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Concerts, raves, and more!
Atlanta // Everywhere
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I had a fun weekend in Georgia playing some epic rock shows with Stress Fractures, now I'm about to board a plane which will link me up with the homies Saturdays At Your Place, who I will be driving around the country on their headlining full USA tour! Let me know if i'll be seeing you at a show, i would love to kick it with friends. :3 
Live photos by @hadleyschaffer / @hadleypix
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The show must go on.
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SATURATION II by BROCKHAMPTON
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BLIGATORY Score: 83.5/100
Team Score: 82/100
Community Score: 85/100 (50 Votes)
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This was my first experience with BROCKHAMPTON, and if you haven’t spent time with them yet, it should be yours, too. II captures the same themes and continues the story of I, but veers toward more professional mixing and gathers its styles more cohesively. “GAMBA” could sit comfortably somewhere on I if it wasn’t for the cleaner presentation of its fluid synths contrasted by its raspy, stilted screams. From this track alone we can see that II maintains a more equal balance of experimenting with pop-rap and stepping outside the boyband’s personal sonic boundaries. There are generally more lavish timbres throughout, such as the opening strings of “GUMMY” or the Indian Classical loops on “SWEET.” Both of these are excellent posse cuts, too, though they differ from those on SATURATION in that members bounce off each other a little less to focus on themselves, unless verses parallel thematically. “FIGHT” intentionally places Ameer’s and Dom’s relationships with race during their past and present, respectively, beside each other, while Kevin questions his future. This album is a bit of an abrupt turn in a technical sense, but aesthetically it’s largely the same as its predecessor. SATURATION II’s differences connect its prequel and sequel through some of the collective’s best material. However, its ambition—while not quantifiably weaker—is ostensibly different, and for that I think it's easier to parse the contrasting identities of I and II than those of II and III. – @recordsnreels
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Team Scores:

Hadley: 9.5/10

Daniel (RapZebra): 9.2/10

Dominick: 9/10

Pax: 8.1/10

Cam (RnR): 8/10

DeVán (TT: 6dev6): 8/10

Jared (TT: jaredmorganvinyl): 8/10

Ben (Synth): 7/10

Jacques: (TT: jmorel_jr): 7/10

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Contributing Pages:
@stetto_: 10/10
@cooperharterr: 9/10
@oscaralevj: 9/10
@tylerwilliam.s: 8.8/10
@andre_vital_pardue: 8.7/10
@alex.hutchinson.rare: 8.5/10
@avatarhujack: 8.5/10
@jakeandrew.music: 8/10
@drewy.reviews: 7/10
@phil.elverum.burner: 6/10
@staircasesituations: 6/10
@myst1c_rap: 5/10 
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Next: Freudian by Daniel Caesar
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RED & WHITE (EP) by Lil Uzi Vert
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BLIGATORY Rating: 61.8/100
Team Score: 69/100
Community Score: 54.5/100 (20 Votes)
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Lil Uzi Vert is making prolonged droughts a regular method to his rollout schedule, going rather silent on solo material between emphatic returns. Looking back, things worked out alright in the Eternal Atake era, in which Uzi returned from a three year hiatus to ridiculous hype, and delivered a solid double album that did unbelievable numbers. Here in 2022, Uzi’s comeback made less of a splash than you’d expect. On one hand, RED & WHITE is succinct, and amusing, while on another hand it’s not exactly a hugely impressive outing by Uzi. Several songs in the EP hit their mark and then some, while others don’t, and ultimately the 9 song build of the project leaves fairly little room for error. Hopefully RED & WHITE will be realized as the odds and ends of a more robust album in the near future. - @devdelmolino
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Team Ratings:

Cam (RnR): 8.3/10

Alan: 8/10

DeVan (TT: 6dev6): 7/10

Dominick: 6.8/10

Hadley: 6/10

Daniel (RapZebra): 5.3/10
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Contributing Pages:
@andre_vital_pardue: 7.5/10
@tylerwilliam.s: 7.5/10
@armani.drip: 7/10
@iamemvi: 6/10 [MVP]
@kieranmusiclog: 6/10
@radek._.p: 4/10
@zain.guthrie: 4/10
@alex.hutchinson.rare: 0/10
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Next: RENAISSANCE by Beyoncé, F#A#∞ by GSY!BE, Turn on the Bright Lights by Interpol, Lord Willin’ by Clipse
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