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Founder@ Fearless Records & @ Smartpunk,President @thrillerrecords
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One day, while I was visiting my Mom in Salem, I decided, for whatever reason, to mess around on a big Casio keyboard I had in my old room. I knew I wanted to write a song about one of my favorite films ever, The Crow. What I didn’t know was that what I was writing that day would end up being the inception of a very important song in INK’s history: “A Grave Mistake.”

Thank you to everyone involved in making this song a reality, to the filmmakers who inspired it, and to the very loyal INK Psychos for helping make this a gold-selling song. 🔥🪦🐦‍⬛🪏

@riaa_awards @fearlessrecords @iceninekills @10thstreet @mskllp @soundtalentgroup @siriusxmoctane @siriusxm
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I’ve been a huge fan of @fleetwoodmac and @stevienicks 🥹 So, when I found out the guys were doing a cover of Rhiannon, I was so excited!! 

Not only did they create a beautiful cover.. they held this song to the highest standard and with the utmost respect 🥺 

They asked me to bring some of my blacklight paintings for the music video… so naturally, I brought all of them 💀🤣
 
What I DIDN’T expect was Toddi telling us to start spreading EVERYTHING out in a circle/everywhere… Canvases, paints, brushes, drop cloths… ALL OF IT.

I stood there and said, “Was this a setup?! Because I feel like we’re letting the world read my diary and now I feel naked.” 😂

A lot of these paintings are pieces I’ve never even shared publicly. 😭

So yes, I felt a little exposed. But.. more than anything..I felt SEEN.

Underneath all the nerves, I was genuinely fighting back tears 🥺
All those things scattered across the floor weren’t just props to me. They’re pieces of my world. My creativity. My passion. The chaos that usually lives behind the scenes.

I spend so much time creating beautiful things for other people. Their homes, their ideas, their visions & special moments.

This time, without even asking, someone made MY art, MY tools, and MY creative world part of the vision. It became part of the story itself 😭😭😭 The fact that someone saw all of that and thought it deserved to be part of something bigger? I can’t even explain how honored I felt 🥺

From doing the makeup to watching my artwork become part of the set, and finally seeing my painting at the end… this one meant a little more than I expected. 🎨🖤

Special thanks to @darkdivineofficial for always trusting me to bring your visions to life! Especially this one.. as it’s been Robby’s dream to finally have a blacklight music video 😂🙌🏼

🎥• @toddibabu 
PA• @cherub.glow 
Production Assistant• @dajamjam 
Gaffer• @awrxmedia 
Jackets• Lee Skinner @saintsoftheundead 
Actress• @kace.valentine 
@bigblackwarehouse 
@mehronmakeup 
@thrillerrecords 
@fearbob 
@joshkorel 
@dd.anthonymartinez 🎤
@robbydarkdivine 🎸
@cory.cryptid 🎸
@tristonblaizedrums
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A gold single plaque came in the mail yesterday for Mayday Parade’s cover of “Somebody That I Used To Know.” In 2011, I signed the band & they released their self-titled record thru ILG/Warner. A month prior to its release I flew to NYC to meet with Atlantic head Julie Greenwald to to gauge label support. In that meeting she made it clear that Mayday wasn’t an Atlantic priority, that they were were being demoted to ILG so she could reduce the spend & album resources & that I should be “grateful they were still putting it out.” After hearing all that, gratitude wasn’t really in my heart but I had a whole lot of other things now in my heart which I happily shared (which included a few more swear words directed to her then she was used to hearing). I realized in that moment that the only way this band was gonna succeed was if they stuck to their vision, focused on their fans & stopped listening to others, even the president of the label. Self-titled is now the second biggest release in their catalog. Once the album dropped, we had some buzz & Joyce Mealey - a publicist at Fearless called to ask if we’d be on their Punk Goes Pop compilation. Knowing we had a year to kill before we could get out of the Atlantic deal, I said yes but only if they released the compilation a month after our deal wiith Atlantic ended so I didn’t have to give Atlantic a cent. She agreed & a week later Bob Becker called me & said if the band was good with it, he could get Vic Fuentes of Pierce The Veil to feature on the track. They loved that idea & I saw a label that believed in my band & a label head who saw them as a priority. The song & the compilation came out, hit #16 on the Billboard charts & Mayday’s cover was the focus. We re-signed with Fearless & this plaque reminds me of that chapter, about how when you find the right people good things happen. Today Mayday Parade & Pierce The Veil are bigger then they’ve ever been. Anyone got Julie’s address, I might wanna send her a plaque to show my gratitude.
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Cover 45 of the One of the Last Cover Series: “Hip To Be Scared” by @iceninekills!

🎤 - @johnboconnor
🥁 - @danieltouwdrums

Bringing the theatrical horror, aggressive vocals, and explosive drumming of this American Psycho-inspired track to our latest vocal and drum cover.

#iceninekills #americanpsycho #metalcore #coversong #reels
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@catchyourbreathband new album is out now!
Produced and co written by me
.
Mixed and mastered by @dan_braunstein
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🚨 BULLIES 4 BREAKFAST IS OUT NOW! 🚨 

A song for everyone who’s ever been bullied, put down, or made to feel small.

🎧 Stream “Bullies 4 Breakfast” everywhere now! 🎬 

Check out the official music video on YouTube NOW!

#Bullies4breakfast #StopBullying #aprilsaway #BeKind #MentalHealth
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