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Ever wondered what it takes to fly?🧚‍♂️ Then watch Iverson Yabut (Peter Pan) and Emmy Stonelake (Tinker Bell) take to the skies at @wmcircuscentre as they rehearse the magical flight sequences for our Christmas production of Peter Pan! We can't wait for you to see them take flight straight on 'til morning this festive season! 🌟 📅 Wed 18 Nov – Sun 17 Jan 🎟️ Tickets on sale from birmingham-rep.co.uk 📽️ by @elliotfilms_ Flying Director: John Maddox Counterweights: Kim Wildbourne and Sadiq Ali
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Chuffed to have captured these blissful moments in Lesvos with dream crew !!! Guys I love taking photos on film ! Who knew !
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Come to see Emmy do her thing!!
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Now that we're officially five months away from Christmas, we couldn't wait any longer to share a little sprinkle of Neverland magic with you! 🧚‍♂✨ Feast your eyes and ears on a little teaser from our festive production of Peter Pan, featuring the gorgeous voices of @sylviaamber (Wendy) and @lallyst (Tinker Bell) performing 'Why Would I Do That?' 🎶 With original music by Ruth Chan and lyrics by Phil Porter, this is just a taste of the enchantment awaiting you this festive season! From our Artistic Director Joe Murphy, fresh from his triumph with Sweeney Todd, comes a faithful retelling of J M Barrie's beloved tale - complete with Peter, Wendy, Tinker Bell, The Lost Boys, Hook, and of course... flying! 🏴‍☠️ 📅 Wed 18 Nov – Sat 17 Jan 🎟️ Tickets on sale from birmingham-rep.co.uk 🎥 @elliotfilms_ Further casting to follow! 😉
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From the archive, 2019 poster photography and image design by me for @theatr.cymru double bill of Merched Caerdydd by Catrin Dafydd / Nos Sadwrn o Hyd by Roger Williams. Shot in two sessions, one portrait session with the actors @lallyst and @sionifan in my studio and another session capturing light trails of buses and other random traffic late night in Cardiff city centre 🚌 💡 2nd image poster design by @tobynelmes
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“This Dream is a lean, joyful production that doesn’t just entertain its young audience but actively invites them into the storytelling process, proving that the themes of empathy, flexibility, and transformation are as magical as they are essential for the next generation of theatregoers.” ⭐️⭐️⭐️⭐️ Mark reviews A Midsummer Night’s Dream at which runs at @thersc’s The Other Place until Sunday 30th August. You can read the full review at www.beyondthecurtain.co.uk Production photos by Ellie Kurttz.
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yeeeeeahhhh bit nice actually
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Panto, Xmas, NYE and some other bits (on film !!!)
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The Unicorn Theatre and the Royal Shakespeare Company (RSC) announce the cast for A Midsummer Night’s Dream. A World Premiere production, the fresh retelling of Shakespeare’s classic comedy is for everyone aged seven and up and is the first major collaboration between the Unicorn, the UK’s leading theatre for young people and the RSC, representing a landmark partnership in children’s theatre between two industry leaders. The cast includes Boni Adeliyi (Helena/Starveling), Kaireece Denton (Lysander/ Snug), Amelia Donkor (Titania/Hippolyta), Joséphine-Fransilja Brookman (Puck), Shahin Rezvani (Demetrius/Flute), Emmy Stonelake (Bottom/Egeus), Scout Worsley (Hermia/Quince), Chris Jared (Oberon/Theseus) and Talitha Christina (Understudy). A Midsummer Night’s Dream will open at the Unicorn Theatre, running Saturday 21 March to Sunday 10 May 2026, before transferring to the RSC from 19 June to 30 August
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In the last few weeks, I've been hashtagblessed enough to have had two workshop showcases of two musicals, Sweet Henry Vee at @therepbirmingham and @sohoplace as well as @babyfacemusical with @pwprods and @_jafariqbal_ at @storyhouselive and @thepleasance . Two very different shows (united by a heavy density of orifice gags obvs) but both having fierce joy at their heart. I couldn't have imagined or wished for better teams, collaborators and casts for either. They also both seemed to go down and absolute utter storm with audiences, which is a bloody BUZZ. I'm so so so so happy to get to be working with such ridiculously phenomenal people. I know, Blah blah blah but it's true. Apex bloody wonderful people, and mad berserker legends. See! People say I'm negative about everything! Here! See? I'm sometimes not! Also this still makes the show look like some kind of American Les Mis. It is. Pretty much. This setup is from the finale of act one of BabyFace, the epic match "Gays Vs Christians". It's a very cerebral political piece. Anyway, I'm fricking thrilled about these two shows , as well as the other four or so that are coming up. And I don't take that for granted. Thank you thank you everyone. And I'm shit at tagging: I tried to find everyone but blatantly failed to. Standard. Feel free to correct my mistakes! And with that, in the words of Jane Christian: end of message bong bing. Xxx
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🖤🤍
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BEAUTY & THE BEAST | @storyhouselive My professional debut! What a phenomenal opportunity to work alongside such a talented cast and creative team. I’m so grateful to have been part of this hilarious project, and to share my first job with such kind, generous, and brilliant people. Thank you for all the laughs and lessons! Lots of love, gang! ❤️ CAST: @thorichardson @lallyst @tomboyliving @viswanathan_pranav @mims_ob @katarina.zofia @itscaitdrake @danielbowskill_ @tom_pigram @poppy.afolabi @alfie.oco4 CREATIVE TEAM: Writer: Anne Odeke @anne.odeke Director: John Young @johnyoung91 Assistant Director: Clara Carson @claralouisacarson Set and Costumes Designed by: Amy Jane Cook @amyjanec00k Musical Director: Rebecca Applin Choreographer: Christopher Tendai @christophertendai Assistant Choreographer: Chloe Vickers @chloevickers91 Lighting Designer: Aaron J Dootson @aaronjdoots Sound Designer: Kieran Lucas @kielucas Fight and Intimacy Director: Kaitlin Howard @kaitlinhowardfightdirector Head of Producing: Helen Redcliffe @helenredcliffe Producer: Amy Tulley amy_tulley Production Manager: Jim Davis Production Assistant: Abbie Taylor @abbietay Head of Technical and Facilities: Tommy Biglin Tom Technical Manager: Dan Bradley Senior LX Technician: Leuan Reeve Senior Technician: Ryan Bird Sound No. 1: Dan Langton Sound No. 2: Max Lewis Technician: Amy Goater Technician: Kelly Selvester Technician: Laurence Noble Followspot: Bex Dulson Followspot: Max Wilson Captions: Natasha Branson Company Stage Manager: Emily Buckland @emilyoncoms Deputy Stage Manager: Saf Horrocks @safhorrocks Assistant Stage Manager: Eliza Badham-Moore Tech Assistant Stage Manager: Halle Kisby WARDROBE AND COSTUME: Manager: Shellby Hamer Wardrobe Assistant and Dresser: Bridget Lusk Maker and Cutter: Grace Fernyhough Maker: Christy Reeve Costume Maker: Kathryn Shingler Costume Maker: Natasha Branson Costume Props: Abbie Jones Prop Maker: Sophie Barrick Set Build: John Ellis, Centre Stage Scenery Scenic Artist: Heritage Scenic Studio Ltd Performer Flying: Blue Chilli Flying PHOTOGRAPHY CREDITS: @charlieflintphotography & @alfie.oco4 🐐
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