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Omer Mohamed Gorashi

@go.rashi

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built by pictures
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Here is a selection of a few of the clocks on buildings in different cities shared by our members and followers prior to modern conversations on time.
إليكم بعض الساعات الموجودة على المباني في أماكن مختلفة، والتي شاركها أعضاؤنا ومتابعونا قبل بدء حديث الـحداثة عن الزمان.

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Hiba Gasim presented on the ongoing digitization efforts of the Modelling Team in the Modern Sudan Collective emphasizing the diverse motivations behind these efforts, including preservation for future generations, safeguarding collective memory, and highlighting the cultural significance of iconic structures. Due to ongoing conflict and restricted site access, the team employs alternative methods such as utilizing internet-sourced images, photogrammetry, and digital modeling techniques like HBIM to reconstruct heritage sites virtually.

قدمت هبة قاسم عرضًا حول جهود الرقمنة الجارية التي يبذلها فريق النمذجة في مجموعة السودان الحديث، مُسلطةً الضوء على الدوافع المتنوعة وراء هذه الجهود، بما في ذلك الحفاظ على التراث للأجيال القادمة، وصون الذاكرة الجماعية، وإبراز الأهمية الثقافية للمعالم الأثرية. ونظرًا لاستمرار النزاع وصعوبة الوصول إلى المواقع، يستخدم الفريق أساليب بديلة، مثل الاستعانة بالصور المتاحة عبر الإنترنت، والتصوير المساحي، وتقنيات النمذجة الرقمية كنمذجة معلومات المباني التاريخية (إتش بي أي إم)، لإعادة بناء المواقع التراثية افتراضيًا.
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Preserving Time explored the complex nature of preserving time through cultural, historical, and technological approaches. Preserving Time was moderated by Fatima Yousif (@_fatomaa_).

تناولت الجلسة الختامية موضوع الحفاظ على الزمان وتعقيدات حفظ الزمن من خلال مناهج ثقافية وتاريخية وتكنولوجية. أدارت حوارات خلال الوقت فاطمة يوسف

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It’s your last chance to explore work by Architensions (@architensions) and French 2D (@french2d) at the 6th @chicagoarchitecturebiennial—“SHIFT: Architecture in Times of Radical Change,” curated by Artistic Director Florencia Rodriguez (@flor_ness).

A reimagining of New York City through the past, present, and future experiences of disabled individuals, “Fragments of Disability Fictions” by Ignacio Galán (@nachoglezgalan), David Gissen (@davidgissen), and Architensions (@orsiniale and @nickroseboro) invites viewers to rethink who cities are built for. Through a series of architectural models, storytelling, and interactive artifacts, the installation explores how disabled communities shape and adapt the city with resilience, creativity, and care.

“Bay State Cohousing” by Boston-based studio French 2D is a collectively initiated shared housing scheme shaped by the desires and needs of its residents. The resulting complex resembles an expanded single-family home with a bright, cheerful color palette, articulating core beliefs around communal living and self-governance. French 2D is also scheduled to participate in this Friday’s SHIFT Housing Summit, a free public program that reflects on housing as one of the Biennial’s central fields of inquiry (registration required).

📍Both projects are on view at the @chicagoculturalcenter through February 28, 2026. Visit chicagoarchitecturebiennial.org for more details.

📸 “Fragments of Disability Fictions”Photos by Omer Mohamed Gorashi (@go.rashi) / “Bay State Cohousing”Photos by Naho Kubota (@studionahokubota).

#chicagoarchitecturebiennial #architensions #french2d

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أحاديث الحداثة || modern conversations
The third iteration organised by MSc for the Docomomo chapter in Sudan focuses on modernity and the regulation of time.
Sign up to engage with numerous, timely, conversations on modernity via the link in bio
January 24, 2026
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المؤتمر الثالث من تنظيم مجموعة السودان الحديث لفرع منظمة دوكومومو في السودان يتناول الحداثة وتنظيم الزمان
يمكنكم المشاركة في هذه السرديات الزمانية حول الحداثة من خلال الرابط الموجود في البايو
كانون الثاني ٢٤، ٢٠٢٦

Image credit: Leila Suraj, Honourable Mention, Modern Sudan Collective Photography Award 2022

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Some of our faces at @madaniya_nyc x @nile.nights 🇸🇩❤️

Photos by: @hudayouthink @ridhimahhegde @rhythmloverevolution

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☄️‘NO NIIN Volume 4: Rebellion is on Their Way’ is here ☄️

In 2024, NO NIIN published seven online issues with over 65 contributions from writers and artists based in Finland and internationally. ‘NO NIIN Volume 4: Rebellion is on Their Way’ includes Elham Rahmati and Vidha Saumya’s editorial picks of these contributions.

The publication presents 34 contributions, including essays, reviews, interviews, and artworks. This volume, with an exceptional cover illustration by Golrokh Nafisi, is beautifully designed by Samar Zureik and Lèo Guibert.

Contributors: Golrokh Nafisi, Heba Dbaa, Sanabel Abdelrahman, Sheung Yiu, Shayma Nader, Miia Laine, Rania Atef, Greeshma Kuthar, Shivangi Mariam Raj, Shefali Rafiq, Zainab, Êvar Hussayni, Niloofar Golkar, Hajar Moradi, Kang-Chun Cheng, Behzad Khosravi Noori, Omer Mohamed Gorashi, Merve Bedir, Elena Mazzi, Annalisa Pellino, Danilo Correale, Adel Kim, Anastasiia Sviridenko, Micol Curatolo, Pranita Thorat, Rahee Punyashloka, Li Mullen, Sue Guevara, Jess Nash, Ndéla Faye, Rohan Stevenson, Varvara Kobyshcha, Vinayak, Bruno Moreschi, Fatoumata Laisa Conde, Nontokozo Tshabalala, Muindi Fanuel Muindi, Mariana Núñez Sánchez, huiying ng-lou, Irena Borić, Joonas Pulkkinen, Bayr(y)am Mustafa Bayr(y)amali, Martina Šerešová, Santa Hirša.

NO NIIN Volume 4: Rebellion is on Their Way is available for purchase online (link in bio). There, you can order volumes 2 & 3 and 4 together with a discount 👌🏽

Ps. See you at our launch event on June 13, 18-22 at @forumbox!

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The ninth panel focused on cinema as pedagogy. The Modern Sudan Collective (MSc), represented by Hiba Gasim (@hiba_qassem), Rawya Mohamed (@rawya_mohammed), and Omer Gorashi (@go.rashi), shared their ongoing work in using digital tools to develop data-driven 3D models of cinemas. They highlighted the use of BIM Revit models and point cloud animation to demonstrate how these tools can serve as effective pedagogical resources.

‎ ‎ ‎‎‎ كانت الجلسة التاسعة تتناول السينما كأداة تعليمية. وقد مثّلت مجموعة السودان الحديث كل من هبة قاسم وراوية محمد وعمر قرشي، الذين شاركوا الحضور بعملهم المستمر في استخدام الأدوات الرقمية لتطوير نماذج ثلاثية الأبعاد تعتمد على البيانات للسينما، مثل أدوات بيم ريفيت وبوينت كلاود أنيميشي، مما يثبت كيف يمكن لهذه الأدوات أن تعمل كوسائل تعليمية فعالة
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Cinematic Pedagogies highlights cinema as a pedagogical tool for architects, allowing students to engage with urban environments and architectural narratives.
Cinematic Pedagogies was moderated by Asmaa Zuhair (@asmaaa_zuhair).

‎تسلط السينما كمنهج تعليمي في العمارة الضوء على استخدامها كأداة تعليمية للمعماريين، حيث تمكّن الطلاب من التفاعل مع البيئات الحضرية والسرديات المعمارية. كما تقدم رؤى حول الديناميكيات الاجتماعية والتراث الثقافي، مما يعزز من فهمهم العميق لمبادئ العمارة
أسماء زهير أدارت حوارات السينما كمنهج تعليمي

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Meet the contributors of NO NIIN Issue 29!

It’s been a joy and an honor to collaborate with such an incredible group of writers. As always, we’re thankful for their trust and the perspectives they’ve shared with us.

Read their full bio on our ‘contributors’ page.

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🚀 NO NIIN Issue 29 is LIVE 🚀

This issue examines the entangled struggles against the many forms of ongoing colonial violence in settler states and the states and institutions in complicity with them. It features conversations on Indigenous climate justice in Brazil and Palestine, student-led movements disrupting university complicity in genocide, and the strategic weaponisation of ruins in state politics. Essays examine the queering of Palestinian resistance as a colonial tool, the diasporic negotiation of memory and identity in contemporary art, and the intellectual legacies of Coptic thinkers imagining futures beyond imposed binaries. Also included are reviews of Uzair Amjad’s exhibition, The Terrain Between, and Pradeepan Raveendran’s Soundless Dance.

Edited by @ellerahmati and @vidheshwari.

What you will read in this issue:

✨Zág Trees, Forest Spirits, and the Settlers: A Conversation with Xokleng Kin

Sanabel Abdel Rahman reflects on a conversation with Isabel and Carl Gakran about the endangered Zág tree (Araucaria), their Instituto Zág project, and the interconnected struggles for Indigenous climate justice in Brazil and Palestine.

✨Disrupting Complicity: Student Organising for Palestine in Finland

Students for Palestine Finland has spearheaded a wave of student activism across Helsinki universities, uniting diverse communities in protests and boycotts to challenge university complicity in Israel’s genocide of Palestinians in Gaza.

✨Queering Hamas: A Colonial Weapon

Musa Shadeedi analyzes the use of feminizing and queering Palestinian resistance in Gaza as a justification for genocide and occupation, contextualizing this tactic within historical colonial and anti-Islamic frameworks to reveal its inherent contradictions.

✨On Bulldozer Politics: An Interview with Léopold Lambert & Shivangi Mariam Raj

In an interview with Omer Gorashi, Léopold Lambert and Shivangi Mariam Raj of the Funambulist discuss “Bulldozer Politics,” revealing how ruins are strategically weaponized for state power through demolition and displacement, while simultaneously becoming sites of resistance and remembrance.

Continue in the comments 👇🏽

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“To the Palace Until Victory: Omer Mohamed Gorashi on the Sudanese Republican Palace”

My interview with Sudanese American designer and photographer Omer Mohamed Gorashi @go.rashi on “To the Palace Until Victory”, his research on the Kartoum’s old Republican Palace. The research was developed within the Architecture Studio VI: Reparation Architecture @reparation_architecture taught by Paulo Tavares @pauloxtavares, with Max Goldner @maxgoldner and Saba Ardeshiri @sabaardeshiri, at the Master of Architecture at Columbia GSAPP.

Read on @koozarch
www.koozarch.com/interviews/to-the-palace-until-victory-omer-mohamed-gorashi

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Just finna get active

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whole lotta laughter, vibes, and fun

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