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Josh Jensen

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CHUMMYJIGGERS ONLINE AUCTION: Made at UHA

Today is the last day for CHUMMYJIGGERS! Check out these wonderful works that were created or started here at UHA. You can get these works for yourself or someone you love before our auction is over!

See something that catches your eye? Click the link in our bio to place a bid, and to view our entire selection.

Reminder: Shipping within Canada is included in your bidding price! So when you bid on a piece, you're paying for EVERYTHING!

IN ORDER:
Austin Henderson, Good Witch: “"Are you a good witch or a bad witch?" This small monochromatic study was done while I was artist-in-residence at UHA in April 2025.”

Joshua Jensen, Cows in Bonavista: “"Cows in Bonavista" is a print of a photo taken in the Bonavista communal pastures that I took during my residency at UHA in October, 2025.”

Chloe Lundrigan, Watch Rabbit: “A guardian for your home (from a series of knit rabbit pelts first started at UHA).”

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– Dans le studio de 𝗟𝘂𝗰𝘆 𝗚𝗶𝗹𝗹 (@_lucegill)

→ Découvrez les œuvres de Lucy Gill et des autres artistes de la cohorte du 𝟭𝟱 𝗮𝘂 𝟭𝟴 𝗼𝗰𝘁𝗼𝗯𝗿𝗲 à 𝗘𝘀𝗽𝗮𝗰𝗲 𝗧𝗿𝗮𝗻𝘀𝗺𝗶𝘀𝘀𝗶𝗼𝗻 (5435 Av. des Érables, Tiohtià:ke/Montréal)

Entrée libre

Where do her works really begin?
“I work mostly with food, specifically fruits and vegetables, so when I think about where my work begins, I find myself reflecting upon the seeds, soil, rain, and sun. My work really begins where these elements collide to create the food that we eat. When I think about where my work begins, I also think about the labour that goes into growing, cultivating, transporting and selling these foods. All these steps are foundational; they allow me to do the work that I do. When I begin my work, it has already been in the making for many months."

– In 𝗟𝘂𝗰𝘆 𝗚𝗶𝗹𝗹’s (@_lucegill) studio

→ Discover the works of Lucy Gill and the other artists from the cohort from 𝗢𝗰𝘁𝗼𝗯𝗲𝗿 𝟭𝟱 𝘁𝗼 𝟭𝟴 at 𝗘𝘀𝗽𝗮𝗰𝗲 𝗧𝗿𝗮𝗻𝘀𝗺𝗶𝘀𝘀𝗶𝗼𝗻 (5435 Av. des Érables, Tiohtià:ke/Montreal)

Free admission

Photos
1 – 4 — Josh Jensen (@josh.jensen)
5 — Thomas Alexandre

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Summer in backward order :’) there were good times and there were Mari-times…! Mostly I’m just happy I am not sweaty anymore 🧘‍♂️

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@josh.jensen and I have been having the best time in Dawson City and learning from John Lenart at the Klondike Valley Nursery apple orchard during our residency @kiacyukon

If you’re in Dawson, come see what we have been working on this Thursday September 24th at the Macaulay House! We’re hosting an Open Studio and Artist Talk from 17h - 19h 😊

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delicious mixtures

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We are excited to welcome Lucy Gill and Josh Jensen to the KIAC Artist in Residence Program for the month of September!

Lucy Gill & Josh Jensen
August 24th – September 30th , 2026

Unceded Musqueam, Squamish, and Tsleil-Waututh territories (Vancouver) and Amiskwacîwâskahikan, Treaty 6 Territory, (Edmonton). Now based in Tiohtià:ke/Mooniyang (Montréal)

Lucy Gill and Josh Jensen share a collaborative practice rooted in slow making, care, and attention to everyday material life. Working across sculpture, analogue photography, organic processes, and sustainable material reuse, they explore preservation,
transformation, and accumulation as sites of memory, labour, and exchange. Through intuitive, process-based methods, their work forms living archives shaped by time, touch, and use, modelling collaborative and sustainable approaches to artistic practice.

Their proposed residency builds on their shared investigations into preservation, labour, care, and material lifecycles, adapting their practice to northern ecologies through collaboration with the Klondike Valley Nursery, home to Canada’s northernmost orchard.

Using food preservation as both artistic method and social practice, they will work with apples grown in the Yukon to explore how cultural knowledge, ecological adaptation, and community care are shaped by extreme seasonal conditions. Their practice emphasizes slow, cyclical processes that foreground care and maintenance. In the North, where growing seasons are short and preservation is essential, apples offer an accessible entry point into conversations about survival, interdependence, and sharing knowledge.

Here, they plan to continue making preservatives through historic processes such as dehydration, fermentation, canning, pickling, and fruit leather production. For the first week of their residency, they are volunteering at the Klondike Valley Nursery and learning about apples in Northern climates and making connections with locals.

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Art Volt Collection | Returning artists

We are pleased to welcome new work by Josh Jensen to the Art Volt Collection:
@josh.jensen

Portal, 2025
Digital C-Print
76 x 76 cm
Edition of 3
$ 1,100.00

Explore more of the artist’s work on the Art Volt Collection website. Link in bio. 🔗

@fineartsconcordia @concordia.alumni #artvoltcollection

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Workshop Announcement 📣
We have a new date for the Introduction to Sustainable Signage workshop!

This workshop is for emerging artists who are curious about weaving sustainability into their art, curatorial practices and exhibition-making practices. The FOFA Gallery’s Sustainability team will share an overview of different approaches to eco-friendly exhibition signage, drawing from a shared collaboration with the FOFA Gallery’s Exploring Sustainability Across the Arts Signage Toolkit and their Sustainable Signage Menu.
The session will include short presentations and plenty of time to try out different materials and methods hands-on. It’s a chance to test, play, and think together about how small design choices can shape more sustainable practices in the arts.

In English with Joé Côté-Rancourt and Josh Jensen, Sustainability Co-curators at the FOFA Gallery
Wednesday, July 15th from 5:00pm - 7:00pm
In person - EV Building, 2nd Floor, Room 2.776
@joe.c_r
@josh.jensen

Link in bio to register!

@fineartsconcordia @concordia.alumni @fofagallery @artchmtl

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Riddle Fence Issue 57 is out now!! Check out all our issue features on our website (link in bio!) including “At The Same Time” by Kevin MacDonell and photography by Josh Jensen. To read the full story, follow the 57 FEATURES link in our bio. OR get a Riddle Fence subscription on our website, riddlefence.com and read the whole issue!

Art by Joshua Jensen, Apples in the Sink (2025), negative scan, 35mm.

Josh Jensen is a visual artist based in Tiohtià:ke / Mooniyang (Montreal). His practice spans analogue photography, installation, and bio-based material processes—including fruit leather, natural dyeing, and sustainable methods of reuse and repair; foregrounding experimental approaches to circularity in artmaking. He often explores preservation, observation, and accumulation as pathways of memory, labour, and exchange.

Kevin MacDonell (he/him) is a lifelong diarist living in Bedford, Nova Scotia. He explores experience and memory through personal essays and has work recent or forthcoming in Grain, Camel, the Dalhousie Review, the Malahat Review, Queen’s Quarterly, and the Globe and Mail.

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Mexico City, la belle.

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some beauty documentation from @amedaroche and video by @kimurabyol of a recent commission for @centreskol’s exhibition celebrating the history of Librairie L’Androgyne, montreal’s first queer bookstore.

chemigrams with dirt, spit and lye printed on backlit film and silk organza, and a text made of dirt installed by @josh.jensen 🤍

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Considering soil as a witness, “What Fills a Hole?” turns to the ground to generate images from what a place might remember.

The project is rooted in the history of L’Androgyne Bookstore, one of Montreal’s earliest mixed-gender and mixed-sexuality spaces, active from 1973 to 2002. Before becoming a fixed location, L’Androgyne existed as a mobile idea, relocating five times alongside urban change and the migration of queer life across the city. These pasts surface through dirt collected outside the bookstore’s five former addresses on Saint-Laurent Boulevard, Crescent Street, and Atateken Street. Gathered from planters and cracks in the pavement, the material is soiled, contaminated, and embedded with debris, carrying both visible and invisible traces of the relational and affective worlds the site once supported. Processed through photographic methods and integrated into an installation combining image, text, textile, and light, the ground becomes a collaborator in the retelling of what occurred—here, there, and elsewhere. The work asks how place might act as an agentic voice in the transmission of memory, and how new worlds can emerge from the remnants of those that came before.

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We are extremely proud and excited to announce our Jury's picks for our 2026-2027 Artist Residencies!
KIAC's Artist-in-Residence program has welcomed artists from all over the world and of all disciplines for over 26 years. We are pleased to welcome a new cohort from September 2026 to December 2027:
Big congratulations to Ashley Hemmings, Ashley Lewis, Brandon A. Dalmer, Ila Firouzabadi, Joni Cheung, Lucas Morneau, Lucy Gill & Josh Jensen, Margaret Firlotte, Mark Beldan, Noah Jennings, Sara Constant, Shelby Gagnon, TRUCK (Annie Canto, Drew Pardy and Emily Neufeld) and Weiye Su!

And a deep heartfelt thanks to our Jury and the Macaulay House Committee, whose work and dedication made it all happen.

IMAGE LIST:
Slide 2. Ashley Hemmings, - Tucking You In
Slide 3. Ashley Lewis - Heirloom Spaceship (Photo By Rashida Kamal)
Slide 4. Brandon A. Dalmer - 01.24253.13_93.99
Slide 5. Ila Firouzabadi - Studies For The Fountains
Slide 6. Joni Cheung (Snack Witch) - Soba's Corner: A Chinese-Canadian Cooking Show
Slide 7. Lucas Morneau - Big Poppa Bear
Slide 8. Lucy Gill - Pall (apple and lingonberry fruit leather)
Slide 9. Margaret Firlotte - Marguerite's Octopus Bag
Slide 10. Mark Beldan - Lawn Chair
Slide 11. Noah Jennings - Charlie's Club
Slide 12. Sara Constant - I Dreamed I Heard Them Blooming
Sile 13. Shelby Gagnon - Aakozi
Slide 14. TRUCK - Break Time At The Fish Plant
Slide 15. Weiye Su - Running

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