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Danni

@graphitetroll

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almost 30ish ♉ I make art. Usually about myself 💀

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8 years ago UL Printmaking alumni @graphitetroll printing the last layer on one of her relief prints. Seems like last week.

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Our stunning lineup of boards created by our Imagine Art Artists and AmeriCorps members for @mexic_arte Mix ‘n’ Mash exhibition! 🖼️

Congratulations to our two AmeriCorps members, Danni and Valencia for winning Staff Pick at the opening reception! 🎉

We are so thankful to Elena for extending this amazing opportunity to the Imagine Art Team. 💙

The Mix ‘n’Mash exhibition is still on view at @mexic_arte. Stop by to see all of the wonderful works in person and support our artists!

#mexicarte #imagineart_atx #atxartists

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Just WOW!! New work by UL Printmaking alumni Danni Hyche - stunning work Danni.

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Congratulations to UL printmaking alumni @graphitetroll on your illustration work for the new book “BOOM! SPLAT! Comics and Violence” Published by the University Press of Mississippi and Edited by Jim Coby & Joanna Davis-McElligatt.
“BOOM! SPLAT! Comics and Volience” has Contributions by Lawrence Abrams, Diana Álvarez Amell, Partha Bhattacharjee, Natalja Chestopalova, Jim Coby, Rita Costello, Sam Cowling, Joanna Davis-McElligatt, Elisabetta Di Minico, Kiera M. Gaswint, Vincent Haddad, Kaleb Knoblauch, Christina M. Knopf, Leah Milne, Jacob Murel, Priyanka Tripathi, and Steven S. Vrooman.

In 1954, the culture, distribution, and content of comics forever changed. Long a mainstay of America’s reading diet, comic books began to fall under the scrutiny of parent groups, church leaders, and politicians. The bright colors and cheaply printed pulp pages of comic books that had once provided an escape were suddenly presumed to house something lascivious, insidious, and morally corrosive. While anxieties about representations of violence in comics have largely fallen to the wayside since the moral panic of the 1950s, thematic and symbolic visual depictions of violence remain central to the comics form. BOOM! SPLAT! Comics and Violence examines violence in every iteration—physical violence enacted between people and their environments, formal and structural violence embedded in the comics language itself, representations of historical violence, and ways of reading and seeing violence. @ulvisualarts @ulcollegeofthearts

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Another something new by UL printmaking alumni @graphitetroll - so good!!

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New work by UL printmaking alumni @graphitetroll - SO GOOD!!

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An old drawing of me and my boy @burr_brain
#love #rats #disks

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Seconds before witnessing an alien abduction

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It’s Art Walk! Danni Hyche put some of her work on the walls for it! It’s happening! Come through!

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Sorry we had to do it on ya.

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Another awesome trip with awesome folks! 🌴#printmaking #printmakingsymposium

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