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Janaina Wagner

@janainawagner

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Hoje o dia foi de + um desafio, filmar dentro de uma voadeira com o constante movimento de outras voadeiras que atravessam para o outro lado da cidade.

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O cinema é um modo divino de contar a vida.

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Join us for ‘Companions in Passing’: an artist talk and curated film programme by Danai Anagnostou, organised as part of the Unruly Visions exhibition.

Grounded in Anagnostou’s doctoral research, which discusses how the methods and aspirations of 20th-century collaborative women’s cinema reveal continuities and intergenerational connections that inform both the study and practice of feminist filmmaking today, the talk reflects on the case of Rababa (1962). Lena Tsouchlou and Vanda Papanikolaou’s film, Rababa, was shot during a road trip across West Asia and is widely considered the first Greek documentary directed by women. Despite its historical significance, it has no known surviving copy. Anagnostou will discuss this lost film through the themes it carries—movement, recollections and remnants, loss, orality, dissonance, friendship, and co-creation. The talk will be followed by a screening of films that echo these themes:

• L’album Rouge ou L’intention Poétique (The Red Album or a Poetic Intent) by Miryam Charles
• Καλή Τύχη, Μαρία (Good luck, Maria) by Anna Kesisoglou
• El Chinero, un cerro fantasma (El Chinero, a Phantom Hill) by Bani Khoshnoudi
• Honeymoon by Alki Papastathopoulos
• Quebrante by Janaina Wagner

📅 Date: Sunday, October 11th, 2026
⏰ Time: 5-8 pm
📍 Location: 43-A, Block D, New Muslim Town, Lahore
📞 Contact: +92(0)302-477-3357

We look forward to sharing this space and gathering with you around these films and the histories they keep alive.

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The spell breaking “QUEBRANTE” traverses the caves, ruins, and ghosts of Brazil's Transamazonian Highway through the journey of Ms. Erismar, the retired teacher known as "The Cave Woman," who discovered the region's caves by exploring them with only candlelight. Set against the unfinished legacy of a dictatorship-era development project, the film reimagines the landscape as a dialogue between moon and stone, drawing inspiration from the works of Robert Smithson and Maya Deren.

See this artwork and more in ARAVARA here at the National Gallery of Jamaica. The exhibition will be on view until September 13, 2026.

ARAVARA is co-organized by National Gallery of Jamaica, curator Yina Jiménez Suriel, and KADIST, as part of KADIST's ongoing international program, Double Takes.

#nationalgalleryofjamaica #KADISTcollection #ARAVARA #DoubleTakes #CaribbeanFilm

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Essa semana tivemos reuniões de desenvolvimento do projeto "A Mala da Noite" com a presença da diretora @janainawagner na produtora.

Em breve mais um filme produzido pela Anavilhana.

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[FESTIVAL PARLÉ 7]
PERPÉTUER LE MONDE : UNE TRAVERSÉE DOCUMENTAIRE DES LUTTES ÉCOFÉMINISTES
En partenariat avec le programme doctoral SACRe de @psl_univ et L’Institut universitaire de France (@iufofficiel).

Depuis les gestes minuscules soignant la terre et l’âme dans un jardin du Massachusetts jusqu’aux liens quotidiens unissant une communauté humaine et une forêt en Inde, en passant par les archives de militantes anti-nucléaire en Angleterre et en France, ce sont autant de pratiques génératives que cette septième édition du festival parlé entend cartographier. Outre six séances de projection accompagnées, deux tables rondes investiront les enjeux tout à la fois historiques, politiques et esthétiques de ces expériences.

➡️ Plus d’infos : https://www.cinemadureel.org/section/ecofeminisme-festival-parle/ (lien en bio)
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[FESTIVAL CONVERSATIONS 7]
PERPETUATING THE WORLD: A DOCUMENTARY JOURNEY THROUGH ECOFEMINIST STRUGGLES
In partnership with the SACRe doctoral programme at PSL University and the Institut universitaire de France.

From the minute gestures of care for the earth and the soul in a garden in Massachusetts, to the daily bonds uniting a human community and a forest in India, via the archives of anti-nuclear activists in England and France: these are all generative practices that this seventh edition of “Festival Conversations” aims to map.
In addition to six screenings accompanied by discussions, two round tables will explore the historical, political and aesthetic issues raised by these experiences.

➡️ More info: https://www.cinemadureel.org/en/section/ecofeminism-festival-conversations-7-programme/ (link in bio)

#cinémadureel

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Clara Ianni inaugura ‘Openings’ no MASP. Veja quem compareceu ao evento:

01. Clara Ianni
02. Daniela Avelar Rodrigues
03. Leandro Muniz
04. Janaína Wagner
05. Regina Teixeira de Barros
06. Paulo Vicelli
07. Teo Teotonio
08. Marcio Seligmann Silva
09. Adriano Pedrosa
10. Jan Fjeld

📲 Leia mais na #folha: fotografia.folha.uol.com.br/monica-bergamo
📸 @ronny_santos/Folhapress

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Guarde a data: Quarta-feira 5/11

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🎞️🏆 Conocé al jurado de la Competencia Internacional de Cortometrajes de ASUFICC 2025

🇵🇾 Maripili Alonso, Periodista, Editora de la sección Artes y Espectáculos del diario ABC Color
🇦🇷 Maia Navas, Realizadora audiovisual, Curadora e Investigadora, Directora del Festival PLAY – videoarte y cine experimental, en el nordeste argentino
🇧🇷 Janaina Wagner, Directora, actualmente cursando un doctorado en Le Fresnoy-Studio National des Arts Contemporains en Francia

@cultura_py @inap_py @alianzafrancesaasu @juandesalazarpy @ccpaculturalpy

#asuficc2025

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𝒸𝒾𝓃𝓉𝒾𝓁𝒶𝓂𝑒𝓃𝓉𝑜𝓈 é minha primeira curadoria no Brasil. Uma mostra sobre dinâmicas, energias e pulsos.

Aby Warburg e sua noção de pathosformel me inspiraram a pensar a exposição como um campo de afetos, onde formas, gestos e imagens sobrevivem em lampejos. Autores como Brian Dillon e Georges Didi-Huberman me ajudaram a compreender escrita e curadoria como gestos poéticos: menos sobre explicar e mais sobre deixar espaço para reverberações, dinâmicas e instantes que escapam da lógica do discurso.

A palavra cintilamentos também reverberou em mim ao longo do processo: foi mudando de lugar, ganhando sentidos, se associando a sentimentos meus e das pessoas à minha volta. Tornou-se uma espécie de guia, um lampejo que é também “senti-lamentos”, emoção latente na forma.

Obrigada à minha parceira e irmã @carollinacarreteiro, que inaugurou com esta exposição o novo espaço permanente da @ora.art.br, e a cada artista, cuja contribuição conceitual e sensível foi decisiva para a exposição: @iahrara, @gabrielbrancc, @clementinebruno, @ant_lee, @nassifmiguel, @aclaratito 🩷 Suas ideias não apenas entraram, mas moldaram o fio condutor da mostra, dos conceitos que originaram obras inteiras às formas de apresentação que inspiraram escolhas curatoriais.

Grata a todxs que estiveram na abertura e a este Brasil que me recebeu com tanta intensidade✨🥹

A mostra segue em cartaz até março 2026 (!!!) na ORA, no subsolo da IAB

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N ovas da Rosa, um breve recapitulativo do número recém-publicado, e destaques de relações entre publicações mais antigas da revista e eventos contemporâneos.

@stelio.marras @alles.sonn @helga.fernandez @iankmarino @mari.ruggieri @rafaelzacca @lobodamasceno @escritexpografica @mariliagarcia @clovisalgon75 @janainawagner @alexflemmingartist @badideasophia @alexandrebbrandao @manoelaczr @podlubnytatiana @daniela.avelar_ @juliadarochajulia @matchrtti @el_valle_de_nacho

Apoio @opensocietyfoundations

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