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@gregoryyhoward

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6 months england mate
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heating up
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Surface II(b): slow motion [extract] from Surface and Sediment a collaborative project with painter @gregoryyhoward @richarddurrantguitar | guitar @luciapolo | contrabass @hannahshilvockmusic | bass clarinet full piece: link in bio
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Surface II(a): tactile—slip [extract] from Surface and Sediment a collaborative project with painter @gregoryyhoward @richarddurrantguitar | guitar @luciapolo | contrabass @hannahshilvockmusic | bass clarinet full piece: link in bio
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Surface I(b): brushstroke—curve [extract] from Surface and Sediment a collaborative project with painter @gregoryyhoward @richarddurrantguitar | guitar @luciapolo | contrabass @hannahshilvockmusic | bass clarinet full piece: link in bio
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Surface I(a): emergent, shifting [extract] from Surface and Sediment a collaborative project with painter @gregoryyhoward @richarddurrantguitar | guitar @luciapolo | contrabass @hannahshilvockmusic | bass clarinet full piece: link in bio
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Gregory Howard has just completed his short, intensive residency working in the gallery. It marks the last takeover of the space before the upcoming exhibition ‘The Problem With People’ (PV 14th November). This footage forms part of a longer video to be released in the new year. It captures the unpredicted genesis of a new work made during the residency, created through processes and means that run counter to the established methodologies of Greg’s practice. The work produced over this period stands as a challenge to some of Greg’s core principles and philosophies around painting, and the film to follow will trace his process of unpicking its implications on his future paintings and broader practice. Featured ~ @gregoryyhoward Filming and words ~ @mikey_c_thomas
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𝙏𝙝𝙚 𝙒𝙚𝙞𝙜𝙝𝙩𝙞𝙚𝙨𝙩 𝙏𝙝𝙞𝙣𝙜 𝙞𝙣 𝙩𝙝𝙚 𝙒𝙤𝙧𝙡𝙙 is an exhibition embedded within the exploration of weight and form, investigating the possibilities, nuances and relationships of these two key themes. With a focus on touch, sound and mark making, ideas around perception are challenged through philosophical enquiry into how the sliding scales of mass (weight) and shape (form) can be experienced. ‘The weightiest thing in the world’ is an analogy used by Isamu Noguchi to describe how a ceremonial cloth is handled during Japanese tea ceremony’s, eluding to the idea that value is not fixed. Situated between the mundane and the profound of everyday life, this exhibition highlights the importance of essential modes of listening, looking and feeling. From the texture and tonalities of the human voice, to the bodily experience of objects or the atmosphere of weather, these concepts are explored through painting, drawing, sculpture and sound, inviting observation into how we perceive the world around us. Curated by Adam Rawlinson (@_adamrawlinson) Ben Goring @venturearts_ Lydia Marshall @lydia.marshallllllllllll Liusaidh Ashley Watt @liusaidhashleywatt Alex Macdougall @alex_macdougall Lotti V Closs @lotti_v_closs Gregory Howard @gregoryyhoward Jack Brown @jackbrownwork Linda Hemmersbach @linda_hemmersbach Katarina Lalic @katarinalalic_ Video Audio; Jack Brown (@jackbrownwork) ‘Humming choir’ Audio. Headphones, stand and audio equipment Co-created with the ‘Young creatives’ at HOME, Manchester. 2024. This sound piece was exhibited as part of 𝙏𝙝𝙚 𝙒𝙚𝙞𝙜𝙝𝙩𝙞𝙚𝙨𝙩 𝙏𝙝𝙞𝙣𝙜 𝙞𝙣 𝙩𝙝𝙚 𝙒𝙤𝙧𝙡𝙙
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𝙏𝙝𝙚 𝙒𝙚𝙞𝙜𝙝𝙩𝙞𝙚𝙨𝙩 𝙏𝙝𝙞𝙣𝙜 𝙞𝙣 𝙩𝙝𝙚 𝙒𝙤𝙧𝙡𝙙 A group exhibition investigating the possibilities, nuances and relationships between weight and form. Curated by Adam Rawlinson ( @_adamrawlinson ). 𝙏𝙝𝙚 𝙒𝙚𝙞𝙜𝙝𝙩𝙞𝙚𝙨𝙩 𝙏𝙝𝙞𝙣𝙜 𝙞𝙣 𝙩𝙝𝙚 𝙒𝙤𝙧𝙡𝙙 is an exhibition embedded within the exploration of weight and form, investigating the possibilities, nuances and relationships of these two key themes. With a focus on touch, sound and mark making, ideas around perception are challenged through philosophical enquiry into how the sliding scales of mass (weight) and shape (form) can be experienced. ‘The weightiest thing in the world’ is an analogy used by Isamu Noguchi to describe how a ceremonial cloth is handled during Japanese tea ceremony’s, eluding to the idea that value is not fixed. Situated between the mundane and the profound of everyday life, this exhibition highlights the importance of essential modes of listening, looking and feeling. From the texture and tonalities of the human voice, to the bodily experience of objects or the atmosphere of weather, these concepts are explored through painting, drawing, sculpture and sound, inviting observation into how we perceive the world around us. Ben Goring @venturearts_ Lydia Marshall @lydia.marshallllllllllll Liusaidh Ashley Watt @liusaidhashleywatt Alex Macdougall @alex_macdougall Lotti V Closs @lotti_v_closs Gregory Howard @gregoryyhoward Jack Brown @jackbrownwork Linda Hemmersbach @linda_hemmersbach Katarina Lalic @katarinalalic_
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Installation images of “The Weightiest Thing in the world , which happened last weekend @paradiseworks_ . Thank you @_adamrawlinson for including my work in this sensitively curated show alongside some wonderful artists. Particularly loved that my work was placed next to @lotti_v_closs and @katarinalalic_ .
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𝙏𝙝𝙚 𝙒𝙚𝙞𝙜𝙝𝙩𝙞𝙚𝙨𝙩 𝙏𝙝𝙞𝙣𝙜 𝙞𝙣 𝙩𝙝𝙚 𝙒𝙤𝙧𝙡𝙙 A group exhibition investigating the possibilities, nuances and relationships between weight and form. Curated by Adam Rawlinson ( @_adamrawlinson ). 𝙏𝙝𝙚 𝙒𝙚𝙞𝙜𝙝𝙩𝙞𝙚𝙨𝙩 𝙏𝙝𝙞𝙣𝙜 𝙞𝙣 𝙩𝙝𝙚 𝙒𝙤𝙧𝙡𝙙 is an exhibition embedded within the exploration of weight and form, investigating the possibilities, nuances and relationships of these two key themes. With a focus on touch, sound and mark making, ideas around perception are challenged through philosophical enquiry into how the sliding scales of mass (weight) and shape (form) can be experienced. ‘The weightiest thing in the world’ is an analogy used by Isamu Noguchi to describe how a ceremonial cloth is handled during Japanese tea ceremony’s, eluding to the idea that value is not fixed. Situated between the mundane and the profound of everyday life, this exhibition highlights the importance of essential modes of listening, looking and feeling. From the texture and tonalities of the human voice, to the bodily experience of objects or the atmosphere of weather, these concepts are explored through painting, drawing, sculpture and sound, inviting observation into how we perceive the world around us.
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𝙏𝙝𝙚 𝙒𝙚𝙞𝙜𝙝𝙩𝙞𝙚𝙨𝙩 𝙏𝙝𝙞𝙣𝙜 𝙞𝙣 𝙩𝙝𝙚 𝙒𝙤𝙧𝙡𝙙 Exhibition Opening PV Friday 10th October 6-8pm A group exhibition investigating the possibilities, nuances and relationships between weight and form. Curated by Adam Rawlinson ( @_adamrawlinson ). 𝙏𝙝𝙚 𝙒𝙚𝙞𝙜𝙝𝙩𝙞𝙚𝙨𝙩 𝙏𝙝𝙞𝙣𝙜 𝙞𝙣 𝙩𝙝𝙚 𝙒𝙤𝙧𝙡𝙙 is an exhibition embedded within the exploration of weight and form, investigating the possibilities, nuances and relationships of these two key themes. With a focus on touch, sound and mark making, ideas around perception are challenged through philosophical enquiry into how the sliding scales of mass (weight) and shape (form) can be experienced. ‘The weightiest thing in the world’ is an analogy used by Isamu Noguchi to describe how a ceremonial cloth is handled during Japanese tea ceremony’s, eluding to the idea that value is not fixed. Situated between the mundane and the profound of everyday life, this exhibition highlights the importance of essential modes of listening, looking and feeling. From the texture and tonalities of the human voice, to the bodily experience of objects or the atmosphere of weather, these concepts are explored through painting, drawing, sculpture and sound, inviting observation into how we perceive the world around us. Open Friday 10th October 6pm - 8pm Saturday 11th October 3pm - 7pm Sunday 12th October 3pm - 7pm Paradise Works, East Phillips Street Salford, M3 7LE The event will take place away from the main gallery area and will be held on the first floor of the building, therefore there is accessibility issues. Any questions or queries please let me know.
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