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Loop Festival’s 2026 theme Xiu Xiu (Whispers) inspires the official poster for this new edition 🌬️

༄ Loop Fair: 17–19 November
The artists’ films fair featuring around 40 galleries, which transforms our hotel venue into a hub where you will meet collectors, curators, researchers, art critics and more professionals specialized in artists’ films.

༄ Loop Festival: 10–21 November (@loopbarcelona_festival)
Developed by Aitana Vélez and Eva Pobeda from an idea by Filipa Ramos, the Festival unfolds under the theme Xiu Xiu (“Whispers” in Catalan), as Barcelona becomes the World Capital of Architecture. The program celebrates the city as a host to a multiplicity of life forms, who share spaces, rhythms, tones and places with us. With more than 20 appointments – concerts, talks, exhibitions, performances, and more – Loop Festival will take over the city for 10 days in November.

༄ Loop Talks: 18–19 November
Curated by long-time Loop friend Lisa Long, the two-day program of panels, taking place in the same venue as the Fair, invites key figures in the artists’ films ecosystem to tackle relevant questions of today’s art landscape.

The visual campaign for 2026, created by Ana Habash (@anahabash) and Alex Viladrich (@alexviladrich) with Román Cadafalch (@uno_cosechando), takes a close look at the hidden, tangible and intangible, forces that move the city of Barcelona.

News about accreditations and programs will be out soon!

🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️🌬️

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Procedural Grounds x IE (@iearchdesign)
Comisariada por: Joel Blanco (@joeldeblanco) y Eva Marie Pobeda Ferrand (@evapobeda)

NÉBULA – Espacio de Creación Contemporánea (@nebula.espacio) acogió Procedural Grounds x IE, una exposición en el marco de @mayrit.bienal.

La muestra desplazó la enseñanza hacia el espacio expositivo y reunió proyectos de profesores y estudiantes de IE University, sin jerarquía entre ellos, vinculados a la investigación material, el diseño industrial, la arquitectura y la producción audiovisual.

Profesorado de IE University: Andrea Muniain (@andreamuniain), Igor Bragado (@igorbragado), Antonio Daniele, Hadin Charbel (@hadincharbel), Deborah Lopez (@deborahlopezlobato), Taryn Mead (@mead.taryn), Grazielle Bruscato Portella (@grazielleportella), Amaia Sánchez-Velasco (@amaia.sanchezvelasco), Jorge Valiente-Oriol (@jorge.valiente.oriol), Saskia Bostelmann (@saskiabostelmannn), Joana Burd (@jburd___) y Gianluca Pugliese (@im.gippi)

Fotos: @asierrua

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"Les mans parlen" és un recull de fragments de pensament i imatges de projectes finals de alumnes del Postgrau en Arts Aplicades Contemporànies de diferents promocions, que explora diferents maneres de comprendre el món a través de les mans i de la matèria.

Aquesta és una petita selecció d’imatges dels projectes que en formen part, us animem a consultar la publicació sencera a la nostra web tins l’apartat ‘Treballs i trajectòries d’alumni’ de Postgraus Massana.

📆 Si teniu interès en matricular-vos, us recordem que la data límit per a sol·licitar plaça és aquest dissabte 6 de juny.

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ᴇxᴘᴏꜱɪᴄɪóɴ
PROCEDURAL GROUNDS x iE
Comisariada por Joel Blanco (@joeldeblanco) y Eva Marie Pobeda Ferrand (@evapobeda)

📍 NÉBULA – Espacio de Creación Contemporánea @nebula.espacio
C. de San Raimundo, 14, Madrid

🗓️ Inauguración: sábado 23 de mayo
⏰ 17:00 h

Horario de visita:
Lunes a domingo, de 10:00 a 14:00 y de 17:00 a 20:00

La exposición Procedural Grounds presentada en el espacio Nébula en el marco de la Bienal Mayrit 2026 (Super)Models, se activa como un caso situado de supermodelo pedagógico, desplazando la enseñanza hacia el espacio expositivo.

La exposición cuenta con la participación de profesores y estudiantes de IE University @iearchdesign cuyas prácticas están vinculadas a la investigación material, el diseño industrial, la arquitectura y la producción audiovisual. Reuniendo sus proyectos sin jerarquía entre ellos, Procedural Grounds visibiliza las influencias más sutiles a lo largo de los procesos creativos.

Profesorado de IE University:
Andrea Muniain @andreamuniain
Igor Bragado @igorbragado
Antonio Daniele
Hadin Charbel @hadincharbel
Deborah Lopez @deborahlopezlobato
Taryn Mead @mead.taryn
Grazielle Bruscato Portella @grazielleportella
Amaia Sánchez-Velasco @amaia.sanchezvelasco
Jorge Valiente-Oriol @jorge.valiente.oriol
Saskia Bostelmann @saskiabostelmannn
Joana Burd @jburd___
Gianluca Pugliese @im.gippi

TEXT IN ENG_

The exhibition Procedural Grounds, presented at the Nébula space as part of the Mayrit Biennial 2026 (Super)Models, activates itself as a situated case of a pedagogical supermodel, displacing teaching into the exhibition space.

The exhibition brings together professors and students from IE University whose practices are related to material research, industrial design, architecture and audiovisual production. Presenting their projects without hierarchy between them, Procedural Grounds reveals the subtle influences throughout creative processes.

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Becoming Otherwise Exhibition
Extra material

Becoming Otherwise explored how contemporary design practices evolve through deeply personal, auto-ethnographic approaches challenging traditional methodologies and their externalised focus.
The exhibition proposed design as a form of cultural critique, self-inquiry, and collective connection, emphasizing the role of personal narratives in shaping wider social and political dialogues.
—
Curation: Esto Association Hosting: Esto Association & Okay Initiative Space @okay.space

Artists:
Orestis Telemachou @tileores Ella Wanendeya @ella.wanendeya Fabian Neisius @nssfabb Niki Maria Lore @nikimarialore Dana Elmi Sarabi @danaelmisarabi Eva Pobeda @evapobeda canvaswan @canvaswan/ Yannis Mantzaris @yannismantzaris Christos voutsas @christos.voutsas Pauline Bernichan @pauline.bernichan Ieva Valule @ievavalule Gaia D'Λrrigo @gaiadrr Eleni Vrettakou @elenivrett Phèdre Barbas @phedrebarbas Niki Danai @niki__danai

#BecomingOtherwise #GroupExhibition #DesignResearch #AutoEthnography #DesignAsPractice #CriticalDesign #SpeculativeDesign #AthensArt #CollectivePractice

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IN BETWEEN THE URBAN CRACKS - ON MONU #38 “INCLUSIVE URBANISM” BY EVA MARIE POBEDA FERRAND

Inspired by Nick Rebstadt’s reflections that “[…] providing for ambiguity in how designs are used allows for inclusion to happen in unseen and unknown ways”, I decided to immerse myself in the realm of the issue by writing this review from the public toilet of Bürkliplatz, within the stream of people visiting it. However, when I got there, the maintenance person refused to let me stay for a few hours due to space limitations… read the full review of MONU #38 at http://www.monu-magazine.com/news.htm.

Eva Marie Pobeda Ferrand is a design researcher based in Zurich, Switzerland. Her practice investigates the contemporary consequences of totalitarian systems on collective memory and cultural landscapes.

Images:

1. Refurbished public toilets in Central London. Photo by Jo-Anne Bichard. MONU #38, page 14

2. King’s Domain, Melbourne/Naarm. Photo by Nick Rebstadt, 2025. M #38, page 19

3. Students and people with disabilities discuss projects. Photo by Ines Lüder. 2023, M #38, pages 70-71

4. The urban green house. Photo credit: AAA. M #38, page 35

5. Two Romanian workers taking a rest. Photo by Petrut Clinescu, from Mândrie i Beton, 2023. M #38, page 36

6. The original Moser Lamp. M #38, page 122

MONU is currently supported by:

The Berlage - MSc in Architecture and Urban Design/ Preview Fall 2025: The Community
(https://theberlage.nl)
@theberlage

Publication: Making Space Together by Endeavour
(https://www.vai.be/en/publications/making-space-together-endeavour)
@endeavoursss
@vlaams_architectuurinstituut

EKA - Estonian Academy of Arts’ Urban Studies Master’s Program
(https://www.artun.ee/en/curricula/urban-studies/about-the-program/)
@eka_estonian_academy_of_arts

Incognita’s Architecture Trips: Discover Eastern European Architecture and Urbanism
(http://www.incognita.ch/)
@incognita_kultur

#MONU #MONUmagazine #InclusiveUrbanism #Urbanism #Architecture #UrbanDesign #InclusiveDesign #Accessibility #PublicSpace #SpatialJustice #CriticalUrbanism #CityMaking #ParticipatoryDesign #SocialDesign #DesignResearch #UrbanStudies #EverydayUrbanism #ArchitectureTheory

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“BECOMING OTHERWISE”
OCT 2025
Group show

🪞Curation
Esto Association

🪞Participant artists
Orestis Telemachou @tileores
Fabian Neisius @nssfabb
Dana Elmi Sarabi @danaelmi
Eva Pobeda @evapobeda
canvaswan @canvaswan
Pauline Bernichan @pauline.bernichan
Ieva Valule @ievavalule
Gaia D’Λrrigo @gaiadrr
Niki Maria Lore Pielsticker @nikimarialore
Eleni Vrettakou @elenivrett
Phèdre Barbas @phedrebarbas
Niki Danai Chania @niki__danai

🪞Photo documentation
Danae Panagiotidi @danae.pan

part of the ‘A Collective of Collectives’ festival @acollectiveofcollectives

‘Becoming Otherwise’ explores how contemporary design practices can evolve through deeply personal, auto-ethnographic approaches, challenging traditional approaches and the externalised focus of conventional design methodologies.
The exhibition aims to offer an alternative perspective on design as a form of cultural critique, self-inquiry, and collective connection, highlighting the relevance of personal narratives in shaping broader social and political dialogues.

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@to.BE.MAgazine

https://tobemagazine.com.au/when-image-meets-movement-an-interview-with-tomas-pintos/

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snippets from my score for HEKABE, currently running at SCHAUSPIELHAUS ZÜRICH

got to spend two months in zürich composing often strange and sometimes beautiful music. thanks to the whole team and also thanks to katrin vogel (alphorn), @ralph_heidel (sax), as well as @yung_pretty_flokko and @simon.popp (drums) for their musical contributions. here come the liner notes:

Troy has fallen – and for the women of the defeated, the true horror only begins now. Hecuba, once queen and now a captive, stands at the center of this story of power and suffering.

Angeliki Papoulia and Christos Passalis, co-founders of the theater collective BLITZ and known from the films of Yorgos Lanthimos, bring ancient material to the stage with lightness and a sharp eye for contemporary themes. For their debut at Schauspielhaus Zürich, they turn to Euripides’ Hecuba – ruthless enough for our present, mad enough for our time.

CAST: Hilke Altefrohne / Birgit Walter, Lukas Darnstädt, Lorena Handschin, Yvon Jansen, Simon Kirsch, Henri Mertens, Matthias Neukirch, Lena Schwarz, Laina Schwarz, Mervan Malwin Ürkmez, as well as Carla Hasenclever, Kenan Wirth, Timur Yanik
DIRECTORS: Angeliki Papoulia, Christos Passalis
SET DESIGN: Márton Ágh
COSTUMES: Katrin Wolfermann
MUSIC: Nicolas Fehr
CHOREOGRAPHY: Chara Kotsali
DRAMATURGY: Rose Reiter
ASSISTANT DIRECTOR: Philipp Stevens
ASSISTANT SET DESIGN: Malin Speicher
ASSISTANT COSTUME DESIGN: Anna-Thea Jäger
DIRECTING INTERN: Rosa Zant
COSTUME DESIGN INTERN: Sarah Schwab
DRAMATURGY INTERN: Eren Arda Vural
SET DESIGN INTERN: Eva Marie Pobeda Ferrand
STAGE MANAGEMENT: Dayen Tuskan
PROMPTER: Katja Weppler
CHILD EXTRAS (ALTERNATING): Carla Hasenclever, Kenan Wirth, Timur Yanik
PHOTOS: Krafft Angerer

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Der Krieg ist vorbei. Der Schmerz nicht.
Trailer: HEKABE

«Im stärksten Moment dieser Tragödie herrscht Totenstille.» Ueli Bernays, Neue Zürcher Zeitung, 15.12.2025

Das Stück live im PFAUEN erleben.

MIT: Hilke Altefrohne / Birgit Walter, Lukas Darnstädt, Lorena Handschin, Yvon Jansen, Simon Kirsch, Henri Mertens, Matthias Neukirch, Lena Schwarz, Laina Schwarz, Mervan Malwin Ürkmez sowie Carla Hasenclever, Kenan Wirth, Timur Yanik
REGIE: Angeliki Papoulia, Christos Passalis
BÜHNE: Márton Ágh
KOSTÜME: Katrin Wolfermann
MUSIK: Nicolas Fehr
CHOREOGRAFIE: Chara Kotsali
DRAMATURGIE: Rose Reiter
REGIEASSISTENZ: Philipp Stevens
BÜHNENBILDASSISTENZ: Malin Speicher
KOSTÜMBILDASSISTENZ: Anna-Thea Jäger
REGIEHOSPITANZ: Rosa Zant
KOSTÜMBILDHOSPITANZ: Sarah Schwab, Eva Marie Pobeda Ferrand
DRAMATURGIEHOSPITANZ: Eren Arda Vural
INSPIZIENZ: Dayen Tuskan
SOUFFLAGE: Katja Weppler
KINDERSTATIST*INNEN (ALTERNIEREND): Carla Hasenclever, Kenan Wirth, Timur Yanik
TRAILER: Julia Bodamer

#hekabe #schauspielhauszürich #spielzeit202526 #ks01

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Heute Premiere ✨: HEKABE erhebt sich aus den Trümmern Trojas.

Troja ist gefallen – und für die Frauen der Besiegten beginnt das eigentliche Grauen erst jetzt. Hekabe, einst Königin, nun Gefangene, steht im Zentrum dieser Macht- und Leidensgeschichte.

Angeliki Papoulia und Christos Passalis, Mitbegründer des Theaterkollektivs BLITZ und bekannt aus den Filmen von Yorgos Lanthimos, bringen antike Stoffe mit Leichtigkeit und scharfem Blick für heutige Themen auf die Bühne. Für ihr Debüt am Schauspielhaus Zürich widmen sie sich Euripides‘ HEKABE – gnadenlos genug für unsere Gegenwart, wahnsinnig genug für unsere Zeit.

MIT: Hilke Altefrohne / Birgit Walter, Lukas Darnstädt, Lorena Handschin, Yvon Jansen, Simon Kirsch, Henri Mertens, Matthias Neukirch, Lena Schwarz, Laina Schwarz, Mervan Malwin Ürkmez sowie Carla Hasenclever, Kenan Wirth, Timur Yanik
REGIE: Angeliki Papoulia, Christos Passalis
BÜHNE: Márton Ágh
KOSTÜME: Katrin Wolfermann
MUSIK: Nicolas Fehr
CHOREOGRAFIE: Chara Kotsali
DRAMATURGIE: Rose Reiter
REGIEASSISTENZ: Philipp Stevens
BÜHNENBILDASSISTENZ: Malin Speicher
KOSTÜMBILDASSISTENZ: Anna-Thea Jäger
REGIEHOSPITANZ: Rosa Zant
KOSTÜMBILDHOSPITANZ: Sarah Schwab
DRAMATURGIEHOSPITANZ: Eren Arda Vural
BÜHNENBILDHOSPITANZ: Eva Marie Pobeda Ferrand
INSPIZIENZ: Dayen Tuskan
SOUFFLAGE: Katja Weppler
KINDERSTATIST*INNEN (ALTERNIEREND): Carla Hasenclever, Kenan Wirth, Timur Yanik
FOTOS: Krafft Angerer

#hekabe #schauspielhauszürich #spielzeit202526 #ks01

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Diesen Freitag ist es so weit: HEKABE feiert Premiere.

Troja liegt in Schutt und Asche. Zehn Jahre Krieg – zehn Jahre Zerstörung. Und doch beginnt das eigentliche Grauen für die Frauen der Besiegten erst jetzt. Ihrer Heimat beraubt, ihrer Zukunft enthoben, werden sie zur Beute erklärt. Mitten unter ihnen: Hekabe. Einst Königin, nun Gefangene, ausgeliefert der Willkür der griechischen Besatzer. Doch wieviel Ungerechtigkeit können diese Frauen ertragen?

HEKABE von Euripides
in der Regie von Angeliki Papoulia & Christos Passalis
am 12.12.2025 im PFAUEN

FOTO: Krafft Angerer
KOSTÜMSKIZZE: Katrin Wolfermann

#hekabe #schauspielhauszürich #spielzeit202526 #ks01

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