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You can’t “fix it in post” if you didn’t plan for it in pre.⁠
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Two weeks.⁠
Five+ scenes.⁠
Ten+ actors.⁠
One massive deadline.⁠
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The solution? Shoot everything on green screen, composite every environment, and pull off explosions + gunfights — all in under 14 days.⁠
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Sounds insane. It was. But it worked because:⁠
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Pre-production is king. Green screen doesn’t forgive sloppy planning. Every shot must be mapped before rolling.⁠
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Trust the experts. A killer editor + on-set VFX supervisor saved time, stress, and gave us creative freedom later.⁠
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The truth: directing isn’t about doing it all — it’s creating the conditions for excellence. Collaboration isn’t weakness; it’s the only way to build something bigger than yourself.⁠
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The client loved it. We hit the deadline. And I walked away sharper.⁠
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For creatives: plan like hell, bring experts in early, and build a team that makes you dangerous. Because great work isn’t built alone.⁠

I also had a blast acting in this project and working my Irish accent, how’d I do? 🤣🇮🇪
Producer: @kyleloftusstudios
Director: @kyleloftusstudios
DOP: @kyleloftusstudios
Screenwriter: Tommy Oliver
Camera Operator / Key Gaffer : @enmanuelzabala18
Boom Operator / Sound Mixer: @ljrichner
Assistant Camera / BTS: @cinematicframesstudios
Editor & Colorist: @_jpsinger
VFX Artist: @sureshot.sammy
Dick Brown: Tommy Oliver
Off-camera Interviewer: @kyleloftusstudios
Detective John: @kyleloftusstudios
Sarah: @idkrnyup
Extras:
@jdubtheactor
@clintond13
@nginestatic
@nattt_johnson
@museumofmadi
@leahe40
@geoffrey_fella
@druesparker #filmmakinglife #cinematography
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