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@ecommemoration

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𐌕𐋅𐌄 𐌐𐌀𐌔𐌕 𐌉𐌔 𐌍 Ø 𐌕 Ꮭ𐌵𐌔𐌕 𐌕 Ø 𐌋𐌃 𐌉𐌍 𐌁 Ø Ø 𐌊𐌔! 𝖊𝕮𝖔𝖒𝖒𝖊𝖒𝖔𝖗𝖆𝖙𝖎𝖔𝖓 𝖉𝖊𝖆𝖑𝖘 𝖜𝖎𝖙𝖍 (𝖒𝖊𝖉𝖎𝖆) 𝖆𝖗𝖙𝖎𝖘𝖙𝖎𝖈 𝖎𝖓𝖙𝖊𝖗𝖛𝖊𝖓𝖙𝖎𝖔𝖓𝖘 𝖎𝖓𝖙𝖔 𝖒𝖊𝖒𝖔𝖗𝖞 𝖈𝖚𝖑𝖙𝖚𝖗𝖊

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Recent Shadows of sound ~
searching for the best decayed organs in the alps #hearafter //
Quellgeister #4 @ecommemoration @ctmfestival
@silent.green berlin

🙏
@koerberstiftung
@bolyai_foundation
@and.fraun
@elisa.handl
@patrickschabus

🫶
@ardianabc

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◾️Transgressive Memory Festival 2026☣️

Over the past eight months, I had the chance to develop the visual identity and design system for the Transgressive Memory Festival 2026, commissioned by eCommemoration / Körber-Stiftung.
@ecommemoration @koerberstiftung

The festival approached memory not as a fixed record, but as a contested field shaped by power, interpretation, technology and imagination — asking who gets to narrate the past, which memories become public memory, and how inherited narratives can be challenged and reimagined.

Across the project, I developed the visual language and translated it into a wide range of formats: four posters, flyer, the programme folder, web app, artist communication, countless social media assets, motion applications and more.

It was an eight-month process of building a system that could remain recognisable while constantly shifting across different types of content, scales and media.

The festival took place on 12–13 September 2026 at silent green in Berlin during Berlin Art Week. @silent.green
In calloaboration with CTM Festival & Transmediale @ctmfestival @transmediale

A selection of the work here.
🖤☣️💜

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“ARGENTINA CAMPEÓN, VIDELA AL PAREDÓN”

Eso decían los stickers de Montoneros que mi padre distribuyó clandestinamente para el Mundial de 1978. Mi papá, José Manuel Perez Rojo, tenía un negocio de artículos de cotillón y juguetería. Supongo que era también la cobertura de su actividad guerrillera, pero la mercadería era real. Mi abuela me contaba que durante el Mundial mi papá vendía banderitas y vinchas celestes y blancas y que cuando ganó Argentina, salimos a la avenida a festejar todos juntos, mis viejos, mis abuelos y yo. Mi papá me llevaba sentada en sus hombros.

Tres meses después, el 6 de octubre, un grupo de tareas de la Fuerza Aérea Argentina entró al departamento en el que vivíamos y nos secuestró a mi mamá, Patricia Julia Roisinblit, embarazada de 8 meses, y a mí.

A mi papá se lo llevaron del negocio junto con su socio Gabriel Gustavo Pontnau, que no era militante pero que también sigue desaparecido desde entonces.

Yo tenía 15 meses y no me acuerdo nada de lo que pasó ese día, ni de mis padres, ni de mi casa, ni del negocio, ni de Gabriel ni mucho menos del Mundial.

Esa noche me dejaron en la casa de unos tíos en medio de un gran operativo militar, autos, camiones, soldados. Una prima que tenía 11 años me contó que yo daba vueltas alrededor de un sofá llamando a mi papá. Yo me acuerdo del sofá, era de una pana naranja que pinchaba, pero no me acuerdo nada de lo que vi, ni de lo que nos hicieron ese día.

No tengo imágenes.

Porque mi cuerpo sí sabe.

Sí recuerda.

Conoció los hombros de mi papá y la panza de mi mamá.

Sabe del amor, de la fiesta y del terror.

Soy testigo de algo que vi pero no tenía, ni tengo, palabras para contarlo.

Soy sobreviviente de una violencia que no recuerdo ni termina.

Mi propio agujero negro.

Pero también soy hija de la última generación de argentinas y argentinos que quiso cambiarlo todo.

"Libres o muertos, jamás esclavos".
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.
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Este es el texto que escribí para Oblivion. Gracias @javier_blanco_sur y a todo el equipo, por darme la oportunidad de seguir indagando en las formas del testimonio, por habilitar este homenaje, por permitirme incluso hacer oir la demanda de justicia de las infancias de entonces.

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The Bear’s Den at the Transgressive Memory Festival, Silent Green, Berlin 12-13 Sept. 2026.
@ecommemoration @keiv.athens

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it’s been a long and productive summer, hence the slightly less regular social media presence, but there have been some great in-real-life events—including in Geneva, London and Berlin in the past couple of weeks (eg photo 1 at the amazing @ecommemoration festival) and now as the autumn starts to kick in I am delighted to be in the final days of handing over my new book (current status, see photo 2) — watch this space for more details, out in June 2027, I think it’s the best thing I’ve written so far #WorldWarZero

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The Bear’s Den installation at the Transgressive Memory Festival, Silent Green Berlin 12-13 Sept. 2026.
Many thanks to @ecommemoration
Music by @all_along_agathaa
Video Editing by @archlabyrinth
Special thanks to the amazing production team of @keiv.athens and the dear @konstantinos__lianos

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For this edition of our Dinner-Ceremony AŞ at silent green, the dinner unfolded inside an installation of our computer game AŞ.

Around one table, its physical and virtual forms met: handmade food, family recipes, Tatar language, music, images and stories carried through different generations and technologies.

The project began with a question: why is Tatar culture so rarely imagined as part of a technological future?

Rather than treating tradition as something that belongs only to the past, AŞ asks what happens when a ritual continues through new media, new bodies and new forms of gathering.

For one evening, the game became a room, the room became a table, and the table became a shared ritual.

Photos @phantomorb

AŞ — TATAR KYZ:LAR
Transgressive Memories Festival
silent green Kulturquartier, Berlin
13.09.2026

https://tatar-ash.space

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The Bear’s Den installation at the Transgressive Memory Festival, Silent Green Berlin 12-13 Sept. 2026.
Many thanks to @ecommemoration curators Felix Fuhg and Anna Norpoth for their invite. Big thanks to my restless performers, the bears @to_machola Vassilis Bakalis and @mango_guacamole Markos Kampourakis and the surgeons Konstantin Bez @konstantin_bez and Oke Scheel.
Music by @all_along_agathaa .
Video Editing by @archlabyrinth
Special thanks to the amazing production team of @keiv.athens and the dear @konstantinos__lianos, Societe Anonyme and Orestis Karalis
Multimedia by Chris Solomos
Multimedia assistance by Mike Boukas
Extra thanks to all those involved in previous stages of the Bear’s Den, Nikolas Vamvouklis and K-Gold Temporary Gallery, Dimitris Trikas. Christos Katsinis, Stathis Papadopoulos, @theeyealtering_official @giamchelen Domna Gounari.

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Four days of making AŞ.

Planing, schopping, kneading, rolling, frying, boiling, plating, carrying, washing and lots of improvising.

For this edition of AŞ, we prepared a vegan Tatar dinner for 30+ people: bäleş, AŞ & tokmaç, öçpoçmag & ğöbädiya, qıstibiy, qoş tele, çäk-çäk, talqış käläwä, halva, and more.

AŞ has always been as much about collective labour as about the moment of gathering itself. Recipes and knowledge move between people, hands and generations. The dinner is made through all of these small acts long before the guests arrive.

Grateful to everyone who cooked, chopped, carried, plated, washed, watched babies, solved problems and kept the kitchen moving with us. 🖤

AŞ — TATAR KYZ:LAR
Transgressive Memories Festival
silent green Kulturquartier, Berlin
13.09.2026

Photos private & @phantomorb 🤍✨

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The Bear #4 at the Folsom street fair, Berlin 12 Sept 2026. Part of The Bear’s Den at the Transgressive Memory Festival by @ecommemoration at Silent Green. The bear is performed by the exquisite @to_machola Anthropomorphic Bogorodsk bears were recovered from the bear’s guts. Reel edited by @to_machola

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The best part of setting a table is eventually seeing people around it.

Some moments from our AŞ dinner at silent green: eating, talking, laughing, passing plates, taking pictures of food, drinking tea and spending an evening together.

Thank you to everyone who came and shared the table with us. 🤍

Photos by @phantomorb 🤍🤍🤍

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How close can we get? Some impressions from @berlinartweek and questions they made me ask myself? Still from 7 summers by @diakrondk @scheringstiftung @taeshle

Who is responsible for this amazing grass in front of @silent.green ? Festival opening of transgressiv memory by @ecommemoration @koerberstiftung

Faris asked: „what do you see from such a great height above the earth?“ - Transmission 1987 @qusay_awad_ @ecommemoration

Do you trade sheep for wood? Thank you for inviting me @theresa_rwr @hauberlin

I'm sorry, but why is this great monitor relic no longer being produced, Olia Lialina? @noemi_lia2000 @panke.gallery

little details make me so happy: Stanleycup meets Tesla temporary tattoo arrangement by @_lauracugusi_ @machine_yearning_ @frtz.zrn - @transmediale @ecommemoration

How many sneaker do you need to build a bear?@stafylakiskostis 🧸🔥 @ecommemoration

Can a duckface save the internet?

How many monster can you drink before internet collabs? @theresa_rwr @hauberlin

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