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Javier Ly

@javier_ly

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Fashion creative director & stylist
Also teacher in
@fotodesignbcn
@lci_barcelona
@esdi_es
BARCELONA / PARIS
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【NEW STORY🎠🫧】 Encounter｜Viridiana Morandini 果てなく巡る記憶 ⇨lulamag.jpにて公開中 ＊＊＊ No.609 “SECOND CHANGE DREAMS” このエディトリアルでは、記憶がどのように日常を感情に満ちた、刻々と変化する体験へと変容させるのかを探究しています。
記憶は思い出すたびに変化し、イメージは脆さ、メランコリー、そして自発性の間を行き来しながら、常にどこか手の届かないところにあります。 This editorial explores how memory transforms the everyday into an emotional and shifting experience. Memories shift each time we recall them, while the images move between fragility, melancholy, and spontaneity, always remaining partially out of reach. - 続きは@lula_japan プロフィールページからlulamag.jp へ📝 Link in bio! 🔍✨ ＊＊＊ Photography by @virimorandini Styling by @javier_ly Hair and Make up by @mua.alvaro Models by @sarah.mclarty at @fordmodels and @magic_maan at Two management Styling Assistant by @xaviobo
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The Story of UFF . . creative director @envaltino @envaltino.vision photography & post production @sserafinaventura talents @ler.vaa from @twomanagementbarcelona & @vicencasas_ from @unikomodels styling @albazaragozza @sergemathew muah @saturn.mua special thanks to @javier_ly
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Representations of suspended human bodies have existed for thousands of years. Suspension can serve as a ritual, inducing trance and transformation; it can evoke a sense of pleasure, a decompressing of the spine; or it can be fetishised through piercing. In Indigenous nations of North America, body suspension has been practiced as a ritual, a rite of passage, and a means of connecting with the spiritual realm. In Hindu cultures—particularly among Tamil communities during Thaipusam—skin piercing and suspension have been observed for millennia. These acts have also appeared in art, inspiring images of bodies that seem both grounded and floating. At first, suspension might be envisioned as the body literally hanging—nailed to a cross or floating in midair. Over time, however, it becomes clear that modern culture has developed its own complex language of suspension, with meanings that shift across contexts, eras, and mediums. Jean-Jacques Rousseau’s line from The Social Contract (1762) comes to mind: “Man is born free, and everywhere he is in chains.” This idea is echoed in the recurring image of the suspended body, limbs restrained yet defying gravity. The Earth, nature, and everything that existed before we became bipedal and started sending emails from our phones are the great instigators and mediators. Our bodies are anchored by gravity. Yet across art and film, bodies are shaped by how this mediating force is resisted, delayed, or negotiated. We rely on our sense of how the body should behave, and when art disrupts that expectation, the suspended form opens itself to multiple interpretations. As Anya Harrison writes in Frieze, the word itself suggests “a state of limbo, a temporary stop, that infinitesimally stretched-out moment before the final verdict falls.” In this way, the suspended body conveys meaning beyond the physical, encompassing themes from divine sacrifice to contemporary questions of agency and power. The Human Form documented by Iris Humm for Present Space, Print Seven available from amileamile.com and out in select stores globally Words: @isbn.billy
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Better told by the people who were there. A recap of the projects, processes and experiences behind this summer’s #uxui and #Fashion #Design courses.
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from a recent project for @presentspacemag, published alongside an essay about the suspended human body across art history by @isbn.billy creative direction @ombredansleau @irishumm movement director @janatrave performers @janatrave @pol_orbo styling @javier_ly styling assistant @pauuserr HMUA @bymonicamarmo art props @alexranwil assistants @annaaport @faro.lacueva
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from a recent project for @presentspacemag, published alongside an essay about the suspended human body across art history by @isbn.billy creative direction @ombredansleau @irishumm movement director @janatrave performers @janatrave @pol_orbo styling @javier_ly styling assistant @pauuserr HMUA @bymonicamarmo art props @alexranwil assistants @annaaport @faro.lacueva
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from a recent project for @presentspacemag, published alongside an essay about the suspended human body across art history by @isbn.billy creative direction @ombredansleau @irishumm movement director @janatrave performers @janatrave @pol_orbo styling @javier_ly styling assistant @pauuserr HMUA @bymonicamarmo art props @alexranwil assistants @annaaport @faro.lacueva
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outtake from a recent project, @janatrave jumping in a cloud of smoke creative direction @ombredansleau @irishumm movement director @janatrave performers @janatrave @pol_orbo styling @javier_ly styling assistant @pauuserr HMUA @bymonicamarmo art props @alexranwil assistants @annaaport @faro.lacueva
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“What’s PROM with you?” digital editorial captured by photographer @msmoriel creative direction and stylist @javier_ly makeup and hair @makeup_san set designer @mjgilg model @rusyaberyket photo assistant @clairesroll stylist assistant @guadalvpe__ set assistant @annaacolomer and @camicruz12 editor @manuprzzz full story at stoic-magazine.com
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Editorial for @herdes.eu @arnautorrent6 @javier_ly @_francismolina @guadalvpe__ @unomodels
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NES by @msmoriel wearing @prada thanks to @diego.vald @l.arias.velasco @sickymag @aueaeao
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