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soraya abdelhouaret

@endorphxne

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@beauxartsparis

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Comment nous trouver ?

Reprendre Terre se trouve au 4 rue Thomas Sankara, à Boissière-Acacia.
Et puisque vous êtes là, profitez-en pour découvrir les autres artistes et collectifs des POAA 2026 dans le quartier.
À vous de composer votre parcours!

Métro 11 - La Dhuys
Bus 101 et 202 - Étienne Dolet

@centre.tignous.a.c

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Nous avons le plaisir de vous convier au vernissage de notre exposition collective « SEE U AGAIN », le vendredi 9 octobre à 18h00, 43 rue Simone Signoret à Montreuil, métro 11, La Dhuys. ❤️‍🔥

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SEE U AGAIN

Regarder à nouveau ce que l’on ne voit plus constitue le point de départ de cette exposition. Nous souhaitons proposer un endroit collectif autour d’une attention commune portée à ce qui nous entoure : les lieux que nous habitons, les objets que nous utilisons, les images que nous regardons, les gestes que nous répétons, mais aussi les traces que nous laissons derrière nous.
Ici on ne cherche pas à produire une représentation du territoire, mais à mettre en relation différentes manières de l’observer, de l’habiter et d’en révéler les stigmates. Le quartier devient ainsi un contexte de regard : un environnement quotidien dans lequel certaines choses finissent par devenir invisibles à force d’être familières. L’exposition sera ainsi pensée comme un espace de correspondances plutôt que comme une juxtaposition de pratiques.

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Avec les artistes :

Soraya Abdelhouaret @endorphxne
Celia Boulesteix @celiaboulesteix
Josefa Caruz Clement @josefacaruz
Floris Dutoit @florisdutoit
Tiziano Foucault Gini @latizano
Lea Gattoni @gattoni.lea
Colombe Thaller @colombe.th
Sergiu Ujvarosi @ujvarosi_sergiu
Louise Vo Tan @louise.votan
Joris Heraclito Valenzuela @jorisvalenzuela
Et Hugo Boursier @hugo_brsr

Curation :

Joris Heraclito Valenzuela @jorisvalenzuela
Hugo Boursier @hugo_brsr

Affiche :

@colombe.th
@ujvarosi_sergiu

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Soraya Abelhouaret x One Year Anniversary of the Paris Collection

Soraya Abdelhouaret is a multidisciplinary artist working with mineral materials, metal alloys, and experimental processes. Having spent childhood between foggy northern shores and the remnants of industrial landscapes, Abdelhouaret developed an early fascination with stones and their transformations—an interest that continues to shape her practice.

Abdelhouaret’s work explores the intersections of the body, memory, and materiality, often incorporating chemical and physical alterations that echo natural cycles of change and resilience.

“The materials themselves are a major source of inspiration: their technical properties, their memory, their transformations, and their reactions to different elements influence the direction of my work. I combine these with personal experiences that are more tangible.”
— Soraya Abdelhouaret

Sans titre (2024) | Limestone and chlorophyll | 55 x 40 x 45 cm.

Featured in the Paris Collection.
 Explore more of her work and read the full interview on our website. 🗝️

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La ZEST, espace d'exposition de la FAN, accueille un nouveau collectif artistique ! 😃👍🖼️

VATRA est une exposition collective inspirée du « vatra », lieu du foyer où l’on allume le feu, symbole de chaleur et de rassemblement.

Coportée par Joris Héraclite Valenzuela et Hugo Boursier, elle réunit les artistes Soraya Abdelhouaret, Sergiu Ujvarosi, Colombe Thaller, et Sara Noun.

L’exposition propose une exploration sensible du foyer comme espace intime, culturel et symbolique.

Visible du 21 février au 16 mars 2026, elle investit la ZEST de la Fabrique Artistique et Numérique de Rosny-sous-Bois.

Une immersion collective où chaque artiste apporte sa vision d’un feu qui réunit, protège et transforme.

Affiche réalisée par Soraya Abdelhouaret.

#rosnysousbois
#exposition
#artcontemporainfrançais
#contemporaryart

@jorisvalenzuela
@endorphxne
@ujvarosi_sergiu
@colombe.th
@sara.no.un
@hugo_brsr

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Vernissage le Samedi 21/02/2026 à l’adresse indiquée :*
On y sera dès 11h00 et le vernissage sera à partir de 17h00 jusque 21h
Hâte de vous y retrouver et encore merci à la @fanderosny <3

@sara.no.un
@ujvarosi_sergiu
@endorphxne
@jorisvalenzuela
@colombe.th
@hugo_brsr

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Birthday weekend à Paris! ♏️🥂🎂✨

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Installation views from “Eye Becomes Water”, the 2025 exhibition programme at @hetpaviljoen which I had the pleasure of co-curating along with Daphné Charitos, Yasemin Köker, Natalija Gucheva, Temitayo Olalekan and Jean Watt.

The programme brought together a series of 4 exhibitions featuring works by @sanieirsay, @shervinsheikhrezaei , Soraya Abdelhouaret (@endorphxne), Zeynep Kayan (@zkayan), @reiniervrancken , @amel_omar_ and @reysacha.
We also had the pleasure of welcoming Radio Svitlo @_________svitlo for an evening of readings and a listening session.

Inspired by the history of Het Paviljoen, which formerly served as a waiting room of the Bijloke hospital for pregnant patients, Eye Becomes Water explored waiting not as a passive or neutral act, but as one that engages multiple temporalities, bodily experiences and power dynamics.

Grateful to everyone who contributed their time, energy and precious ideas to shape this project. A special thanks to @curatorial_studies_kask for giving us the opportunity to develop it.

🧿💧
@dchrts
@natalija.gucheva
@yas.veg4s
@waterandstamps
@jeanwatt

Installation photos by Charlotte Daniëlse
@charlotte__danielse

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Yesterday marked the end of Het Paviljoen’s ‘Eye becomes water’, the 2025 exhibition programme I curated with Daphné Charitos, Yasemin Köker, Natalija Gucheva, Abel Hartooni and Temitayo Olalekan.

We hosted a series of four exhibitions from February-June, with work from Sanie Irsay, Shervin/e Sheikh Rezaei, Soraya Abdelhouaret, Reinier Vrancken, Amel Omar, Zeynep Kayan, Sacha Rey and a public programme from Radio Svitlo.

Thank you to all the artists we had the pleasure of working with, to my wonderful team and to Curatorial Studies KASK for the opportunity.

🌊
@dchrts
@yas.veg4s
@natalija.gucheva
@lp00ze
@temitayolalekan

❣️
@sanieirsay
@shervinsheikhrezaei
@endorphxne
@reiniervrancken
@amel_omar_
@zkayan
@reysacha
@_________svitlo

🍀
@curatorialstudieskask

Installation photos by Charlotte Danïelse @charlotte__danielse

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📸 ‘Crying could be a solvent’, a duo exhibition by Soraya Abdelhouaret and Shervin/e Sheikh Rezaei at Het Paviljoen. The work in the first 4 pictures is by Soraya Abdelhouaret, last picture in an installation shot with both artitsts’ works 💧🤍

Curated by Daphné Charitos, Natalija Gucheva, Abel Hartooni, Yasemin Köker, Temitayo Olalekan & Jean Watt

@endorphxne
@shervinsheikhrezaei
@hetpaviljoen
@curatorial_studies_kask
@schoolofartsgent

March 2025

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📸📸 ‘Crying could be a solvent’, a duo exhibition by Soraya Abdelhouaret and Shervin/e Sheikh Rezaei at Het Paviljoen. The work in these pictures is by Soraya Abdelhouaret

Curated by Daphné Charitos, Natalija Gucheva, Abel Hartooni, Yasemin Köker, Temitayo Olalekan & Jean Watt

@endorphxne
@shervinsheikhrezaei
@hetpaviljoen
@curatorial_studies_kask
@schoolofartsgent

March 2025

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Last week to go and visit the exhibition “Crying could be a Solvent” at Het Paviljoen

Bringing together works by Soraya Abdelhouaret and Shervin/e Sheikh Rezaei, Crying could be a solvent seeks to explore the notion of waiting in relation to the practice of alchemy. With their distinct visual languages, both artists draw connections between material transformation and ideas of devotion and love. The space of Het Paviljoen becomes a vessel for dialogue on interpersonal love and the love of the material. Taking its title from Gabriel Gauthier’s poem, Crying could be a solvent explores longing, and the internal processes that occur within.

The laboratory, derived from the Latin words “labor” (work) and “ora” (prayer), lies at the heart of the alchemical practice. It is a space where practitioners transform unusual materials into new states. Here, love becomes the “prima materia” from which the transformation begins. Both of the artists, engaging in a subtle conversation, invite us to rethink how emotions take shape through transmutation and decay. Glass becomes a central element in their correspondence. Abdelhouaret uses glass to collect and fuse wine, symbolising tears, transforming it through chemical processes into something new, while Sheikh Rezaei alters the transparency of window glass, incorporating a drawing that evokes the ecstasy of the amorous and the communion with the divine . The transformation of wine, a symbol of indulgence, devotion, and love, produces connections between biological decay and metaphorical shifts. At the centre of the exhibition space, in Sheikh Rezaei’s work, the invitation “Please, serve yourself” is both an offering and a farewell.

Curated by the amazing team @curatorial_studies_kask
@lp00ze @yas.veg4s @temitayolalekan @dchrts @jeanwatt @natalija.gucheva
Together with @endorphxne
Pictures by Charlotte Daniëlse

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One more week to see the second show of the ‘Eye Becomes Water’ program — ‘Crying could be a solvent’ at @hetpaviljoen in Ghent + recap of the first two exhibitions ‘24h Swan Lake’ & ‘Crying Could be a Solvent’

(1-2) ‘24h Swan Lake’ by @sanieirsay

(3-6) ‘Crying Could be a Solvent’ by @shervinsheikhrezaei & @endorphxne

📸 by @charlotte__danielse

co-curated with @jeanwatt @temitayolalekan @lp00ze @yas.veg4s @dchrts

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