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Florence Lechevallier

@florencelechevallier

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Art Production & Logistics Coordinator
@florencelechevallierstudio
Founder of @hysteriecollectivebxl

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Hysterie Collective has shared some of its texts online.
Link in bio.

Alongside our exhibitions, performances and publications, writing and research are an ongoing part of our practice.

— Emma Cambier’s graduation project at the Beaux-Arts de Marseille
— Pages from our publication Letters / Letters
— Our publication Hopeless to Love You
— The text from our performance in Marseille
— Excerpt from the forthcoming publication @possession_immediate by Emma.
— Work by Pierre Bismuth
— Emma’s research on Aby Warburg
— An excerpt from Emma’s text for our exhibition Letters / Letters in Brussels
— One of our text published in @petard.magazine
— Film directed by @cambier.emma
— Photographs with @arianekiks

https://drive.google.com/drive/folders/175v5Ze3alLz1Xo8rduNKTnIVOhZVl4oC?usp=share_link

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Une de mes photos dans un livre collectif sur l’amour.

Hopeless to Love You - @hysteriecollectivebxl sous la direction de @florencelechevallier

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In the making of « I used to be hopeless to love you » 💘

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From Brussels to Marseille

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Emma and I recently wrote for two magazines.

Emma is a writer, and she will publish her first book with Gallimard in 2027. Needless to say, I’m incredibly proud of my arty wifey, my friend, and the other half of the collective.

Her text for @possession_immediate talks about the sea, sex, and the sun. No joke. But beyond that, she is the fire, she is the echo, she is something you can never fully grasp…something you can only get a little closer to through her writing. Every text she writes is deeply captivating because Emma has that rare gift of whispering her world and her story directly into your ear.

As for me, I wrote a short text for @petard.magazine about what it means to be authentic and true to yourself. Some people get so lost in the eyes of others that they end up forgetting themselves and, most importantly, forgetting their own values.

If being authentic means being basic, then we absolutely ❤️ it.

Merci to @possession_immediate and @petard.magazine

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☞ @florencelechevallier

♡ « Et après l’école d’art ? » est un article regroupant 11 interviews de travailleur•euses de l’art et collectifs autour de la sortie de formation.

♡ Florence Lechevallier est une coordinatrice artistique basée à Bruxelles. Originaire de Marseille, elle est diplômée d’une licence d’Histoire de l’art et d’un diplôme en Expertise d’oeuvres d’art. Elle a réalisé un master 1 en Arts plastiques et médiation de l’art contemporain à Paris 8, puis un master 2 en Régie des œuvres d’art et logistique des expositions à l’Université de Picardie Jules Verne. Elle est également co-fondatrice du collectif Hysterie Collective. J’ai pu discuter de la sortie d’études avec elle.

♡ Ressources, personnes et lieux mentionnés dans le post
@hysteriecollectivebxl
@mucem_officiel
@xavier_veilhan
@fondationcartier
Marie Bonhomme
@agnesb_officiel
@alexiafiasco
@fauvettescity.club
@nelsonbc
@asso_afroa
@cipacfederation
@arthandlermag
@curatorial_studies_kask
@ecoledulouvre

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🐙🪸🫧

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Memories from the opening of Letters // Letters, a @hysteriecollectivebxl show curated by the fantastic @florencelechevallier 🍀. I presented an installation and a performance : Avec ce qu’il nous reste. Thanks to the lovely people who listened, came to talk and to my friends for being there 🤍 (and thank you @paola.venco and @macathlaoich for the pictures 💫)

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Lately in gay town

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Following Hopeless to Love You, I committed to organizing an exhibition for the Fondation Carrefour des Arts. I didn’t have much time. I was already working more or less around letters: we had wanted to include breakup letters in Hopeless to Love You, but it was beyond my budget. This exhibition became an opportunity to extend that exploration through another project.

Rooted in my own story, I started asking myself: why do we keep letters?

I grounded my research in the notion of the fetish object as explored by Massimo Fusillo, and invited seventeen artists to collaborate with us around this question.

Because, for me, an exhibition should be a whole, not just artworks on walls. We wrote and produced a publication explaining why we chose each artist, sharing our personal stories and reflections, with scanned fragments of our archives and the artists’ creations.

This is exactly why I wanted to work in art projects in the first place: because it is, ultimately, a question of connection.

From research to building a corpus of works, from securing funding to production, shipping, installation, curating, and publishing…what is important to me is doing things together. As a collective, it means carrying every step, supporting one another, and keeping the focus where it belongs: on the artists.

Putting egos aside and carrying projects collectively is essential. Too often, art is treated as a stage for visibility, without fully acknowledging the many hands, minds, and forms of care that make a work and an exhibition possible.

For me, art is a shared process: we question ourselves, and we exchange. You can lead a project but only through hard work and discipline, by listening, by practicing kindness, and by staying humble.

And whether @hysteriecollectivebxl lasts or not in the end, I don’t really care. The essential thing is that I vibed with my friends, and met new amazing people along the way.

A big thank you to the artists, to Maxime, Colm, Christine, Vincent, Noé, @sam.evers, to all my friends, to everyone who came to meet us and support us. To @fondationcarrefourdesarts and to my art partner, @cambier.emma.

Photos by @paola.venco

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Retrouvez nous samedi 29 novembre prochain à partir de 18:30 à la Librairie du Jour Agnès B. (Paris 13) pour le second lancement de HOPELESS TO LOVE YOU
Come grab your copy 🖐️

Table shared between musician (writing content)Tessa Dixson, @tessadixson
visual artist (artwork content) Camille Soulat, @sltcamille
Florence Lechevallier, artistic coordinator, co-founder of Hysterie Collective @hysteriecollectivebxl @florencelechevallier Estelle Vanmalle, graphic designer & AD of the book
@myrtille.vandale
discussing together about their work, the adventures related to the self-published, gathering various contents & importance of working collectively 🔷🔸💬🔳 (Fr)

Other performances / music and drinks also planned during that evening with @canalchouf @cambier.emma @tessadixson @mikamayonnaise @djtakeaway_

Thank you…

Librairie du Jour Agnès B.
6, place Jean-Michel Basquiat,
PARIS, FR (75013)
@librairiedujour

…For hosting this evening with us

18:30—22:00

Hopeless to Love You
Collective publication

Writers
@notoriousabino
@marcaurelebaly
@dewihagard
@paulbrumberg
@theocasciani
@cambier.emma
@canalchouf
@diego_console
@dehorsdedanspartout
@toan.daubin
@theophylle.dcx
@mrkdrvr
@em0dzpzs
@tessadixson
@beatricedomond
@ch.flamand
@henrigrandgarcon
@devrim_bayar
@elliot.ibouzidene
@thibault.loiselle
@zoe_metra
@mikamayonnaise
@maxime.mouroux
nicoledeeorourke
@elisepasart
@ninavandeweghe

Visual Artists
@nel_aerts
@carlotta_baillyborg
@sarahphuomai
@julietcasella
@vncntchnt
@julie.chevassus
@shmul.ch
@jeanclaracq
@claude.Carl
@jeremie_cosimi
@couronnenoemie
@xdartayre
@pika_saw
@baboualice1 @ateliers_indigo
@chegocheck
@janakatanic
@anettekochish
@le_mal_et_l_antidote
@_fried.egg.mood_
@williemorlon
@polnovo.click
@sai.Mam
@sltcamille
@aymeric_tarrade
@selmathies
@noaverkeyn

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