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Daniel Karrer

@karrerdaniel

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«Ein Haus aus Glas» vereint dreizehn internationale Kunstschaffende, deren Arbeiten sich mit Zerbrechlichkeit, Transparenz und Verwandlung anhand von Glas und seinen zeitgenössischen Surrogaten auseinandersetzen. Die Ausstellung zeigt Werke von Kunstschaffenden aus der Schweiz, Großbritannien und Italien und untersucht, wie Materialien zwischen verschiedenen Zuständen wechseln können: Fest und zerbrechlich, transparent und undurchsichtig, beständig und vergänglich. Mit Arbeiten von: Aanya Mukhtyar Anja Braun Dali Geralle Damaris Athene Daniel Karrer Elinor Haynes Jürgen Baumann Lizzy Demar Louise Benton Luzia Imhof Nadiia Rohozhyna Sebastian Haas Tabitha Lily Tofield Kuratiret von Ana Escoto «Ein Haus aus Glas» Eröffnung am 2. Oktober in der akku Kunstplattform, Luzern. Doppelvernissage mit der Eröffnung von We*s «Der Stand der Dinge» ab 18:30 Uhr Wir freuen uns darauf, Sie vom 3. Oktober bis zum 8. November in «Ein Haus aus Glas» in der akku Kunstplattform in Emmenbrücke begrüssen zu dürfen.
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dear friends, thank you, thank you, thank you! we‘re so grateful to everyone who came by, spent time with the exhibition, joined the conversations, and brought energy, attention and care into the space. this exhibition would not have been the same without all of you. thank you for your support, presence and generosity. with a special thank you to all the collaborating artists @juergstaeuble @urbanzell @linoriboni @raphaelstucky @susi.hinz @valentinrilliet @almaflurina @lordkmi @karrerdaniel @olga.titus and a further thank you to @galeriepeterkilchmann @karmainternational @galerieoskarweiss @tonywuethrichgalerie @ggg_kulturkick @sophialaranimue for the pictures diane is still moving! best, betoj rief alma herrmann, lino riboni, camilla weder
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B A S E L S O C I A L C L U B #Tabor Robak, Alejandro Cartagena, Hannah Villiger, Daniel Karrer, Giulia Essyad, Bernat Daviu #ArtBasel #Basel
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Art Basel time is always the time of great side projects full of improvisation, joy and community. Here are three of them. Check them out if in Basel! Die Art Basel Zeit ist auch die Zeit toller Satelitenprojekte voller Improvisation, Spass und Gemeinschaft. Hier sind drei davon. Schaut sie euch unbedingt an, falls ihr in Basel seid! @basel.social.club #betojrief, Rebgasse 10 #dethleff on tour, location: https://detleff.netlify.app/
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daniel karrer & markus schwander at basel social club see You there! links to works in bio #artbasel #baselsocialclub #tonywuethrichgalerie
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With his reverse glass painting, Daniel Karrer has found a compelling and complex way to bring the traditional medium of painting into the digital age. He applies paint wet-on-wet to the back of translucent glass, merging the various layers of background and foreground on a single flat surface. The result is not so different from a backlit screen on a digital device. Beyond glass, the highly tactile and material practice of oil painting thus is reduced to a sleek picture plane. The work manages to be as expressive as it is deliberately flat and somewhat artificial – like another round of abstraction applied to already abstract painting. However, Karrer’s imagery often also oscillates between the figurative and the abstract, leaning more towards one or the other depending on the work. His references range from classical landscape painting to the gestural approaches of high modernism. Different styles and historical forms of painting converge here – once again, like on all the back-lit screens that dominate our lives, levelling everything and making it instantly available at the tip of our fingers. Image: Daniel Karrer (b. 1983), ‘Untitled’ (2025), oil and reverse glass painting, 98 x 83 cm, courtesy the artist and #JuliusBaerArtCollection @karrerdaniel #DanielKarrer #CorporateArtCollection #SwissContemporaryArt #NewArtAcquisitions #ArtInspires
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In dialogue with the main exhibition, the Factory @kuenstlerhauswien offers a more in-depth look at the STRABAG ART Award. Based on works by 34 national and international artistic positions and curated into four associative chapters, we will introduce you to the variety of the shown positions. ABSTRACTION showcases artistic explorations involving overlays, fragmentation, and multi-layered material processes. These range from minimal structures and poetic arrangements to expansive colour fields. Digital impressions merge with minimalist landscapes, enabling colour, texture and transparency to emerge as key compositional elements. Presented artists: @bernhardbuhmann @karrerdaniel @florinaleinss @gerlindethuma @studio_klauswanker Suse Krawagna @mosernikolausmaler Sali Ölhafen Shuvo Rafiqual @markussaile @minhdung.vu @minhdung.vu On view until 29 March 2026 @kuenstlerhauswien 📷 Charim Galerie, Rudi Froese, Daniel Karrer, Courtesy Galerie Krinzinger/Tamara Rametsteiner, Gerlinde Thuma, Sali Ölhafen, Klaus Wanker, Sandra PHOTO-ART-DESIGN, Minh Dung Vu #strabagart #strabagartaward #artcollection #exhibition #imerweitertenraum
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"It's comparable to looking through a magnifying glass or a telescope: you see something bigger, more details, but you often still feel that you see it better with your own eyes." Daniel Karrer *** In a visual culture defined by speed and immediacy, painter Daniel Karrer deliberately slows the image down. Our interview explores chance and control, surface and depth, and the charged space between the viewer and the work. *** Coming soon on The Jewelry Icon website: interview with Daniel Karrer (link in bio) *** Image courtesy: Daniel Karrer *** @karrerdaniel @thejewelryicon #TheJewelryIcon #DanielKarrer #ContemporaryPainting #ReverseGlassPainting #ArtInterview
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"I don't want to make cool digital images. I want the sensuality of painting. Of course, some of this is lost through the glass, but on the other hand, the presence and luminosity of the paint and the brushstrokes are reinforced. It is a sacrifice." Daniel Karrer *** How does a three-millimetre sheet of glass transform the way we see a painting? We speak with Daniel Karrer about working behind glass, painting “blind,” and navigating the tension between digital precision and the sensuality of paint. *** Coming soon on The Jewelry Icon website: interview with Daniel Karrer (link in bio) *** Image courtesy: Daniel Karrer *** @karrerdaniel @thejewelryicon #TheJewelryIcon #DanielKarrer #ContemporaryPainting #ReverseGlassPainting #ArtInterview
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"I don't like to fiddle around with details. This often causes a loss of power in the image. The emptiness is full of potential!" Daniel Karrer *** A new conversation with Daniel Karrer. In this in-depth interview, the artist discusses reverse glass painting as a method of resistance: introducing distance, reflection, and controlled accident into the act of image-making. *** Coming soon on The Jewelry Icon website: interview with Daniel Karrer (link in bio) *** Image courtesy: Daniel Karrer *** @karrerdaniel @thejewelryicon #TheJewelryIcon #DanielKarrer #ContemporaryPainting #ReverseGlassPainting #ArtInterview
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Don’t miss the chance to take a closer look at Daniel Karrer’s intriguing works on view in “to make appear” @mountains_berlin until Feb 28. Daniel Karrer (b. 1983, in Binningen, lives and works in Basel, CH) primarily works in the technique of reverse glass painting. Applying and manipulating vibrant layers of paint onto the back of the glass, he creates intriguing compositions that oscillate between figuration and abstraction. While engaging with the visual possibilities of digital imagery, Karrer’s practice is deeply rooted in the pictorial tradition and his technique’s long history in sacral art. Images: 1. Untitled, 2025 oil, gouache, reverse glass painting 62 x 82 cm 2. Untitled, 2023 oil, acrylic, ink, reverse glass painting 50 x 40 cm 3. Untitled, 2024 acrylic, reverse glass painting 64 x 52 cm 4. Untitled, 2025 oil, reverse glass painting 50 x 40 cm 5. Untitled, 2025 oil, reverse glass painting 31 x 25 cm 6. Untitled, 2024 oil, reverse glass painting 31 x 25 cm 7. Untitled, 2025 oil, acrylic, reverse glass painting 31 x 25 cm 8-10 Installation views, photo: @julie_becquart 1-7, photos courtesy the artist and @tonywuethrichgalerie
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#danielkarrer #groupshow #stefaniebringezu   Daniel Karrer, Untitled, 2025   Oil, acrylic, ink, glass, wood 50 × 40 × 4 cm Courtesy the artist and Tony Wuethrich Galerie   As part of ‚to make appear‘ (Jan 17 – Feb 28, 2026), curated by Stefanie Bringezu, currently on view at the gallery. Exhibition view by Julie Becquart L-R: Shinoh Nam, Daniel Karrer, Philipp Schwalb Courtesy the artists; Daniel Karrer courtesy the artist and Tony Wuethrich Galerie.   Daniel Karrer (b. 1983, lives and works in Basel, Switzerland) primarily works with reverse glass painting, a technique with a long and rich history in sacral art. Applying and manipulating vibrant layers of paint onto the back of the glass, he creates intriguing compositions which oscillate between figuration and abstraction. His practice is rooted in the pictorial tradition while engaging with the visual possibilities of digital imagery and evoking the aesthetics of screens.   For further information do not hesitate to contact us at info@mountains.gallery   @mountains_berlin @stefaniebringezu @karrerdaniel @tonywuethrichgalerie
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