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Alan Reid
Yes!
2023
Acrylic on linen
50h x 36w in.

My exhibition “Poison Pen” at Ruschman Gallery in Chicago closes this week. Bon voyage! @ericruschman #ruschmangallery #alanreid #poisonpen

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Alan Reid
CTRL+ALT+DELETE
2023
Acrylic on linen
29h x 21w in.

Last week to see my exhibition Poison Pen, @ericruschman in Chicago! #alanreid #ruschmangallery

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Still time to catch my exhibition Poison Pen at Ruschman gallery - or view the installation images on Eric’s website www.ruschman.blue.

And I’m thankful to the inimitable Matt Morris @heartmattmorris for writing on behalf of the work!

@ericruschman

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Alan Reid
Italian Summer Abroad, 2023
Acrylic on linen
27h x 20w

Included in Poison Pen, at Ruschman Gallery, Chicago! @ericruschman #alanreid #ruschmangallery

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Alan Reid
Paul Bowles, 2023
Acrylic on linen
20 x 28 inches

Included in “Poison Pen” at Eric Ruschman, Chicago

@ericruschman #alanreid #ericruschman #paulbowles

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The Tortured Artist of Saint-Tropez
2023
Acrylic on linen
21 x 28 inches

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On view as part of my exhibition Poison Pen at Eric Ruschman in Chicago.

@ericruschman #alanreid #torturedartist

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I’m not sure promoting one’s art practice in this complicated moment is of value, but I made some paintings and hope you can see them. “Poison Pen” opens on Saturday, Nov 18th, 5-8pm at Ruschman, Chicago. @ericruschman

“Les Fleurs du Mal”
2023
Acrylic on linen
30h x 22w in.

#alanreid #ericruschman #charlesbaudelaire

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Excited to be opening “Poison Pen”, an exhibition of new paintings, this Friday, Nov 18th, 5-8pm at RUSCHMAN in Chicago! @ericruschman

Prometheus flyer by my bandmate Matthew Brannon @matthew_brannon_1

From Matt Morris’s @heartmattmorris stellar press release:

“Alan Reid’s canvases are replete with lush intertextuality, stacking pictorial devices, ideological fragments, and slyly deranged missives stammering with the vestiges of a waning education class elevated into multifaceted enigma. Each painting signals sparkling with the refined syntaxes of a dandy interloping through the cultural economies of advanced capital, possessed of a gait and manner simultaneously Edwardian and futurist. Bruising nomenclature’s contingency on context to decipher the differences between esoterica and absurdism, Reid’s latest body of work is an eclectic reading list comprising Freudian slips, cognitive rhymes, and other unlikely juxtapositions in service to the associative or even the suggestive: amidst the plush frippery issue variously indirect yet potent indications of thick erotic subtext and the sadism of signification.”

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“Monsieur, This Corpse Speaks Exquisitely,” 2023
Acrylic on linen, 26h x 19w in

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Installation images now online! “Unreliable Narrator,” at Soldes, Los Angeles. Curated Jan Tumlir with work by me and Matthew Brannon. Soldes.La @soldes.la

Jicama just woke up but she’s a fan.

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Make plans to stop by this weekend and see Night Scenes, a group exhibition curated by Sun You and Dominic Terlizzi. Featuring works by Richard Bosman, Ethan Greenbaum, Matt Jones, Christina Yuna Ko, Larysa Myers, Sarah Palmer, Alan Reid, Vanessa Gully Santiago, Ginevra Shay, Yuri Yuan and Monsieur Zohore.⁠
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Pictured Above:⁠
Alan Reid⁠
Dead Air,⁠
2021,⁠
Acrylic on linen,⁠
20x15 inches⁠
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Alan Reid is a painter who was born in Texas and currently lives in Brooklyn. He has presented solo exhibitions at Lisa Cooley, New York; Mary Mary, Glassgow; A Palazzo, Brescia and Patricia Low, Gstaad. His monograph “Warm Equations” is published by Patrick Frey. He curated the exhibition Air de Pied a Terre, at Lisa Cooley, NY. Reid’s work has been reviewed by Bomb, Frieze, Vogue, NYTimes, New Yorker, among others. He both writes and speaks about art, on occasion. Alan received an MFA at the Maryland Institute College of Art in Baltimore, MD in 2008, a BFA from the University of North Texas, Denton, TX, 2003 and attended the Summer Program at Yale University, New Haven, CT in 2001.

#tigerstrikesasteroid

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R is for Adrianne Rubenstein and Alan Reid!
Animal Crossing continues - link to viewing room in bio.

Adrianne Rubenstein
“Soliloquy,” 2015
oil on panel
32 x 23 in (81.3 x 58.4 cm)

Alan Reid
“Affection and Contempt,” 2020
Acrylic on Canvas
20 x 15 in (50.8 x 38.1 cm)

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Review of Warm Equations in Bomb Magazine! @ted_dodson @langue_pendue

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