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Honouring and inspired by the pioneers of surfboard manufacturing.
Built by 2025 World Longboard Champion Kai Ellice-Flint
WIP
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let’s do this thang! comp starts tomorrow in El Salvador 🐨🦘
@higherstatesurfboards 
@surfingaus @theirukandjis @isasurfing
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Tweedvegas for stop number 6 of my surfing tour. In town for the national longboard titles as Megan’s nutrition and high performance coach and what a freaking awesome time it was. Day one and two were spent lightning it up in Byron and the Goldy. 
We’ll be plotting our inevitable and semi-permanent return won’t we @meggytucker
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Out n about with some good humans lately 🧚‍♀️
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@kai_gord 
riding @higherstatesurfboards 

#longboardsurfing #surf #longboard #noseride #coffscoast
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What a special time that was at @shapersclub. I’m deeply honoured to have you open the opportunity for my boards to enter the European market. 

It was also a genuine challenge to my understanding of surfboard building.

This trip marked the beginning of an exploration I’ve been curious about for a little while now—taking my designs from KKL scans, translating them through Shape3D, and finishing boards cut on an APS3000 machine. A process that sounds straightforward on paper, but in reality revealed just how much nuance exists between a board design and a board shape.

The transfer of data between systems was throwing me around more than I expected. Different software interprets information differently, and the resulting cuts often carried subtle highs and lows that weren’t present in the boards I know so intimately. Finding my way back to the same curves and feelings I’ve developed through years of shaping wasn’t simply a matter of removing foam. It was about understanding where those curves had shifted, how they interacted with each other, and how to guide them back into harmony without disturbing the overall design.

My boards have evolved into fairly complex forms— bottom contours rapidly changing within short sections of foam, whilst rail-line rocker and stringer rocker often telling different stories while still working together. When machine cuts come out this close to completion, there isn’t much room for correction. Every pass becomes deliberate. Every adjustment carries consequence.

The process gave me a deeper appreciation for the craftsmen who have mastered digital design as a shaping tool. Creating a board that flows naturally through software, machine, and hand is an art form of its own.
Photos @jeancric
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