stylist // @fabiaz.v BTS Video // @i_dfilms BTS Photo // @ordinarythomas Talent - Boxer // @itsjdwill Talent - Cyclist // @legOless Talent - Runner // @I_rowww Studio // @xvpstudios Post: VO // @Nastasha_m_a Editor // @ben.ivers Colorist // @edwardsdan Color & Finishing House // @umami.color Post Supervisor // @luke.dbutler Composer // @thatguywhosucksatguitar 3D VFX & Monitor VFX // @mateoantxnio Arm VFX // @mbyash_ Wire & Logo Clean Up // @habibur_vtx Set Extension // @vikarproduction Tech Specs: Alexa 35 using Nostalgic film texture shooting in open gate. Phantom VEO 4K shooting at 1000fps. XBOX kinect camera. Arri Signature Primes (12,18,25,35,47,58,75,95) and Arri Signature 65-300 zoom, Laowa T8 probe lens.
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Director @getmezzy and @dylan__hahn got into the weeks on his classic approach to how he lights his film work in this recent episode of the Reframed Podcast. Link in the bio.
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Who knew you could shoot 2,500fps with 35mm film? Watch director @getmezzy explain why he did things in the hardest way possible for his recent music video for The Neighbourhood's "Hula Girl". Link in the bio.
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How @nxhugo created the feeling of a paparazzi frenzy in his recent commercial work. Link to the full breakdown is in the bio. Commercial Credits: A film for GLOW made by: @offfhand.offfhand starring: @a.lee.west director: @nxhugo agency: @klebermetzler production: @soviso producer: @jaydavid__ production assistance: @lenaehrenhofer production assistance: @stabil.isa 1.ad: @alishasvestka dop: @valentinlilgenau 1.ac: @thobiger 2.ac: @georgraphie gaffer: @oskar.ott electrician: @ladihudi electrician: @teobarnert key grip: @big_friendly_grip 2nd grip: @dominikxbiely styling: @lauramagritzer styling: @anothermaier hair & make up: @jessiessway edit: @nxhugo sound design: @lukashasiba grading: @dylanmhageman title design: @kleboklebo vfx: @wetrustprocess Tech Specs: Arri 416 + Ember S5K S16 UltraPrimes: 6, 8, 9,5 12, 14 S35 Zeiss HS MKIII: 18 35 50 85 (S16) Canon 11-165 T2.5
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How @nxhugo creates tone and reality in his work. Often times, it involves quick improvisation. Watch the full episode with the link in the bio. Commercial Credits: "Diamond Drive Country Club" - OFFFHAND A film for GLOW made by: @offfhand.offfhand starring: @a.lee.west director: @nxhugo agency: @klebermetzler production: @soviso producer: @jaydavid__ production assistance: @lenaehrenhofer production assistance: @stabil.isa 1.ad: @alishasvestka dop: @valentinlilgenau 1.ac: @thobiger 2.ac: @georgraphie gaffer: @oskar.ott electrician: @ladihudi electrician: @teobarnert key grip: @big_friendly_grip 2nd grip: @dominikxbiely styling: @lauramagritzer styling: @anothermaier hair & make up: @jessiessway edit: @nxhugo sound design: @lukashasiba grading: @dylanmhageman title design: @kleboklebo vfx: @wetrustprocess Tech Specs: Arri 416 + Ember S5K S16 UltraPrimes: 6, 8, 9,5 12, 14 S35 Zeiss HS MKIII: 18 35 50 85 (S16) Canon 11-165 T2.5
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A mistake in the moment can often lead to better results. Watch the full breakdown with director @lorisrussier via the link in the bio!
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Being able to adapt your vision to your resources is a huge strength of a director. Thank you @lorisrussier for jumping on the pod once again. Link to the full episode is in the bio.
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Director @lorisrussier went harder than ever on this one. In this week's episode of the podcast, he talks about how he crafts commercials with his specific taste. Link is in the bio.
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How @fishwash.mp4 and his crew brought his favorite shot to life and the reference that inspired it. Watch the full breakdown with the link in the bio. Music Video Credits: Director Halmos Adam @fishwash.mp4 Director of Photography Tóth Fabó @fabototh Editor Bonta Luca @bontalucaberta Production company @cabinet.films Production manager @csaba_mesko 1st AD @bendibuday 2nd AD @flora_nemeth09 1st AC @werkreel 2nd AC @kisssur Gaffer @valentinyandor Lightning Technicians @holndonnerb @balintderi @fothi.levente Production Designer @bogyoarokatunder Gold fabric @richardilles Styling @fannieperke Styling Assistant @mariakriisa Hair & Makeup kirakapusi Stills @soos.geza On Set VFX @tobikbence Location Sound Recordist @koankiki Colorist @dmvndr Sound | Katona Kálmán Viktor Visual Effects @berger_studios Graphic Design @rekaehorvath @vantagevisionlighting @vantagevisionbudapest @focusfilmlab
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