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Fireflies Project | Art Consulting | ייעוץ אמנות

@fireflies_projects

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Art consultant ~ Curating contemporary art for private & corporate spaces ~ Collection strategy and installation ~ Artist development & mentorship

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White sand mirror
100 cm R , mixed media.
thank you @fireflies_projects 🤍
for another delicious match.
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ינואר, אני אוהבת אותך אבל פברואר הגיע🧿🩷

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January RANDOMs with great ppl 🪄
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#mirrordesign #amirkamary #designartwok #mirrorblocks #mirrormirroronthewall

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⁨ ⁨ ⁨ ⁨ ⁨ ⁨ ⁨ ⁨ סיפור חדש על הקיר.
‎עבודה חדשה מצטרפת לאוסף האמנות הישראלית של מלון דריסקו באוצרותה של ורד גדיש , פיירפליז פרוג׳קט.

בקבלה הותקנה עבודה קרמית של יערה רבינוביץ, אדריכלית, אמנית, מעצבת המתגוררת בקיבוץ עמיר שבצפון.
העבודה מותאמת לקיר הקבלה של מלון דריסקו ומשתלבת בחיפוי הקיר הקיים.
תבליט המורכב מצלחות קרמיקה עגולות זהות בגודלן, כשכל אחת מהן ייחודית. דרך חיתוך, הכפלה, החסרה ואלכסון נוצר משחק עדין של קו וצורה. החזרתיות מייצרת קצב שמוליך את העין בין העיגולים, כמעט כמו מקצב מוזיקלי.

ואם תתעכבו רגע, המוזיקה תתגלה.⁩⁩⁩⁩

160 years of great hospitality.

‪‪‪‪@yaara.rabinovitch‬‪@fireflies_projects‬‪@veredgadish‬dish‬dish‬dish‬dish⁩⁩⁩⁩

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🏗️🏙️ שוב זה קורה, המרחב והחלל מתמזגים, העיניים שלי יוצאות ממקומן, הבניה בחוץ משתקפת בבלוקים ונכנסת לחלל הישיבות היפיפה של @zvulunadiran
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תודה מיוחדת לורד גדיש @fireflies_projects על שידוך ככ מדויק בין אומנות חלל וסיפור🕊️
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#amirkamary #mirrorart #mirrorsdesign #spaceagedesign #mirrorblocks

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גוונים של כחול, 40X40 (140)

בזמן המילואים, מצאתי את עצמי חוזר ומתבונן בתופעות המתרחשות בשמיים. אני זוכר את המבט המקנא בציפורים שעפות מעליי ועוברות בין הגבולות ללא דאגה. בו זמנית, אני זוכר את עצמי מתכחש לעובדה שמתבצעים מעליי יירוטים, ובוחר ליהנות מהאסתטיקה שלהם ומהדרך שבה הם מתמזגים עם העננים.

באמצעות המצלמה שהבאתי, יצרתי ארכיון צילומי של פעילות אווירית המתעד כל התרחשות מעליי בזמן שהותי בשטח.

כשחזרתי לסטודיו, בחרתי להמשיך באותה צורת הסתכלות, והמיון בין הצילומים נעשה על בסיס גווני הכחול. בפעולה זו הפקעתי את היירוטים והמסוקים מהקשרם המאיים; תחת המבט שלי הם הופכים לכתמים ולצורות בתוך ספקטרום של צבע, מאבדים את תפקודם המלחמתי ונכנעים לאסתטיקה הטוטאלית של השמיים.

הזדמנות להודות מקרב לב לורד גדיש על מכירת עותקים של העבודה.
@veredgadish @fireflies_projects

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Excited to be launching ‘Peace Of Mind’, a new book by Maria Saleh Mahameed (b. 1990, Umm el Fahem; lives and works in Ein Mahel) at Offprint Paris. The book presents a body of work created during the months of war; As the daughter of a Ukrainian mother and an Arab father from Umm el Fahem, Saleh Mahameed often explores her complex identity, reflecting a charged, tangled political and social reality.

Her monumental charcoal-on-canvas painting installations are rich in drama and veiled in mystery. They are underpinned by an intuitive, physical approach, incorporating movement, kneeling, and wallowing in the painterly surface. Despite their monumental scale, Saleh Mahameed’s canvases evoke drawings on paper; these are free, dynamic paintings that provide space for visual and conceptual exploration. “Whenever I feel blocked and have difficulty getting the painting started, I depict horses. Despite my great fear of them, following a childhood accident, I am deeply drawn to this noble animal, to the way it stands tall in space. Through the horse, I feel free to act in painting, without fear.” Saleh Mahameed’s words suggest that her entry into the creative process through the trauma sets the painting in motion, linking it to renewal and healing. The exhibition’s title, Peace of Mind (Rahat al-Rūh in Arabic), expresses the spiritual aspiration for inner peace and reconciliation set against the existential struggle. The book is a co-publication with Tel-Aviv Museum.

ISBN 978-965-539-262-3, 25 x 20 cm, Swiss Binding, 152 Pages, Uncoated Arna Natural 120gm, Phrosphere Galaxy 135gm. Co-Published with Tel-Aviv Museum of Art, Design by Noa Segal, curated by Anat Sivan Danon and Naama Bar Or, distributed by @ideabooksnl

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Golden Hours are the best ones ☀️
Dream house designed by us: Tehila Shelef architects

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Excited to present the first images of a new book ‘Peace Of Mind’, about the work of Maria Saleh Mahameed, a Palestinian-Ukrainian artist whose large scale drawing installations featured in the book were created during many months of war. Her monumental charcoal-on-canvas painting installations are rich in drama and veiled in mystery. We are now accepting pre-orders, with books to be delivered within the month!

ISBN 978-965-539-262-3, 25 x 20 cm, Swiss Binding, 152 Pages, Uncoated Arna Natural 120gm, Phrosphere Galaxy 135gm. Co-Published with Tel-Aviv Museum of Art, Design by Noa Segal.

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Excited to announce the upcoming publication of ‘Maria Saleh Mahameed: Peace of Mind’, a beautiful new book printed in collaboration with the Tel-Aviv Museum of Art. The accompanying exhibition is on view until October 18th, 2025. The book will be printed in English, Arabic, and Hebrew, and features a Swiss Binding, where the book block is glued to one side of the board, with the cover wrapping around, but leaving the spine exposed.

Maria Saleh Mahameed (b. 1990, Umm el Fahem; lives and works in Ein Mahel) presents a body of work created during the months of war. The daughter of a Ukrainian mother and an Palestinian-Arab father from Umm el Fahem, Saleh Mahameed often explores her complex identity, reflecting a charged, tangled political and social reality. Her monumental charcoal-on-canvas painting installations are rich in drama and veiled in mystery. They are underpinned by an intuitive, physical approach, incorporating movement, kneeling, and wallowing in the painterly surface. Curated by Anat Sivan Danon and Naama Bar Or, designed by Noa Segal.

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“Jennifer Abessira‘s body of work is saturated with cultural memory. The story she presents is always fragmented, a patchwork quilt of the prosaic and the poetic, but thanks to the shared memory of civilization, this tapestry comes seamlessly together. We can see this is a tale that has been disrupted: it has a beginning, middle, and end, but not in that order.

Abessira challenges traditional photography with digital manipulation, linking different worlds, and using primary colors. She preserves and reinvents in one fell swoop, effortlessly stitching together the personal and collective. She interweaves the delicate narrative threads of daily life, pausing over the nuances of human connections, persisting in seeing the breathless beauty of routine. Visual minimalism and analog themes are conveyed through digital tools to draw the eye and open the heart to details often ignored. Excess is overlooked in favor of an introspective and gentle intervention and small gestures which elevate the familiarity of every day to the lofty heights of lyricism.

At first it seems the focus of her new solo exhibition is departure, finality, and farewell. In truth, these three “elements” are merely objects to be captured, delayed, and maybe subdued. Thus, this exhibition is not at all about farewell but in fact its denouncement. It is not a separation but rather stubbornly holding on; not an ending but the struggle to keep going. These all play an integral role in the open relationship she maintains with existence, resisting any rational attempts to be tamed. For Abessira, life is not a space for solving problems but instead a place which creates them.” From the exhibition text by @ran_k_i #TheRefusalToSayGoodbye

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#TheRefusalToSayGoodbye 3/3
#ModernLifeIsRubbisshVideosByJen

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