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𝐄𝐌𝐌𝐀 𝐏𝐀𝐒𝐒𝐄𝐑𝐀

@emmapassera

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VANITYROOOM Opening Thursday 6PM 16 rue des Saints-Peres Paris 7 @emmapassera @lorainetouzery @thierrydepagne_photography
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Look 8, The Pleated Lamp Corset & Skirt I Love Lamp Demi Couture 25 Casting @chloerosolek @cdr.casting Assisted by @jennykembou Styling @elinehoyois MUA @beasweetbeauty Bea’s Team @hannahisobelbusst @shanimushington @theczarisalive_mua @tialouizeldn Sponsors @lashify @theordinary Hair @palberdahl Pal’s Team @anoushkadanielle @masak_jg @fashionsfaithboutique & Rogerio Da Silva @lgamanagement @lgamanagementbeauty Photography @morganemaurice Beauty Photography @veritysmileyjones Talent @gemmaseymour_ @milkmodelmanagement Music @_space____between_ Lighting and Tech Production @dominicbarden @parametrica_studio Graphic Design @kamaalr_ Jewellery @emmapassera Shoes @tama__toby Drinks @nichecocktails @wearemirchi @drinkdalstons Special thanks to my gorgeous intern @mia.mader ♥️
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Emma Passera at Galerie Derouillon “Ten Days Of Perfect Ends” Curated by Thomas Villemin April 5 – May 4, 2024 Photos: Grégory Copitet / courtesy of the artist and Galerie Derouillon, Paris @galeriederouillon @emmapassera #galeriederouillon #emmapassera @thomasvillemin #thomasvillemin
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Emma Passera → Ten days of perfect ends On view until May 4th, 2024 Galerie Derouillon, Haut Marais 38 rue Notre-Dame de Nazareth, 75003 Paris Open from Thursday to Saturday, from 2 p.m. to 7 p.m. ‘’For her second solo exhibition in Paris, Emma Passera indulges in simplicity and serenity, while coveting the harmony of various interactions. Notably, one of the most essential encounters remains that of sand and metal. At first glance, the boxes seem to align and articulate within the capital constraint of a standardised process. However, their apparent modesty reveals a considered use of hues, disturbing the bright gray of aluminum, lead, or tin with alternations of nuances between brown and ochre. No pigment is used. The colour variations are witnesses to the passage of time. The duration of contact between the sand and the metal is made as manifest as that of the drips. Observation, patience and gesture are made undeniable. The labor of the foundry is framed, leaving a texture marked by the roughness of determined moments. They thus come together on the walls, much like the rhythm of a poem — an outcome of an incandescent alloy. […]’’  (Extract) Thomas Villemin
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ARCANE 3 will be released on December 5th Preorder at the link in bio Cover: Win McCarthy @s1ckpasseng3r Courtesy of the artist and Francis Irv @francis__irv Contributors : Pierre Alexandre Mateos @theadventuresofluckypierre Michella Bredahl @michella_bredahl Antonia Singer @antonia.singer Baptiste Renoux @baptiste_renoux_francois Cécilia Faucon @theclothesthatwewear Andreas Grill @andreasgrill Mindaugas Matulis @psychaugas Ben Broome @drabl Paige Silveria @paigesilveria Thomas Villemin @thomasvillemin Estelle Marois @estellem_____ Camille Kingué @camillekngmkg Juliette Desorgues @juliettedesorgues Camille Gouin @2xk.gn Hugo Bausch Belbachir @hugobauschbelbachir Guillaume Blanc-Marianne @maculabulligen Julia Agafonovas @grosbonbon
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Emma Passera, « Ten days of perfect ends » A project I curated, on view at Derouillon’s project space until May 4, 2024 [1] Installation view © Gregory Copitet [2] Extract from the final exhibition text [3] Illustration by Sir John Tenniel [4] Passera’s Studio [5] Schloss’ « Dow Road », 1958 as viewed in the catalogue of « The Art of Assemblage », an exhibition curated by William C. Seitz at MoMa (1961) [6] Passera’s « A perfect end », 2024 (details)
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created by @emmapassera Name - To know you Dimensions - ? Style - ? Date of birth - 2024 #emmapassera #galeriedelange #contemporaryart
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Emma Passera → Ten days of perfect ends April 5th - May 4th, 2024 Galerie Derouillon, Haut Marais Galerie Derouillon is proud to announce the opening of its new project space in its former premises at 38 rue Notre-Dame de Nazareth Open from Thursday to Saturday, from 2 p.m to 7 p.m For its inaugural exhibition, the gallery is presenting a solo show by Emma Passera, featuring a range of new works. The exhibition is curated by Thomas Villemin. #emmapassera #galeriederouillon
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BIJOUX Opening: Saturday, December 4th, 2-8pm December 4 - 23, 2022 FITZPATRICK GALLERY 123 rue de Turenne 75003 Paris Exhibition Design: Renaud Jerez & Tore Wallert Music by Chino Amobi Mathis Altmann Jean-Marie Appriou Sylvie Auvray Bjarne & Bjørg Thélia Bouquet Joanne Burke D’Heygere Colombe d’Humières Raúl De Nieves Arielle De Pinto Ligia Dias Vava Dudu Louis Eisner Sylvie Fleury Pandora Graessl Renaud Jerez KAYA (Kerstin Brätsch & Debo Eilers) KISKA LAB Vanessa & Kira Lillie Mended Veil (Danny McDonald) Pentti Monkkonen Presley Oldham Marco Panconesi Emma Passera Alizee Quitman Cédric Rivrain Sister Morphine Victorien Soufflet Anina Troesch Jan Vorisek Tore Wallert Women’s History Museum
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