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Fauc studio

@fauc.studio

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Creative Strat / Sound design / Voiceover 🌏
@squawkvoices

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Here’s a trailer for my first narrative short I had a crack with writing directing and editing. Hot Honey Melt. Composed a bit of music for this trailer also because why not? Thanks to @tazhmusic for the mix/master.

Back in London for the first time in three years, Melissa’s friendship with her ex-partner Sean is thrown into turmoil by a chance encounter with an American couple on holiday.

With energies from the day lingering, Melissa struggles to maintain their boundaries amidst her fears for Sean over his recent actions.

Damn, I learned a hell of a lot making this film. It’s so easy to get caught up in all the things you want to take with you to the next one, but more than anything, I still feel really blessed to have had such a great band of people together that made the energy of these days so fun.

Special thanks to @za.nes_ for not only cheffing with Chan, Sonny and Taz (that Dahl was elite) but also supporting me through all the process.

Cast and crew:

Cast:
@eva_bradleywilliams
@danielqannoh
@temica_thompson
@richardamciver

Crew
DP - @pcioffi_
Line Producer - @steph_faucher
Production design - @house.of.jax
Gaffer - @chasing.frisson
1st AD - @pol gill
1AC - @dannystrasserac
2nd AC - @arronwanders
Sound Recordist - @blaisesound
Sound Assistant - Martina MacLachlan
Art director - @walid__azam
Props - @_nadia.films_
Costume - @polinayakobson
MUA @hannidoeshair
Script supervisor @zsoly.vatany
Dubbing Mixer - @tazhmusic @fauc.studio
Colourist - @colourbymegwan
@harborpictureco_uk
Floor Runner - @giselle.ophelia

Love to @mcx_films for those beautiful Lomo Standard Speeds

BTS @noesolangephoto @denholmhewlett @connordiffley

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Made this to sum up the day 🎥

Full of love. Emotionally empty. Incredible stuff.

Always Loop. Never Alone. RWP

Big up @tylerwilliamsgreen & @theoutrunners for bringing all the vibes always

📸 @ryanlloydhaynes

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Was a pleasure to work on audio mixing and sound design for @spotifyuk x @youthmusicuk alongside @fauc.studio

Big thanks to @somesuchandco for having us on board ❤️

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just lil releases debut EP ‘WWED’ today! The South London artist’s first body of work sees her emotive vocal tones soundtracked by cinematic, bass-driven warmth and percussive synth workouts from Cameo Blush and Dot Major.

Mixed by @pearsonsound
Mastered by @josephhj

Artwork by @consgaffe, @shotbymelissaa, @fauc.studio, @sjae______

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just lil invites 🔒w/ @cam3oblush + special guests🔒 20/06 🔒 link in bio

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A short clip from my film - Natives.

Back in 2021, I visited @pote childhood home in Praslin, St Lucia. Getting to know his family and sharing a part of his life as a long time friend is a memory I’ll always treasure.

The trip was an emotional one. It was eight years since his last visit. In the lead up, we talked about his difficulty adjusting to the UK as a boy and how it complicated his feelings going back. It represented the marrying of his two worlds. To return as a man, established as an artist and with a song he had written - “Natives” - that sought to reconnect him with his heritage. The full film is in the link in my bio!

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In 2021, I visited Pote’s childhood home in Praslin, St Lucia. Getting to know his family and sharing a part of his life as a long time friend is a memory I’ll always treasure.

The trip was an emotional one. Eight years since his last visit. In the lead up, we talked about his difficulty adjusting to the UK as a boy and how it complicated his feelings going back. It represented the marrying of his two worlds. To return as a man, established as an artist and with a song he had written - “Natives” - that sought to reconnect him with his heritage.

We discussed filming a promo for the record. I brought along my Sony a7III and my nan’s old Pentax KX. We planned to get footage of him in the water and I wanted to shoot 35mm film portraits of his family. Covid got in the way. Then the portrait roll was damaged by seawater. Luckily I’d also been filming bits. We got a version out. Months later I found myself looking through the footage again.

Things rarely go as expected. It’s never really A to B on projects. It’s compromise. Pivoting. In the footage I found what was itching away at me. The story of my friend reconnecting with his childhood home. I believe the emotions that tie us to places aren’t easy to explain. We feel it. These places connect us to parts of ourselves. To remind us. To nourish us. To teach us to love all the pieces of our story.

I had my story. Editing however, was a mix of joy and frustration. The clips I had made me wish I thought of it sooner. It was all the things I wish I’d done. I struggled making peace with the technical limitations. “It could have been so much better!” I derided myself. Different lenses. A proper cinema camera. Where St Lucia is concerned, colour is everything. If you’ve ever worked with these 8 bit Sony files, you know these 16mm emulation looks. To me it was lacking. It’s not the quality I wanted. But you sit there and you have to remind yourself that the technical aspects aren’t always the defining factor. It’s a story I wanted to tell. I might hyper-fixate on what I see as errors, but I decided it was better to let it go and allow it to be a moment in time I was fortunate enough to capture. Full film on Youtube

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💜 the second single from SHEE’s new ‘Infinity EP’ lands this Friday ⭐️’Midnight Viewing’ ⭐️ pre-save in the usual spot xx

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🌈 SHEE - Infinity [AF032] 🌈

The first single from our boy @davidsheerin’s Infinity EP is out THIS FRIDAY 🦋

PRE SAVE / PRE ORDER NOW! Link in bio x

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🐉 Ron Elliot - Templar / Time [AF029] OUT FRIDAY 🐉

Friday we welcome the super talented @ronelliot_ to the @monkiandfriends family for sick two-tracker Templar / Time! ☘️

PRE ORDER NOW! Link in bio x

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TROUBLES WITH YOU! 🎹 &Friends debut single from our boy @georgefeelydj is OUT NOW! ❤️

Big ups to everyone supporting this so far! Link in bio x

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