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Eric

@eric.deniaud.ck

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Lundi, dans le cadre de la Saison Méditerranée 2026, nous accueillons pour trois soirs deux chorégraphes libanaises, Khouloud Yassine et Nivine Kallas. 🔥

Leurs spectacles, aussi puissants que sophistiqués, cherchent une voie pour échapper à la brutalité du pouvoir et des institutions.

On vous attend ! 💥

#danse #Liban #choreraphe #solo #mediterranee #bastille

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“Our house is immense!” says Younes.

And it becomes bigger and bigger with every heartwarming encounter.

Et le cœur ne s’est pas arrêté is a performance meant to travel, like most of Collectif Kahraba’s works, and meet audiences in as many places as possible.

We are happy to perform outdoors this time, at the beginning of what we hope will be a long journey. ✨

It is always a special moment for us to be hosted at @maisontheatremachy, a place where we have already shared so many beautiful experiences.

⏱️ Here is a glimpse of four hours of work and many helping hands:

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🎭 J-2 : Les comédiens et comédiennes arrivent !

Ça y est… les artistes sont là ✨

Machy s’anime, les derniers préparatifs s’accélèrent, et l’aventure des Soirées d’Été est sur le point de commencer !

Pendant que les équipes investissent les lieux, l'installation de 𝐄𝐭 𝐥𝐞 𝐜œ𝐮𝐫 𝐧𝐞 𝐬’𝐞𝐬𝐭 𝐩𝐚𝐬 𝐚𝐫𝐫𝐞̂𝐭𝐞́ du Collectif Kahraba et L ‘Entreprise - François Cervàntes prend forme.

"𝐿𝑒 𝑟𝑒́𝑐𝑖𝑡 𝑑𝑒 𝐹𝑟𝑎𝑛𝑐̧𝑜𝑖𝑠 𝐶𝑒𝑟𝑣𝑎𝑛𝑡𝑒𝑠 𝑒𝑠𝑡 𝑑’𝑢𝑛𝑒 𝑔𝑟𝑎𝑛𝑑𝑒 𝑟𝑖𝑐ℎ𝑒𝑠𝑠𝑒. 𝐼𝑙 𝑒𝑠𝑡 𝑑𝑖𝑓𝑓𝑖𝑐𝑖𝑙𝑒 𝑑𝑒 𝑙𝑒 𝑑𝑒́𝑐𝑟𝑖𝑟𝑒 𝑐𝑎𝑟 𝑐ℎ𝑎𝑐𝑢𝑛, 𝑠𝑒𝑙𝑜𝑛 𝑠𝑎 𝑠𝑒𝑛𝑠𝑖𝑏𝑖𝑙𝑖𝑡𝑒́, 𝑝𝑜𝑢𝑟𝑟𝑎 𝑦 𝑡𝑟𝑜𝑢𝑣𝑒𝑟 𝑠𝑜𝑛 𝑖𝑛𝑡𝑒𝑟𝑝𝑟𝑒́𝑡𝑎𝑡𝑖𝑜𝑛. 𝐵𝑖𝑒𝑛 𝑠𝑢̂𝑟 𝑖𝑙 𝑒𝑠𝑡 𝑞𝑢𝑒𝑠𝑡𝑖𝑜𝑛 𝑑’ℎ𝑢𝑚𝑎𝑛𝑖𝑡𝑒́, 𝑑𝑒 𝑐ℎ𝑎𝑜𝑠, 𝑑𝑒 𝑓𝑟𝑎𝑡𝑒𝑟𝑛𝑖𝑡𝑒́ 𝑒𝑡 𝑑’𝑒𝑠𝑝𝑜𝑖𝑟. 𝐸𝑡 𝑎𝑢𝑠𝑠𝑖 𝑑𝑒 𝑙’𝑖𝑚𝑝𝑜𝑟𝑡𝑎𝑛𝑐𝑒 𝑑𝑒 𝑙𝑎 𝑐𝑢𝑙𝑡𝑢𝑟𝑒"
Les Zébrures d’automne

📸 Quelques images des coulisses et de l'installation avant que la magie n'opère devant le public.

Nous avons hâte de partager ces moments avec vous ! 🌿✨

📅 Rendez-vous le 18 juin !
🎟https://www.lapremiereseconde.fr/billetterie-soirees-d-ete-de-machy-2026/

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“Cultural work isn’t in the finished product… it’s in what we lived together while making it.”

Aurélien Zouki & Éric Deniaud on why we create, and what it takes to keep creating, together.

They speak about audience connection, community relationships, festival design, and the daily challenges of artistic production locally and regionally.

🎥 Episode 01 of Maharat: Interviews Web Series by @ettijahat_independent_culture. Watch the full episode through the link in our bio. #collectifkahraba

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From Beirut to Kuala Lumpur 🇱🇧🇲🇾

Thank you @klfestival for welcoming us with so much care.

During our time in Kuala Lumpur, we shared Origin of a Tale with new audiences, opened conversations around the work, and led workshops where hands, clay, stories, and imagination met across ages and languages. We are truly grateful for the experience.

A few days of performance, exchange, laughter, shared meals, and encounters that will stay with us.

A huge thank you to the dedicated KL Festival team, the wonderful audiences, the workshop participants, and everyone who made this journey possible.

Until the next tale. ✨

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A momentous Mayhem,
a whirlwind of performances, conversations, arrivals, departures, and unexpected connections.
Somewhere within it all, we made memories for tomorrow.
Until next time, KL Festival.

🫡 June Tan, Hui Ting, Zak, Bryan, Yi Fung and the entire team, the heart of the Festival.

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As Armel Guerne writes: ‘No man, it is not true, steps forward on his own to the edge of risk (…) He needs support; he needs to meet brothers, find friends to be able and to dare to venture further.’”

Closing the circle on this 2025’s DARB tour, and looking back with gratitude at the road we walked together last year. DARB took us from Hermel to Bcharreh, Burj el Barajneh, Baakline, Saida, Baalbeck, Rahbeh to Zahle. What remains is all the encounters that shaped the journey: the generosity, the tenderness, the shared effort, and the feeling that no path is made alone.

In the midst of all what is currently weighing on us, these moments of encounter, art, and shared presence feel more precious than ever. They remind us of the care, generosity, and quiet strength that continue to exist across our communities.

As we seal this journey, we carry with us all those moments of exchange, joy, and solidarity that shaped it. Thank you to everyone who walked this DARB tour with us, the artists, audiences, hosts, communities, and all the hands and faces behind the scenes.

And a special heartfelt thank you to all our partners who made this journey possible:

@ciela_academy_baakline
@swandancezahleofficial
@ecole_esprits.libres
@theatre.of.women.of.the.camp
@nohye.alard
@bcharre_culturalclub
@welovebsharri
@relief4syria

A warm thank you as well to @marsahtripoli and Badguèr, for hosting the opening reunion and the closing debrief of this DARB journey.

Video Credits: @lightincolor

Full video will be launched on YouTube soon.

Here’s to the paths behind us, and to all the ones still waiting ahead.

#DARBTour #CollectifKahraba

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A little hello from our artists from all around the world 🌍

From Lebanon, Indonesia, Palestine and Malaysia - get a glimpse of the voices, stories and energy coming to KL Festival 2026.

Different stories, one shared stage. And this is only the beginning.

The real experience happens live.

Come through, explore the programme, and be a part of it all.

🎟️ Tickets are selling fast - view the full lineup via the link in our bio

#KLFest #MemoryAndTomorrow #WarisanKL

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Retour en images sur un deuxième laboratoire de recherche, dans le cadre de ma résidence à l’Istituto Svizzero de Milan. En vue de la création d’un spectacle de cirque-conférence issu de mon doctorat sur le cirque autobiographique, je me suis donné deux jours pour tenter de « circographier » les premiers résultats de ma recherche et les restituer à un public restreint. Pour cela, j’ai eu la chance de m’entourer de Gaia Vimercati (regard extérieur et coorganisation), Majo Cázares (performance et critique), Maria Elena Mascaro (illustration et régie), Tamara Badreddine (conseils techniques), ainsi que Juli Sando (VJing) avec les images du réalisateur Omar Gabriel et la comédienne, marionnettiste et clown, Fadia Tannir.
Le travail faisait suite au premier laboratoire réalisé au Liban où nous avions créé un premier matériel vidéo et dramaturgique avec les artistes Hanadi Rajeh, Éric Deniaud, Fadia Tannir, Tamara Badreddine et Omar Gabriel.
Un immense merci à toutes les personnes ressources qui nous ont accompagné·es : Valérie Dewispelaere et Martine Clair du centre de ressources du CNAC, mes codirecteurices de thèse, Danielle Chaperon et Demis Quadri, ma mentore, Julie Feltz, et l’équipe de l’Istituto Svizzero.
Toute une équipe de personnes pleines de talent qui n’ont pas hésité une seule seconde à se lancer dans cette aventure. Aujourd’hui, je suis fière et heureuse d’être le trait d’union de toute cette troupe ! J’espère qu’on pourra toustes se réunir pour la dernière ligne droite de cette création, à l’occasion de ma défense publique !
En attendant, continuons nos luttes et haut les cœurs !
Crédit photo : Ph. Alessandro Villa
Avec le soutien:
CNAC, Istituto Svizzero, Quattrox4, Bourse écriture en campagne (Latitude 50, SACD, SSA, Théâtre et Publics ASBL), Service de la culture Valais, Pro Helvetia, Théâtre le SPOT, Spazio ELLE, Compagnie Courant d’Cirque, Hammana Artist House, Up circus & performing arts, ASBL Noùmeno, Fondation pour des bourses d’études italos-suisse, Commune d’Ayent.

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@collectifkahraba and Dr. Robert Eid met in 2014 to create @hammanaartisthouse

Together, we dreamed and shaped its first steps, opening it in 2017 as a space for encounters between artists, neighbors, audiences, and partners from near and far. What gave it life were the people, the volunteers, collaborators, and friends whose generosity carried every project. For this, our gratitude is endless.

HAH became a place for research, rehearsals, drafts, and workshops, supporting artists and the growth of the scene.

Season after season, local and international creations met the public, and community gatherings and partnerships shaped a constellation of relationships, allies, and friendships. Thank you to everyone that was a part of this journey.

Today, as we move toward new pathways, we are glad to see the House alive with new energy. And we remain open to crossings of paths still to come because art is always the story of shared encounters. 🌙

🎥Video credits: @lightincolors

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Ce que les dieux nous ont laissé is an invitation into a poetic space where bodies in motion, live drawing, music and masks gather like a polyphonic chant.

On stage, two beings and two breaths continue a long artistic dialogue, searching for a language where what is essential can surface through simplicity and attention to the present moment.

We warmly thank @theatrejoliette Marseille for welcoming this work. By offering a space of trust, listening, and encounter, the theatre affirmed its role as a place of gathering where a community, however fleeting, can meet an emerging artistic gesture and let it resonate.

Directed and performed by @eric.deniaud.ck and @aurelienzouki
Light design: @tamara.badreddine
Video: @thomasbarlatier @laluneurbaine

A big thank you to Maria Munoz, Pep Ramis, and @kristof_le_blay for their artistic advice and support.

Co-production @carrecolonnes, Collectif Kahraba
The project has been hosted in residency in @lanimalalesquena and in Théâtre Joliette

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