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iamsimonpipe

@iamsimonpipe

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Dad
Bajan 🇧🇧
Writing songs
Recovering just for today
📩 [email protected]

POSTS STORIES REELS TAGGED

“She’s trying to build a stairway to heaven”

Mixed media on acrylic 16”x16”

#art #music #artist #painting

music by me

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“Whatever Causes Night In Your Soul May Leave Stars”

Mixed Media on Acrylic
16” x 16”

Music by me @queencolleenmusic

#art #music #painting #contemporaryart #artist

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Guess246 out now on the App Store. 🇧🇧

You know dat sound. Wuh part you is? We drop you on a real Barbados street and you got seconds to name it. 122 real roads, all 11 parishes, and every right answer opens de history of dat ground.

Made by two Bajans, launching in de sixtieth year of Independence and de fifth as a Republic.

$2.00 USD | $4.00 BBD. A ZR ride and a lil change.

Link in bio. Voice by @kadijeus. Music and recording by @iamsimonpipe .

#guess246 #barbados #bajan #barbadoshistory #barbados60

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EjazzMixShow Mon-Friday 1-2pm EAT on Ejazz Radio hosted by Dj Mark-Xtreme

05-10-2026 Playlist

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Annalee Davis: More Tender Geographies.
Curated by Katja Rivera.

Fine Art Center, Colorado Springs. September 4, 2026 - December 5, 2026

“Barbadian artist Annalee Davis’s first solo museum exhibition in the United States, More Tender Geographies, brings together more than thirty works spanning a decade of the artist’s practice. Davis examines what she calls a “post-plantation landscape” through a process by which she looks to land to explore evidence of rupture, care, resistance, & survival. Barbados’s social & ecological history shapes Davis’s sustained attention to land, labor, & cultural heritage.

On view are works in which Davis incorporates materials found on her family’s property, a working dairy farm that formerly operated as a sugar plantation. 18th- & 19th-century sherds likely used by both plantation owners & enslaved laborers are visible in Davis’s (bush) Tea Services. Ledger papers became the substrates in a suite of drawings of plants cultivated in Barbados, such as sugarcane, paw-paw, & blue vervain.

Davis also presents a collection of dried plants in How to Know a Land II, a topographic drawing in From a Garden of Hope, & large-scale embroidered textiles, such as Post Reproductive Breasts Sprouting New Life. Together these works emphasize plants in the process of healing, care, as well as reproductive & post-reproductive health.

Alongside these works, the exhibition debuts a newly commissioned sound installation created by Davis in collaboration with musicians from Barbados (Simon Pipe & Jomo Slusher) and Martinique (Marcel Jean-Baptiste). In an underground limestone cave, the musicians engaged in a dialogue with the natural world through sound, echo, & reverberation.

Across the exhibition, Davis encourages viewers to recognize mutual entanglements: between past & present, between people, and between humans & the natural world. In ways that are deeply personal yet global in reach, Annalee Davis explores colonial histories of extraction and labor, and the sacredness of land, to unearth possibilities for resistance in the present, while imagining more responsible futures.”

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starting over

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experimenting with some new ideas
doing some bad paintings
allowing myself to make ugly work
just getting the ideas out
temporary title idea “Our Lady Aileen, Patron Saint of Justice”

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Write until you remember who you are.

These days have been a little crazy. I’m now a full time artist and entrepreneur, and I feel like I’m running from the police in GTA. I’m having a good time… but my thumb is hurting from pressing down X and I keep butting into the edge of the damn game.

Then other days like these, the light is so bright and my purpose is so clear. Keep writing.

I enjoyed every moment working and dreaming with these incredible talents. Hitmakers. Starting a new thing is the hardest part. I can’t wait to see what we can build together.

Camp 001.

🦋🌸

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A September To Remember 🔥🏆

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Creatives need space. Creatives need Creatives!

It was an amazing 3 days with some top Bajan talent 💪🏾 🎹 ✍🏾

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SHEENA ROSE INC. FOUNDATION

At Sheena Rose Inc., we believe in investing in people and their ideas. This year, we supported five Caribbean creatives, each receiving a USD $500 / BDS $1,000 grant towards their creative development.

MELISSA HOWELL — RESEARCH & SYSTEMS
A Barbadian- Guyanese systems strategist and founder of Data Diasporas. Melissa’s grant supports research in Saint Lucia exploring Kwéyòl, memory, language and the relationship between communities and systems.

STEPHAN MARSHALL — PHOTOGRAPHY
A Barbadian photographer and previous recipient, Stephan’s grant supports SPANISH INSOMNIA, his upcoming debut solo photography exhibition.

ASHLEIGH “LEIGH” PHILLIPS — MUSIC & CREATIVE PRODUCTION
A Grenadian-Barbadian multidisciplinary creative working across music, songwriting, events and production. Leigh’s grant supports a new visual identity ahead of her 2027 projects.

SIMON PIPE — MUSIC & SOUND
A Barbadian musician and composer. Simon’s grant supported research in Dominica for Quiet Path and Breathing In Bath, exploring music, meditation, sound and the natural environment.

TRINITY ROSE — FASHION & FILM
An award-winning Barbadian designer and filmmaker. Trinity’s grant supported her participation in the 2026 Sustainable Fashion of the World event in Panama, representing Barbados.

We are proud to support these five individuals and look forward to seeing their work develop. As Sheena Rose Inc. grows, we look forward to supporting more creatives across the Caribbean.

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