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GREG COLSON

@gregcolson

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At the exhibit “We’re Very Well Read” at the Mural Conservancy of Los Angeles around 4 1/2 weeks ago. This show is curated by Mat Gleason. 470+ artists made paintings inspired by their favorite book. @matgleason @abelalejandre @amcrousseau @printgonzalez @victoria_reynoldsss @carolyn_castano_studio @kerrykugelman @leahshanedixon @diannevlawrenceart @gregcolson @therealdoubleojoe @santkhalsaartist @artcart9
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together (2023), @bradwolffpartners An early exhibition on the Lijnbaansgracht, not as a presentation, but as an exploration of how works, space and visitors can temporarily form a shared condition. What remains is not the exhibition itself, but the relationships that became visible — between objects, bodies and attention, shaped by light and proximity. Exhibitions do not stand still. They unfold through encounter. #contemporaryart #curatorialpractice #installationart #artinspace #bradwolffpartners
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Happy 9 years of Galerie Norbert Arns! 2017-2026 .. This April, we are celebrating 9 years of Galerie Norbert Arns. Thanks to everyone who‘s been part of the journey! .. We are looking forward to becoming 18. Cheers!
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Throwback to a work that doesn’t quite let you go. A sailboat, carefully constructed — diagrams, labels, a promise of order. “Integrity” sits there like a fixed point. But the longer you look, the less stable it feels. What first appears measurable and rational begins to shift. Above the waterline: what you say, how you present yourself, what is visible and can be accounted for. Beneath it: the quieter structures — habits, motives, contradictions — the part that actually carries the weight. Integrity isn’t a trait here, but a set-up. It looks convincing — as long as you don’t look too long. — Greg Colson, Yacht Model of Integrity (2021), Wall relief, acrylic and pencil on wood and hardboard panels 177.8 × 139.7 × 1.9 cm Shown in the duo exhibition ‘Observations on Society’ with Meschac Gaba, May/June 2024 at @bradwolffpartners #throwback #conceptualart #meschacgaba #contemporaryart #selfreflection integrity artwriting @galleryviewer
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The Déjà vu Wing 🩻 With the announcement of the upcoming @hospital.of.emotions — a site-specific pop-up exhibition in the former St. Vincent Medical Center — I couldn’t help but wonder: Am I lucky and weird enough to see *two different* art-ified abandoned hospitals in my lifetime? 🤔 The answer of course is that I am both of those things, so let’s jump back roughly a decade in my camera roll to the last time Los Angeles saw such a monumental artistic undertaking…undertooken. 🌀 I’m referring to Human Condition from 2016, a spectacular and frankly haunting showcase of 80 artists inside the former Los Angeles Metropolitan Medical Center in West Adams, which was the city’s first black-owned hospital. After operating successfully for decades, the facility was permanently closed in 2013 following allegations of criminal mismanagement and insurance fraud. 💸 Please enjoy some highlights from this fantastic showing from global art advisor John Wolf, and if you’re one of the artists, let me know so I can tag you! I’m more thorough in my art photography today than I was 10 years ago. 🙏🏼 • • • #humancondition #johnwolf #abandonedhospital #hospital #artexhibition
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Greg Colson WIMBLEDON CENTRE COURT (2013) Yoga in the South Bay (2025) ______ The exhibition is now nearing its final days. ‘Regarding Thomas: Dyslexia’ will be on view through this Saturday. Regarding Thomas: A Brief Survey of the Beginning was a group exhibition conceived and held in January–February 2024 to mark the gallery’s tenth anniversary. Bringing together artists who have exhibited with Thomas Park since its founding in January 2014, the exhibition also included selected works from the gallery‘s collection, tracing the initial ideas, conceptual and aesthetic background, and evolving sensibilities that have shaped the gallery’s program over the past decade. - From PR 어느덧 전시가 막바지에 접어들었습니다. Regarding Thomas 전시는 이번 주 토요일까지 진행됩니다. 토마스팍은 연작 그룹전 《Regarding Thomas: Dislexia>를 개최한다. 2014년 1월 토마스팍의 개관 이후 전시에 참여해 온 작가들을 한자리에 모으고, 토마스팍 컬렉션의 일부를 함께 선보임으로써 지난 10년 동안 갤러리 프로그램을 형성해 온 초기의 생각들, 개념적, 미학적 배경, 그리고 그동안 진화해 온 감각의 흐름을 되짚어본 전시이다. - PR발췌 ______ Regarding Thomas: Dyslexia A Group Exhibition Feb 25—Apr 4, 2026 Wed–Sat 11am–6pm | Sun 12pm–5pm Closed Mon–Tue #ThomasParkGallery #RegardingThomas #DyslexiaExhibition #GroupExhibition #ContemporaryArt #TextInArt #ConceptualArt #LanguageAndArt #SeoulExhibition #서울전시 #토마스팍 #현대미술 #그룹전 #텍스트아트
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reposting from Santa Monica rally @gregcolsen
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Greg Colson Four Intersections (Trauma) 2000 Oil, acrylic, enamel, and graphite on wood and metal 24 x 24 x 22 inches ____ Legibility is delayed, interrupted or even obstructed. What is seen is notnecessarily readable, and what is read and understood does not necessarily correspond to what it actually means. Language functions as a medium that conveys more than what it seems. -From PR 가독성은 지연되고 중단되거나 심지어 차단된다. 보이는 것을 읽을 수 있는 것도 아니고, 읽히는 내용이 작가가 전달하고자 하는 내용을 의미하지 않는다.여기서 언어는 보이는 것 이상을 전달하는 미디엄으로 작용한다. - PR 발췌 ____ Regarding Thomas: Dyslexia A Group Exhibition Feb 25—Apr 4, 2026 Wed–Sat 11am–6pm | Sun 12pm–5pm Closed Mon–Tue #ThomasParkGallery #RegardingThomas #DyslexiaExhibition #GroupExhibition #ContemporaryArt #TextInArt #ConceptualArt #LanguageAndArt #SeoulExhibition #서울전시 #토마스팍 #현대미술 #그룹전 #텍스트아트
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SIKE! Community Feed and Closing Reception, Saturday 3/14 - thanks to all who came out and were receptive to our offering, community and celebrating @josephlouissherman and his exhibition SIKE! This is what it’s about
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Thank you all for joining us for the opening of <Regarding Thomas: Dyslexia| at Thomas Park Gallery! Featuring Jonathan Callan, Greg Colson, Dana Frankfort, Allan Graham, Kyoung Hoon Han, Jin Kyoung Lee, Stefana McClure, Paul Pagk, Ji Hyun Song, John Yau, and Ho Kyung Yon. We look forward to your continued interest and encouragement. 토마스팍 갤러리 <Regarding Thomas: Dyslexia| 오프닝에 와주신 모든 분들께 감사드립니다. 앞으로도 많은 관심과 성원 부탁드립니다. _________ Regarding Thomas: Dyslexia A Group Exhibition Feb 25—Apr 4, 2026 Wed–Sat 11am–6pm | Sun 12pm–5pm Closed Mon–Tue #ThomasParkGallery #RegardingThomas #DyslexiaExhibition #GroupExhibition #ContemporaryArt #TextInArt #ConceptualArt #LanguageAndArt #SeoulExhibition #서울전시 #토마스팍 #현대미술 #그룹전 #텍스트아트
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토마스팍 갤러리의 새로운 전시 <Regarding Thomas: Dyslexia> 가 2026년 2월 25일 수요일 오후 4시에 오픈합니다! Thomas Park Gallery’s new exhibition, Regarding Thomas: Dyslexia, will open on Wednesday, February 25th at 4pm! Featuring Jonathan Callan, Greg Colson, Dana Frankfort, Allan Graham, Kyoung Hoon Han, Jin Kyoung Lee, Stefana McClure, Paul Pagk, Ji Hyun Song, John Yau, and Ho Kyung Yon ————- In these works, language becomes not so much a vehicle for communication as a subject that produces questions about it. Words themselves become abstract images that open up formal possibilities, or gestures that provisionally erase their own form and meaning. Legibility is delayed, interrupted or even obstructed. What is seen is not necessarily readable, and what is read and understood does not necessarily correspond to what it actually means. Language functions as a medium that conveys more than what it seems. The works in this exhibition feel as poignant as ever in our current environment, where the information and messages we receive are repeatedly manipulated to the point that we can no longer read or understand what they are. This harrowing condition may articulate itself—may even become more legible—under the vexation of art than in its natural state. - PR excerpt 이 작업들에서 언어는 소통을 가능하게 하는 매개체라기보다는 그에 대한 질문을 생산하는 주체가 된다. 단어들은 그 자체로 추상적 이미지가 되어 형식적 가능성을 열거나 스스로의 형태나 의미를 잠정적으로 지우려는 제스처가 되기도 한다. 가독성은 지연되고 중단되거나 심지어 차단된다. 보이는 것을 읽을 수 있는 것도 아니고, 읽히는 내용이 작가가 전달하고자 하는 내용을 의미하지 않는다. 여기서 언어는 보이는 것 이상을 전달하는 미디엄으로 작용한다. 이번 전시는 정보와 메시지가 끊임없이 반복적으로 조작되어 더 이상 그것이 무엇인지 읽을 수도, 이해할 수도 없게 된 오늘의 현실 속에서 그 어느 때보다 의미 있게 다가온다. 우리가 살아가는 이 가혹한 조건은 현실 속에서보다 '예술이 주는 곤혹스러움 아래에서' 어쩌면 더 명료하게 읽힐 수 있을지도 모른다. -PR 발췌 ___________ Regarding Thomas: Dyslexia A Group Exhibition Feb 25—Apr 4, 2026 Wed–Sat 11am–6pm | Sun 12pm–5pm Closed Mon–Tue #ThomasParkGallery #RegardingThomas #DyslexiaExhibition #GroupExhibition #ContemporaryArt #TextInArt #ConceptualArt #LanguageAndArt #SeoulExhibition #서울전시 #토마스팍 #현대미술 #그룹전 #텍스트아트
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2026, the Year of the Fire Horse — sparks. Energy. Bold beginnings. A year for change. Ideas to chase. Collaborations to ignite. Moments to create. Join us Fri, Jan 16 | 17–19h for ‘First Light’ at Bradwolff & Partners — where art sparks meaning before words, pure presence. We’ll also raise a toast to the new year with the artists — celebrating creativity, collaboration, and what lies ahead. Huge thanks to the artists of 2025 & 2026, and to our amazing Bradwolff & Partners team — you make it happen. Here’s to daring projects, fresh perspectives & art that moves, connects, inspires. Here’s to 2026! The Bradwolff & Partners team More to come! image: work Mike Kelley #art #contemporaryart #artcollector #artcollaboration #together
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