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COLORS · CHARLIE ENGMAN · DEUTSCHE TELEKOM @deutschetelekom @ingo.sthlm @colorscolors.tv @charlieengman @julie__mathieu @dienguss @family_production @capitaineplouf
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MC editor Fredrika Andersson @freddie_andersson edits Deutsche Telekom x Wet Leg ”Not a passenger” @wetlegband with INGO @ingo.sthlm and Always Frank @alwaysfrankagencyproduction and director Charlie Engman✂️🎞️
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The Wet Leg frontwoman fights off a barrage of algorithmic backseat drivers in Charlie Engman’s raucous driving film. If your algorithmic suggestions became manifest, what would they look like? Well, if this anarchic film for Deutsche Telekom from director Charlie Engman is to be believed, kinda like a rampaging horde of mundanity. Created to champion the brand's Not a Passenger message, the film sees Wet Leg's Rhian Teasdale take the driving seat in a frantic road trip of sorts, all in an attempt to outrun her digital backseat drivers. Jumping between filmic styles like a baby sister to Crank, this delightfully full-on film, created by INGO and shot through Colors, eschews the polish normally associated with telecommunications brands and instead feels more punk than promotion. Credits Brand Deutsche Telekom @deutschetelekom Campaign Not a Passenger Agency INGO, Stockholm @ingo.sthlm Global Chief Creative Officer Daniel Fisher @itsdanielfisher Executive Creative Director Anna Salonen Executive Creative Director Hanna Stenwall Art Director Shilan Shewki Copywriter Agnes Nisbel Fjall Creative Robin Gunther @robinguentherr Producer Mattias Colden Production Company Colors @colorscolors.tv Director Charlie Engman @charlieengman Executive Producer Julie Mathieu Moreau @julie__mathieu Producer Cecilia Kotula @cecilia_kotula Production Service Family Production @family_production Talent Rhian Teasdale
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OOH… là là! 👀   We’re celebrating some of the winning and shortlisted Outdoor campaigns from Cannes Lions this year.   Swipe through to see a few of the campaigns and how they scored with audiences in System1 testing.
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🥈 Print & Publishing Lions 2026 recognizes Silver winners who demonstrated how print remains a powerful territory for creativity and brand culture. Among the winners are Amstel with INGO Stockholm and Ogilvy Amsterdam; SOS Oceano with Droga5, part of Accenture Song São Paulo; Jeep with Publicis Canada Toronto; and Sport Club Corinthians Paulista with AlmapBBDO São Paulo. Works that reaffirm that print does not only communicate: it builds narrative, identity, and conversation in the real world. #RBCannes26 #México #CannesLions2026
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New work from @crillehaagdop for @valiosverige Dir @tobiasbergman Production @theproducerssweden
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New work from @crillehaagdop for @valiosverige Dir @tobiasbergman Production @theproducerssweden
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New work together with our friends at @ingo.sthlm for @valiosverige, directed by @tobiasbergman ✨ “Gör det som känns rätt i magen” Client: @valiosverige Agency: @ingo.sthlm Art Director: @ricbay Copywriter: @werkell Account Manager: @hildahill.carlsson Client Director: Marie Klinte Director: @tobiasbergman Producer: @matswolgers Production Manager: @filiptoshang 1st AD: @edvinkihlstedt 2nd AD: @kallewaern DOP: @crillehaagdop / @rocksonsthlm 1st AC: Stickan 2nd AC: @pepskarlsson DIT: @colorbyhenry Gaffer: @ianbjohnson76 Light Assistant: @stefanfilmochljus Props: @adamvestberg MUA & Styling: @ssaraeedlund Styling Assistant: @majacolliander Production Assistant: @timljungstedt Editor: @adam.holmkvist Sound: @fredrikfrippan Grade & Online: @jfwiman Special thanks to @ljudbildmedia, @rocksonsthlm, @independentkostym and our lovely cast Jacob & Oliver ✨
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Curated by Tomás Ostiglia - The Swedish Number by INGO, created for the Swedish Tourist Association to celebrate 250 years of freedom of speech in Sweden. Instead of a traditional tourism campaign, the world was invited to call Swedish citizens directly - turning openness into a global, award-winning nation branding idea. Discover Tomás’ take on the campaign and explore the full feature at curin.io - link in bio. @tomasostiglia @ingo.sthlm
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On February 19, 2020, Burger King released the Moldy Whopper. They let their burger rot on camera to show that real food actually does rot. While other fast food brands were obsessing over the perfect buns, BK and INGO Stockholm went the other direction: showing their Whopper turns moldy because it’s made with real ingredients. The backlash was immediate. Critics called it a disaster. But the campaign racked up billions of impressions and lifted sales double digits. Does this campaign change how you see Burger King?
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Mouthwatering 3D food visuals save the holiday spirit In Sweden, the Aladdin box of chocolates is a Christmas staple as sacred as our meatballs. Whenever Marabou decides to change the praline lineup and introduce a new flavour they risk public uproar.
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Deutsche Telekom’s 2025 Christmas campaign uses a powerful metaphor to explore the emotional burden of silence. A film follows a woman literally weighed down by an invisible burden made visible, representing the unsent message she’s afraid to send to her mother. Only when she reaches out does the weight vanish, reinforcing Telekom’s message that connection begins with reaching out. The work runs across TV, digital and social, asking audiences to lean into connection over hesitation this festive season. Agency: INGO Stockholm & Ogilvy Berlin Brand: Deutsche Telekom Director: Harry Bradbeer DOP: Ole Bratt Birkeland Production House: Park Village VFX: 1920 VFX Edit House: STITCH London Music: Field Audio #SSChristmasWatch
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