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We’re excited to announce “In Blue Heights: Galka Scheyer in Los Angeles,” a documentary film co-written and co-directed by Doris Berger and Benno Herz.
In 1933, Galka Scheyer saved some 250 artworks from Nazi defamation and destruction in Germany and rescued them to the United States. A year later, she moved into a unique gallery-house designed by renowned architect Richard Neutra in the Hollywood Hills—a place that became her home, exhibition space, and gathering point for artists, musicians, filmmakers, and fellow émigrés. The film tells the extraordinary story of German-Jewish art impresario Galka Scheyer, who moved to the U.S. in 1924 as agent of the artist group The Blue Four (Kandinsky, Klee, Feininger, Jawlensky) and became a key figure for European modernism on the American West Coast.
More than 80 years after Scheyer’s death, her long-forgotten house is being rediscovered, restored and transformed into an artist residency. “In Blue Heights” follows this process while bringing Scheyer’s remarkable life, networks, and legacy back into focus. With contemporary footage, interviews, and rarely seen archival footage from Europe and the United States, our documentary brings Scheyer’s visionary practice and house back to life. Follow us on this account for updates and behind-the-scenes insights as the film takes shape.
To learn more about the project or support its development with a tax-deductible donation, visit our fiscal sponsor, Los Angeles Filmforum.
#InBlueHeights #GalkaScheyer #DocumentaryFilm #RichardNeutra #LosAngeles ModernArt LAFilmforum NortonSimonMuseum BlueFour Kandinsky Klee Feininger Jawlensky émigrés Bauhaus

Photo 1: Bibliothèque Kandinsky at Centre Pompidou.
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Sold! The Dahlstrom House - John Lautner. It was a privilege to list this beautiful home and it was so fun to share it with you all over the past month. Several hundred architecture pilgrims visited our open houses - it was encouraging to see so much love for iconic design in the community. 

Many thanks to my seller, who did such a tasteful restoration on this home. Thanks also to @egarchla who sat for an interview with me and  @openspaceseries and helped shed light on the history of the home and some of the architectural details that make it so special. 

The home received many strong offers and in the end sold for $3,360,000 - $765,000 over list price. It was a pleasure to work with @for_living_in and @gimmeshelter.la from @moderncaliforniahouse who brought the perfect buyer. 

📷 @carothersphoto
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A tribute to Gai Gherardi and Barbara McReynolds, founders of l.a.Eyeworks. Ikebana 09.03.2026. Dahlia pinnata, Amaranthus var. and Panicum elegans.
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Open Space Series Preview: The Dahlstrom Residence, John Lautner (1949)

We’re incredibly honored to sit down with Frank Escher as he shares the story of the Dahlstrom Residence and the genius of John Lautner. As an architect, architectural historian, and longtime advocate for Southern California’s modernist architecture, Frank brings a deep understanding of Lautner’s work and its lasting legacy.

The Dahlstrom Residence is currently on the market, listed by Rob Moore. We hope it finds a new owner who will cherish and preserve this incredible piece of architectural history for generations to come.

Our 81st installment of the series will premiere soon 

Film @miccck 
Photography @socalarchitecture 
Special Thanks Frank Escher & Rob Moore 
@frank_escher & @robito_mas 

#OpenSpaceSeries #JohnLautner
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Installed LUNCH BREAK show at SF MoMA for a week with Richard Serra installing his show at the same time. The two of us on one floor. I remember being scared to meet him, hearing he was tough and also because his interviews and work were so important to me. He would come to observe my negotiations with the museum (they altered Frank and Ravi’s design). Then he came daily and talked with me about shipyards, steel, labor, and still life painting. It was very special - tender even. When  our shows opened he came and told me “you did the right thing” (having museum fix the architecture). He gave me a book signed with massive black sharpie and big signature.  In it — “your exhibition looks great”. I just pulled his books to look for an essay and remembered this time. He was a real giant but a gentle one too. RIP Richard
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