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Seit 2017 hast du mich begleitet. 
Oder ich dich. Wir hatten uns.

@volksoper 
@staatsoperhannover 
@mecklenburgischesstaatstheater

Das Engagement an der @volksoper hat mich 2023 mit offenen Armen (und offener…) in Wien empfangen.

Eine Produktion die unsere Herzen erstürmt hat!

Ich bin einfach nur dankbar und glücklich mit diesen Menschen durch diese Zeit gegangen zu sein! 3 Jahre und 4 Spielphasen pure Energie, wohlwollende KollegInnen, respektvoller Umgang, Schweiß, Blut, Verletzungen, Umarmungen, Verabschiedungen, Küsse, Schweigen, Lachkrämpfe, wilde Freude, Tränen, Talent, Elan und berührende Klänge!

Cool.

Und i bin dSandy, und i woa a dabei!🍦

goodbye

letting go & let‘s go 🩶🧡
15
We’ve all had very exciting season announcements around us and in previous years. But what this upcoming season brings is even more so special to me:

Two roles debuts (Adalgisa and Dalila!) in two major opera houses, more of my bad gal Carmen (including a brand new production in Los Angeles!), and a serie of personal recitals that I hope will give you a glimpse of my background and culture, amongst other things. 

This is also a special season because it was all 100% carefully catered with the help of my wonderful agents Natasha Worsley @natashaworsley and Iago Campello @iagocampello . I couldn’t be prouder of the work we have done and our first full season together. Natasha has truly understood my needs and desires of discovering and digging into new roles and repertoire at this point of my career, while balancing works that I know inside out. Keeping the growth and sparkles while building on solid foundations. I haven’t been excited about a season announcement as much as this particular one. 
It marks the beginning of a new era for me, new welcome challenges, and exciting things to come. Inshallah.

This, is my 2026/2027 season.
And she slaps.

📸 @gaetzphoto & @genevievecaron_photo
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Anxiété, dépression, burn-out, peur d’annuler, humiliations déguisées en exigence : les témoignages de Bruno Philippe, Julie Berthollet ou Ben Glassberg révèlent un problème qui dépasse les individus.

Les conservatoires commencent à réagir. Mais l’accès à une véritable prévention dépend encore beaucoup trop de l’établissement dans lequel on étudie.

Si vous êtes en détresse ou inquiet pour un proche : 3114, gratuitement, 24 h/24 et 7 j/7.

Sources : étude CURA/CNM/Audiens, France Musique, ministère de la Culture.

#SantéMentale #Musiciens #MusiqueClassique #Conservatoire #Culture
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