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@hyde.james

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Good Friends please come to 418 Sackett ST, BKLYN This Sunday Oct 11, 6pm til late! MUSIC, DRINKS and EATS— APLENTY  🥳  😇 $40 suggested entry— but contribute what you can! Auctioneers: Christian Viveros-Faune & Guy Richards Smit will showcase and take bids on works by:  Joe Amrhein Nicole Awai  Lucas Blalock  Mark Beasley  Mike Ballou Chloe Piene  Zach Bruder Claire Corey  Stephen Dean  Steve DiBendetto Odili Donald Odita Amy Feldman Dan Gratz Joanne Greenbaum David Humphrey Anna KE Ross Knight Jim Lee  Anna Lyshchenko Diana Cooper Vik Muniz Michelle Segre Florian Meisenberg Sean Mellyn Valeriia Lyshchenko Klaus Ottomann Erin Parish  Bruce Pearson Ann Pibal Luca Bourgine Archie Rand Jimmy Raskin Guy Richards Smitt Tom McGylnn Jeannie Weissglass Tommy White Wallace Whitney  AND OTHER ARTISTS… Artists’ Totes available courtesy of Pierogi Gallery curated by Susan & Joe  And a special performance of ⭐️BILLYGOAT⭐️   All proceeds to be divided equally between these individual campaigns: SENATE: JON OSSOFF—GEORGIA MARY PELTOLA—ALASKA TROY JACKSON—MAINE ABDUL EL-SAYED—MICHIGAN JAMES TALARICO—TEXAS SHERROD BROWN—OHIO HOUSE: REBECCA BENNETT—NEW JERSEY KATHY CASTOR—FLORIDA LOIS FRANKEL—FLORDIA JARED MOSKOWITZ—FLORIDA MARCY KAPTUR—OHIO VICENTE GONZALEZ—TEXAS
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Congratulations to @libraryresidency artist in residence 2025 James Hyde @hyde.james and @marthaschwendener and @weistwiley for their panel at the OFFICIAL 2026 BROOKLYN BOOK FESTIVAL @bkbookfest BOOKEND EVENT @peterfreemaninc This panel, moderated by photographer and writer Chris Wiley, explores The Society of the Screen: Vilém Flusser’s Radical Prescience, by Martha Schwendener, art historian and critic, and the painter James Hyde’s The Trouble with Space in Painting: A Critical History. These books confront what history means at a time described as ‘post-historical’ by Flusser (1920-1991), the subject of Schwendener’s book, and an important figure in Hyde’s. The conversation will concern the shaping of history and visual art in a new information age. Martha Schwendener is an art historian and art critic for the NYT.. She is Visiting Associate Professor at New York University and Researcher in Residence at the Vilém Flusser Archive, Berlin. She is the editor of Vilém Flusser’s Essays // Artforum (Metaflux, 2017) and The Society of the Screen: Vilém Flusser’s Radical Prescience. Her criticism and essays have been published in Artforum, Art in America, Afterimage, Bookforum, Critical Inquiry, e-flux, The Brooklyn Rail, The New Yorker, October, RES, and other publications. James Hyde is a practicing painter who has worked in New York City since the late 1970s. His recent book, The Trouble with Space in Painting: A Critical History, is the first critical study of “pictorial space” as a historical construction. Hyde’s paintings are held in the collections of the Museum of Modern Art, Brooklyn Museum, Phillips Collection, Museo Cantonale d’Arte and Fonds National d’Art Contemporain. He has exhibited widely in the United States and Europe. Chris Wiley is an artist and writer. His writing has appeared in numerous catalogs and publications including Frieze, Aperture, and the New Yorker, where he regularly writes for PhotoBooth. His artwork has been included in exhibitions at MoMA PS1, Atlanta Contemporary, Hauser and Wirth and Marian Goodman Gallery, among others. He is represented by Nicelle Beauchene Gallery. @arthistory @artbooks @flusser @paintingtheory
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James Hyde on the podcast today! Thrilled to talk about his recent book, The Trouble with Space in Painting, his own work as an artist and NYC through the decades. Enjoy! @dangratz @hyde.james
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One week left to see ‘Surf Report’! On view through August 28th at our Main Street Gallery.
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I’m happy to share my piece included in Plants, Animals and Sky @canada.nyc. I’m amazed by the work of the infinitely talented @msgrauer and #wallacewhitney in compiling this extraordinary show. It’s a blessing to be in the same space as many of my all-time favorite painters, including Lois Dodd, Joan Snyder, Katherine Bradford, Marsden Hartley, and George Inness, to name a few, plus so many of my extraordinary contemporary peers. I paint outdoors to be closer to nature, to listen to it, not to capture it. It is important to me to surrender to my surroundings and let go of art world strategies. That’s partly how the plastic frames came about: doing something wrong that feels right. I embrace this discord and let it move me forward. The plastics I find in excess in the landscape have a weathered patina. It’s almost as if nature is trying to subsume the mess we have made. I’m grateful to be part of this web of artists illuminating their relationships to these subjects in this show. Thank you to so many for supporting me, posting stories, and caring. Your consistent love and attention mean the world!! Plants, Animals and Sky June 30-August 7, 2026 60 Lispenard, New York, NY Mon-Fri, 10-6PM Ilse Sørensen Murdock Spot Oil on wood, found plastic, wire 2026
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So happy to show my piece Spotted Lily with Green Stripes @canada.nyc in Plants, Animals and Sky, among such juicy and illuminating company. Thank you again, @msgrauer , for creating this nourishing show🙏🏽💚💚💚💚 Spotted Lily with Green Stripes 2025 Sewn and dyes silk 37 x 32” Thank you @joeedenardo @canada.nyc for the beautiful images
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DEEP GRATITUDE for everyone @canada.nyc and especially @msgrauer , Sarah Braman, for thoughtfully and lovingly bringing together this huge group of artists celebrating and devoting themselves to working with nature, as observers and hopefully, in some tiny way, protectors. This joyful exhibition of 100 works were miraculously arranged in exquisite and revelatory groupings that were such a pleasure to behold. The space feels warm, calm and open. Deep and satisfying. It will take me time to tag everyone here and there are so many more amazing pieces you’ll have to see for yourselves!! Thank you and congratulations to all.❤️❤️❤️❤️
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Terrific read, which I felt personally (professionally) invested in and just romped through it. A good encapsulation: ”Rather than recognizing that space emerged from religion, philosophy and mathematics, space became unmoored from its historical roots to become little more than a flavor. By the 1960s, space could attach itself at will, setting the stage for another expansion of space into art, in the form of the seemingly neutral idea of 'real space' that is the premise for Minimalism and its inheritors.” The pictorial is a thing and @hyde.james fleshes this out in a useful and well written way.
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For Art & Object Magazine's Fall 2025 issue, we sat down with James Hyde to follow the artist's path to a completed painting—which runs from the studio through the museum and back again.⁠ ⁠ Read the complete article at the link in our bio! ⁠ ⁠ ***⁠ ⁠ Image: James Hyde, Leads (Bril), 2023. Courtesy of the artist.⁠ ⁠ #arthistory #historypainting #painters #JamesHyde⁠
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[RUE CHAPON - BIRTHDAY PARTY] On Thursday, May 21, the gallery celebrated its 30th anniversary with a special evening by @johnnyracaille featuring unique artistic performances to launch the exhibition “30 ans et plus”, on view until July 25, 2026. Through one work by each artist, the exhibition brings together those who today embody the history and identity of the gallery. Artists : @laia_abril @biancaargimon @artorienteobjet @thebellsangels @abdelhakbenallou @katriendeblauwer @paz_corona_paris @jeremie_cosimi @thibaut.cuisset @leofourdrinier @charlesfreger @makiko_furuichi @fjgoodman @julia_haumont @toddhido__ @karen1knorr @juulkraijer @katinkalampe @markosian @kate_mccgwire @murrowethan @zhuo.qi @clararivault @karine.rougier @kourtneyroy @yusufsevincli @lorestessel @christerstromholm @maya_ines_touam @levivanveluw @hyde.james @johnnyracaille @ellen_kooi @mariequeau 30 ans et plus Exhibition until July 25, 2026 📍21 rue Chapon, 75003 📸 @saywho
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La galerie Les filles du calvaire célèbre plus de trente années d’engagement au service de la création contemporaine. Pour autant, il ne s’agit pas ici de revenir sur un parcours accompli, mais d’affirmer une continuité vivante. Trente ans et plus n’est pas une rétrospective. C’est une déclaration d’intention, celle d’une galerie qui affirme sa raison d’être : accompagner les artistes et valoriser les pratiques artistiques actuelles. À travers une œuvre par artiste, l’exposition réunit celles et ceux qui incarnent aujourd’hui l’histoire et l’identité de la galerie. @galeriefillesducalvaire # Les filles du calvaire gallery today celebrates over thirty years of commitment to contemporary art. Yet this is not about looking back on a completed journey, but about affirming a living continuity. Thirty years and more is not a retrospective. It is a statement of intent, that of a gallery that nurtures its very purpose: supporting artists and promoting current artistic practices. Through one work per artist, the exhibition brings together those who today embody the history and identity of the gallery. @laia_abril #helenaalmeida @biancaargimon @artorienteobjet @abdelhakbenallou @katriendeblauwer @paz_corona_paris @jeremie_cosimi #thibautcuisset #gilbertfastenaekens @leofourdrinier @charlesfreger @makiko_furuichi @fjgoodman @julia_haumont @toddhido_ @hyde.james @johnnyracaille @karen1knorr @ellen_kooi @juulkraijer @katinkalampe @markosian @kate_mccgwire @oliviermosset @murrowethan #nellipalomäki @zhuo.qi @mariequeau @clararivault @karine.rougier @kourtneyroy emmanuelsaulnier @yusufsevincli @lorestessel @maya_ines_touam @levivanveluw Exposition du 23 mai au 25 juillet 2026
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This Thursday 6–8pm @aplacegallery ! 🍎 Book launch with @hyde.james in collaboration with @amg5glasgow The event marks the UK launch of painter James Hyde’s book “The Trouble with Space in Painting: A Critical History”, published by Bloomsbury Academic. Hyde presents a historically detailed investigation into how the concept of space in art emerged. Hyde will be in conversation with Andrew Mummery from 6:30pm. Admission to the event is free. This is the first critical study of pictorial space as a historical construction and Hyde makes the case that it should be seen as a concept bound to historical circumstance, developing, often contentiously, in philosophy, mathematics and science before becoming common in 20th-century theorisations of art.
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