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Edwynn Houk Gallery

@houkgallery

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Specializing in 20th century & contemporary photography since 1977.

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Happy and Merry and Bright to all! In the holiday spirit here are a few snowy, poetic and holiday infused art works by both iconic modern and contemporary artists: #sarahsze #matthewpillsbury #louisebourgeois #stephenwilkes #sarahannejohnson #leonardodrew in the snow #thomaswitte #jenray #petergerakaris #contemporaryart #modernart #happyholidays #artfortheholidays #holidayspirit #installationart #outdoorsculpture

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Christopher Bucklow installed today 🔨🔨🔨 in this beautiful Palo Alto home- wish I could have been there for the install ✨
@christopherbucklow
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#livingwithart
#artinthehome
#christopherbucklow
#contemporaryart
#contemporaryartist
#artconsultant
#artadvisor
#gerberseidfineart
#gerberseid

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🧊

The photographs of Lynn Davis (@monument999) contemplate the sublime, explains @HoukGallery, which has represented the artist since 1993.
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Her minimalist vision meditates on the aesthetic and symbolic power of the natural and manmade world, distilling her environment into pure formal terms.
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See more of Davis' work by searching by artist or gallery name on artbasel.com.
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Shown here: #LynnDavis, ‘Iceberg #36, Disko Bay, Greenland’ (2000), exhibited by #EdwynnHoukGallery at #ArtBasel 2017.

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Enfin accrochée, après des mois d’attente du bon meuble à mettre en dessous. « Virginia #42 » de Sally Mann qui nous accompagnera désormais de son hypnotisante beauté @houkgallery @a_thousand_crossings @sally_mann_ (enfilade Peter Hvidt merci 🙏🏻 @karina_arachtingi @g_a_l_e_r_i_e_a_l_i_a ) #photography #photolover #sallymann #silverprint #design #scandinaviandesign #peterhvidt #designlover

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#LastDay 💥 #ArtBaselOVRMB #CheckItOut

📸 @sally_mann_ Jessie in the Wind,1989 presented by @houkgallery

#ArtBasel #Photography #BlackandWhite #WishList

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#Nude #StCyprien #billbrandt #perspective #legs #sunbathing #beach #blackandwhite #silvergelatin #photography #art

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@ArtBasel’s OVR: Miami Beach VIP Preview opens tomorrow! Check out this sneak peek with work by @RobertNava7 at @PaceGallery; #MarthaAlf at @KohnGallery; @ArtistGeorgeCondo at @LevyGorvy; #JoyceJScott at @PeterBlumGallery; @SammeMoyer at @KayneGriffinCorcoran; @HirokiTsukuda at @PetzelGallery; @JonasBRWood at @BerggruenGallery; @Sally_Mann_ at @HoukGallery; @Carlos_Almaraz13 at @MAMFA_Gallery; and @HaChongHyun at @TinaKimGallery.

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Image 1: Robert Nava, “Splash Cloud,” 2020, acrylic on canvas, photo by Heidi Bohnenkamp, ©Robert Nava, courtesy Pace Gallery, New York.
Image 2: Martha Alf, “Cylinder Green, Red & Violet,” 1974, oil on canvas, courtesy Kohn Gallery, Los Angeles.
Image 3: George Condo, “Untitled,” 2017, acrylic and oil on linen, courtesy Lévy Gorvy, New York.
Image 4: Joyce J. Scott, “Untitled (Yellow),” 2020, hand-blown Murano glass processes, beads, thread, plastic dice, metal and wood armature, courtesy the artist and Peter Blum Gallery, New York.
Image 5: Sam Moyer, “Small Bond No. LXIV,” 2020, fused glass, courtesy Kayne Griffin Corcoran, Los Angeles.
Image 6: Hiroki Tsukuda, “Vol. 25,” 2020, charcoal, acrylic ink, and pencil on paper, wood panel, with silkscreen printed acrylic frame, courtesy Petzel Gallery, New York.
Image 7: Jonas Wood, “New Life,” 2006, oil on canvas, courtesy Berggruen Gallery, San Francisco.
Image 8: Sally Mann, “Jessie in the Wind,” 1989, ©Sally Mann, courtesy Edwynn Houk Gallery, New York.
Image 9: Carlos Almaraz, “Chatita Kitty,” 1988, oil on canvas, courtesy Mary-Anne Martin Fine Art, New York.
Image 10: Ha Chong-Hyun, “Conjunction 19-36,” 2019, oil on hemp cloth, courtesy Tina Kim Gallery, New York.

#RobertNava #PaceGallery #KohnGallery #GeorgeCondo #LevyGorvy #PeterBlumGallery #SamMoyer #KayneGriffinCorcoran #HirokiTsukuda #PetzelGallery #JonasWood #BerggruenGallery #SallyMann #HoukGallery #CarlosAlmaraz #MaryAnneMartinFineArt #HaChongHyun #TinaKimGallery #ADAAatArtFairs #artbaselOVRMB

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▪️www.prism-tourism.com▫️

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Have you visited the ADAA Member Viewing Rooms recently? Many of our Member Galleries have new works for you to browse!⠀
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In partnership with @ArtlogicMedia, the Viewing Rooms collect presentations from over 100 #ADAAGalleries all in one place. Visit the link in bio to see more.⠀
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Image 1: #MaxGimblett, “Kaleidoscope,” 2012-18, pencil, ink, aquasize, Swiss, lemon, and platinum white golds on paper, courtesy #HosfeltGallery, San Francisco. - @MaxGimblettStudio & @HosfeltGallery⠀
Image 2: #MarkDiSuvero, "Untitled," 1982, steel, ©Mark Di Suvero, courtesy #CarlSolwayGallery, Cincinnati. - @SolwayGallery⠀
Image 3: #RachelRickert, “Replay,” 2019, oil on canvas, courtesy #JillNewhouseGallery, New York. - @RayRickk & @JillNewhouseGallery⠀
Image 4: #ImogenCunningham, “Magnolia Blossom (Tower of Jewels),” 1925, gelatin silver enlargement print, courtesy #EdwynnHoukGallery, New York. - @Imogen.Cunningham.Trust & @HoukGallery⠀
Image 5: #YanShanchun, “West Lake, Funchun #3,” 2019, acrylic and mixed media on canvas, courtesy #ChambersFineArt, New York. - @ChambersFineArtGallery

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Repost from @espacioartkunstarte
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Sebastiaan Bremer
“Serra da Bocaina”, 2009
13 x 10.3 inches/ 33 x 26,2 cm
Inks on Lambda Print

The use of found imagery as a basis to explore ideas about time and memory has long been central to Bremer’s practice, and in the late 1990s he began experimenting with drawing directly onto the surface of photographs. Initially working with snapshots of family members or familiar places, Bremer developed his signature technique of printing the pictures in an enlarged format—well beyond conventional dimensions—and then altering and embellishing the underlying scene with delicate patterns of dots and strokes using India ink and photographic dye, or applying splashes of paint.

Over the past decades, Bremer has used this approach to create a progression of distinct bodies of work, expanding the scope of his source materials from purely personal moments to an array of images that have captured his imagination or held significance in his life. These range from adaptations of Rembrandt etchings to Brassaï’s photographs of Picasso’s studio and Bill Brandt’s series of close-up images of his famous subjects’ eyes, as well as the vintage lithographic flower prints used in Bremer’s Bloemen series.

Whether starting from the work of an iconic artist or revisiting his own family albums, Bremer’s choice of visual documents is rooted in his biography. Hints of his native Holland permeate his work, from his appreciation of the way light falls across a room reminiscent of a Vermeer interior to the exquisitely painted addition of a pointillist feather or flowers to a contemporary photograph that transports the viewer to the world of Dutch Old Master paintings. In engaging with images of others, he is constantly investigating his own memories and thoughts, weaving a dialogue between the underlying photograph and the marks he uses to transform but never completely obscure it, thus creating a physical representation of the confluence of our inner and outer lives.

Edwynn Houk Gallery, New York

#sebastiaanbremer
@bascalyer
#photography
#patterns
#painting
#memories
#reprojects
#espacioartkunstarte

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“Pearls” (1986) by @studioerwinolaf 🤩🤩

Erwin Olaf is an internationally exhibiting artist whose diverse practice centers around society’s marginalized individuals, including women, people of color, and the LGBTQ+ community. What do you think about his artwork?

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A week in the life ! #artaddict #artadvisor #beautywithin #ilovemyjob

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