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Apparel Design | Collection โ€™26 | ๐—•๐—ถ๐—ฐ๐—ต๐—ถ๐˜๐—ผ๐˜€ | Editorial Photography | Zoe Goldemberg @zg_studioโฃ
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At the threshold where material behavior translates into form, the logic of a stress-strain curve becomes, unexpectedly, a body. Zoeโ€™s dual education in materials engineering and apparel design allows her to move fluidly between calculation and intuition. Between the laboratory and the studio she translates the physics of stress, deformation, and transformation into wearable structures that inflate, circulate, shield, and reorganize around the human body. Each look operates as a distinct mechanical system where the process becomes a collaborator, yielding forms that are uncanny in their organicism. Function does not hide beneath form. It becomes form.โฃ
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โ€œMaterials are the core of each garment. My background in biofluid mechanics and aerospace textile engineering informs how I combine fibers and matrices to create structures that function almost like super materials. These principles guide each look. I work with found materials not for their origin, but for their behavior. Gym mats, for example, offer an elasticity that is both structural and collapsible. For the look centered on failure and new equilibrium, I deconstruct performance sneakers until they are no longer recognizable. What matters is how a material used for one purpose can be reconfigured, allowing its function to be translated entirely.โ€โฃ
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Photography: Noah Zielinski @noahzielinskiiโฃ
Photo Editing: Noah Zielinski @noahzielinskiiโฃ
Make-up Artist: Julia Leme @prettyjuliadiariesโฃ
Location: What Cheer Garage / Lighting Studioโฃ
Models: Greta Andersen @gretaandersenn, Amari Blair @amariiblair, Ayden @dopaminedeficiencyy, Yasemin Tingleff @yasemintingleff, Matthew Rebecchini @matthew_rebecchini, Willa Sheehan w.blanche, Carter Smithโฃ
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Apparel Design | Collection โ€™26 | ๐˜‰๐˜ช๐˜ค๐˜ฉ๐˜ช๐˜ต๐˜ฐ๐˜ด | Zoe Goldemberg @zg_studioโฃ
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At the threshold where material behavior translates into form, a stress-strain curve becomes, unexpectedly, a body. This collection investigates the physics of tension, deformation, and transformation through structures that inflate, compress, circulate, and shield, reconfiguring the human body into responsive, wearable systems. My dual education in materials engineering and apparel design allows me to move between calculation and intuition, understanding that form is not imposed on matter but coaxed from it, drawn out of the logics embedded in molecular structure, growth patterns, and environmental pressures.โฃ
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๐˜—๐˜ณ๐˜ฆ๐˜ค๐˜ช๐˜ด๐˜ช๐˜ฐ๐˜ฏ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฅ๐˜ถ๐˜ค๐˜ฆ๐˜ด ๐˜ฆ๐˜น๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ด๐˜ช๐˜ฐ๐˜ฏ.โฃ
๐˜Œ๐˜ฏ๐˜จ๐˜ช๐˜ฏ๐˜ฆ๐˜ฆ๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜ข๐˜ฎ๐˜ฑ๐˜ญ๐˜ช๐˜ง๐˜ช๐˜ฆ๐˜ด ๐˜ช๐˜ฏ๐˜ต๐˜ถ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ.โฃ
๐˜๐˜ถ๐˜ฏ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฃ๐˜ฆ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ๐˜ด ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ.โฃ
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The garment now operates as a living system, a node within a field of forces, mediating air, heat, tension, and the memory of materials under stress.โฃ
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Models: Greta Andersen, Amari Blair, Simon Yang, Tamar Chameides, Matthew Rebecchini, Willa Sheehan, Derin Aderojuโฃ
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๐——๐—ฒ๐—ฝ๐—ฎ๐—ฟ๐˜๐—บ๐—ฒ๐—ป๐˜ ๐—›๐—ฒ๐—ฎ๐—ฑ Gwen Van Den Eijnde @gwen_van_den_eijndeโฃ
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐—ถ๐—ฐ & ๐—ฆ๐—ต๐—ผ๐˜„ ๐——๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป, ๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป Grace Palmer @othersideofthebrand โฃ
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐—ถ๐—ฐ & ๐—ฆ๐—ต๐—ผ๐˜„ ๐——๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป, ๐— ๐˜‚๐˜€๐—ถ๐—ฐ Henri Scars Struck @struckbymusic @theothersideofthebrainโฃ
๐—Ÿ๐—ถ๐—ด๐—ต๐˜๐—ถ๐—ป๐—ด ๐——๐—ฒ๐˜€๐—ถ๐—ด๐—ป๐—ฒ๐—ฟ & ๐—ง๐—ฒ๐—ฐ๐—ต ๐——๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—ผ๐—ฟ Marciel Greene @marcielireneโฃ
๐——๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—ผ๐—ฟ ๐—ผ๐—ณ ๐—•๐—ฒ๐—ฎ๐˜‚๐˜๐˜† & ๐—ง๐—ฒ๐—ฎ๐—บ ๐—ข๐—ฝ๐—ฒ๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐˜€/๐—Ÿ๐—ฒ๐—ฎ๐—ฑ ๐— ๐—ฎ๐—ธ๐—ฒ๐˜‚๐—ฝ ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜ Holly Dalton @hollywooddaltonโฃ
๐—Ÿ๐—ฒ๐—ฎ๐—ฑ ๐—›๐—ฎ๐—ถ๐—ฟ๐˜€๐˜๐˜†๐—น๐—ถ๐˜€๐˜ Bethany Wood @bethahaircraft โฃ
๐—ฅ๐˜‚๐—ป๐˜„๐—ฎ๐˜† ๐—ฃ๐—ต๐—ผ๐˜๐—ผ๐—ด๐—ฟ๐—ฎ๐—ฝ๐—ต๐˜† Jonas Gustavsson @jonas_snapsalotโฃ
๐—ฉ๐—ถ๐—ฑ๐—ฒ๐—ผ Yan Ortiz @fragilismโฃ
๐—–๐—ฎ๐—ฟ๐—ฑ๐—ฏ๐—ผ๐—ฎ๐—ฟ๐—ฑ ๐—ฆ๐˜๐—ฟ๐˜‚๐—ฐ๐˜๐˜‚๐—ฟ๐—ฒ๐˜€ Gabriel Feld @gfeld_pvdโฃ
๐—”๐˜‚๐—ฑ๐—ถ๐—ผ ๐—ฉ๐—ถ๐—ฑ๐—ฒ๐—ผ & ๐—Ÿ๐—ถ๐—ด๐—ต๐˜๐˜€ High Output Ansera @highoutputllcโฃ
๐—™๐—ฟ๐—ผ๐—ป๐˜ ๐—ผ๐—ณ ๐—›๐—ผ๐˜‚๐˜€๐—ฒ Avery Corcoran @averyy31โฃ
๐—•๐—ฎ๐—ฐ๐—ธ๐˜€๐˜๐—ฎ๐—ด๐—ฒ ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ Sarah Guerin @saboteusebespokeโฃ
๐—œ๐—ฑ๐—ฒ๐—ป๐˜๐—ถ๐˜๐˜† & ๐—š๐—ฟ๐—ฎ๐—ฝ๐—ต๐—ถ๐—ฐ ๐——๐—ฒ๐˜€๐—ถ๐—ด๐—ป Jacob Marcus @marcusbyjacobโฃ
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[for full credits, see last slide]
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โœŒ๐Ÿฝ๐Ÿซถ๐Ÿฝ๐Ÿ––๐Ÿฝ
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Plunder, 30โ€ x 22โ€

Inkjet prints, peeled house paint, ceramic sherds, fine turf, bark, lichen, sand, dirt, oil, and acrylic on paper.
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